{"title":"Antonella Ranaldi","description":"\u003cp\u003eAntonella Ranaldi, architetto specialista in restauro dei monumenti e dottore in Storia dell’Architettura, dal 2009 dirigente del Mibact, è Soprintendente archeologia, belle arti e paesaggio per la città metropolitana di Milano. Ha diretto diversi restauri, tra cui quelli della chiesa del SS. Salvatore a Bologna (dal 2002 al 2008) e dell’ex monastero benedettino dei Chiostri di San Pietro a Reggio Emilia (dal 2004 al 2009). Ha insegnato con continuità Restauro architettonico alla Facoltà di Architettura dell’Università degli Studi di Bologna (dal 2002 al 2009). Coltiva e coniuga l’interesse per la storia dell’architettura e per il restauro.\u003c\/p\u003e","products":[{"product_id":"umbracula-e-i-due-savi-di-fausto-melotti","title":"Umbracula e i Due Savi di Fausto Melotti","description":"\u003cp\u003eThe \u003cstrong\u003eXXI Triennale 2016\u003c\/strong\u003e filled Milan with design, art and architecture. Among the trees in the gardens, to the left of the entrance to the Palazzo della Triennale, in the heart of the exhibition, the Commission for Fine Arts and Landscapes has erected a small pavilion, a fret-worked shell which plays with light and shade, \u003cstrong\u003e\u003cem\u003eUmbracula\u003c\/em\u003e\u003c\/strong\u003e, inspired by the intertwined shoots and branches of the Sala della Asse by Leonardo in the Castello Sforzesco. It has been called \"architecture of the shadows.\"\u003c\/p\u003e\r\n\u003cp\u003eThe author of the book \u003cstrong\u003eAntonella Ranaldi \u003c\/strong\u003e(the Commissioner for Archeology, Fine Arts and Landscape for Milan) has exhibited two \u003cem\u003eSages of Greece\u003c\/em\u003e by Fausto Melotti in the pavilion, and with Fulvio Irace, she has proposed the \u003cem\u003eAfter\u003c\/em\u003e in the theme of the additions to the existent in the architecture. The \u003cem\u003eSages\u003c\/em\u003e are the two focus points of the pavilion in the shape of an ellipse designed by \u003cstrong\u003eAttilio Stocchi\u003c\/strong\u003e, in a space that take the form of a pergola; a display, presided over by the two \u003cem\u003eSages\u003c\/em\u003e, of the modern herms of the wisdoms of antiquity, marked by \u003cstrong\u003eItalo Lupi\u003c\/strong\u003e's Totem.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cem\u003eSages\u003c\/em\u003e maintain a dispute on the After, which is the theme of the \u003cstrong\u003eXXI Triennale 2016 - design after design -\u003c\/strong\u003e on the becoming of architecture. They rise up majestically, in the multiple counterpoint of the pilaster-totem, in a prismatic shape which recalls the \u003cem\u003eCostante uomo\u003c\/em\u003e in plaster by Fausto Melotti, a prototype of the \u003cem\u003eSages\u003c\/em\u003e in the Triennale from 1936 and 1940. Their debate on architecture and contemporaneity continues.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629415588170,"sku":"L116","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/umbracula.png?v=1768326714"}],"url":"https:\/\/corraini.com\/en\/collections\/antonella-ranaldi.oembed","provider":"corraini-shop","version":"1.0","type":"link"}