{"title":"Arte","description":"","products":[{"product_id":"giosetta-fioroni-teatrino","title":"Giosetta Fioroni. Teatrino","description":"\u003cp\u003eText by Guido Ceronetti, Antonin Artaud, H. Von Hofmannsthal, Rainer Maria Rilke, Heinrich Von Kleist.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53581004276042,"sku":"A1","price":5.2,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/teatrino_4909106b-0dbe-429b-ae96-b9ea3bd7bc45.png?v=1768324886"},{"product_id":"luca-sanjust","title":"Luca Sanjust","description":"","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53581004439882,"sku":"A3","price":5.2,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/luca-sanjust-1990_c65d9922-c46d-45d3-a8ea-380cd8e25e8d.png?v=1768324889"},{"product_id":"intanto","title":"Intanto...","description":"\u003cp\u003e\u003cstrong\u003eWithout a beginning and nor an end\u003c\/strong\u003e because all since \"everything is happening now and immediately\" \u003cstrong\u003ethe story begins (and ends) from whichever page\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eEvery action illustrates what is happening on the earth in a precise moment and it is told through \u003cstrong\u003eimages \"embroidered\" on the sheet\u003c\/strong\u003e, where the only written word \"meanwhile...\" refers to the next or previous page.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53581238731082,"sku":"B32","price":21.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/paul-cox-intanto.jpg?v=1768325116"},{"product_id":"pensare-confonde-le-idee","title":"Pensare confonde le idee","description":"\u003cp\u003e\u003cem\u003ePensare confonde le idee\u003c\/em\u003e is a playful tale by \u003cstrong\u003eBruno Munari\u003c\/strong\u003e about the possibility of making an underground city with a green roof-lawn.\u003c\/p\u003e\r\n\u003cp\u003eThe accumulation of inventions and accessories and the excess of artifice leads to the monotony of perfection with a high rate of contamination. Will we eventually be forced to retreat underground? Munari crosses the modern city and the \"Civilization of Turnover\" with a view that is sometimes ironic but more often bitter. His reflections make a space for themselves among the drawings of grass and green plants by some junior school children.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003ePensare confonde le idee\u003c\/em\u003e is part of the \u003cstrong\u003eBlock Notes\u003c\/strong\u003e series, created by Bruno Munari in 1992 for Corraini, an open collection of projects. These included creative examples of how to use art playfully and intelligently. The books in the series are characterized by their grey covers, pocket-size dimensions and the holes on the cover which prompt the reader to \"wander in\" through to the book itself.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629338747210,"sku":"BN4","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/pensare-confondere-le-idee.png?v=1768325313"},{"product_id":"quello-che-ho-imparato","title":"Quello che ho imparato","description":"\u003cp\u003eA singular poetic work by the great Italian painter which contains documents and comments about his encounters with other intellectuals.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eQuello che ho imparato\u003c\/em\u003e is part of the \u003cstrong\u003eBlock Notes\u003c\/strong\u003e series, created by Bruno Munari in 1992 for Corraini, an open collection of projects. These included creative examples of how to use art playfully and intelligently. The books in the series are characterized by their grey covers, pocket-size dimensions and the holes on the cover which prompt the reader to \"wander in\" through to the book itself.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629338779978,"sku":"BN6","price":11.4,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/quello-che-ho-imparato.png?v=1768325314"},{"product_id":"le-ore","title":"Le ore","description":"\u003cp\u003e\u003cem\u003eLe ore\u003c\/em\u003e is part of the \u003cstrong\u003eBlock Notes\u003c\/strong\u003e series, created by Bruno Munari in 1992 for Corraini, an open collection of projects. These included creative examples of how to use art playfully and intelligently. The books in the series are characterized by their grey covers, pocket-size dimensions and the holes on the cover which prompt the reader to \"wander in\" through to the book itself.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629338845514,"sku":"BN9","price":7.75,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/le_ore.png?v=1768325316"},{"product_id":"ma-chi-bruno-munari","title":"Ma chi è Bruno Munari?","description":"\u003cp\u003eMunari the painter, designer, graphic artist, inventor, architect, sculptor, writer, planner, philosopher, teacher, educator, explorer. Munari pioneer of ideas and situations, thought provoker but lover of harmony, ironic, poetic, reflective, intuitive, eclectic, rational, ingenuous, simple, complex, light, profound. Munari undoubtedly first and foremostan artist. But what do we intend by the word “art” when faced with someone who has constantly questioned its limits, those boundaries that have turned the borderless world of creativity into a series of compartments for specialists?\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eMa chi è Bruno Munari?\u003c\/em\u003e is part of the \u003cstrong\u003eBlock Notes\u003c\/strong\u003e series, created by Bruno Munari in 1992 for Corraini, an open collection of projects. These included creative examples of how to use art playfully and intelligently. The books in the series are characterized by their grey covers, pocket-size dimensions and the holes on the cover which prompt the reader to \"wander in\" through to the book itself.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003e\u003cem\u003eThis book is also available in\u003c\/em\u003e \u003ca href=\"https:\/\/corraini.com\/en\/who-on-earth-is-bruno-munari.html\"\u003eEnglish\u003c\/a\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629339140426,"sku":"BN12","price":8.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/ma-chi-e-bruno-munari-_ita.png?v=1768325319"},{"product_id":"prima-del-disegno","title":"Before the drawing","description":"\u003cp\u003eHow important is the sign for the drawing? With this question \u003cstrong\u003eBruno Munari\u003c\/strong\u003e opens \u003cem\u003eBefore the drawing\u003c\/em\u003e, an issue belonging to the \u003cstrong\u003eBlock Notes\u003c\/strong\u003e series, created by Munari for Corraini in 1992: a free collection of projects with creative implications. A collection of ideas and examples of artistic work as input for everyone's \"intellectual playing\", recognizable in its graphic design through its grey covers, the pocket format and the holes on the cover, which urge the reader to browse through the book.\u003c\/p\u003e\r\n\u003cp\u003eIn this volume, the sign becomes the signature of the most free experimentation, accompanied by captions in Italian, English, French and German.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003epencil's markings left almost free on paper\u003c\/strong\u003e make this book a family album; a collection of all the portraits of that ink sign which on paper becomes the start of a meadow, a poisonous insect, a spinning top that turns while standing still.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629339173194,"sku":"BN13","price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/prima-del-disegno.png?v=1766151384"},{"product_id":"sentinelle-dal-becco-avvelenato","title":"Sentinelle dal becco avvelenato","description":"\u003cp\u003e\u003cem\u003eSentinelle dal becco avvelenato\u003c\/em\u003e is part of the \u003cstrong\u003eBlock Notes\u003c\/strong\u003e series, created by Bruno Munari in 1992 for Corraini, an open collection of projects. These included creative examples of how to use art playfully and intelligently. The books in the series are characterized by their grey covers, pocket-size dimensions and the holes on the cover which prompt the reader to \"wander in\" through to the book itself.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629339238730,"sku":"BN14","price":8.2,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/sentinelle-dal-becco-avvelenato.png?v=1766151387"},{"product_id":"mostra-collettiva-di-bruno-munari","title":"Mostra collettiva di Bruno Munari","description":"\u003cp\u003eMunari talks about himself with his usual humour and shows us some \u003cstrong\u003eexceptional pictures from his own personal album\u003cstrong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003e\u003cem\u003eThis book is also available in\u003c\/em\u003e \u003ca href=\"https:\/\/corraini.com\/en\/a-collective-exhibition.html\"\u003eEnglish\u003c\/a\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629339271498,"sku":"BN15","price":8.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/mostra-collettiva-di-bruno-munari_ita.png?v=1768325346"},{"product_id":"teoremi-sull-arte","title":"Art theorems","description":"\u003cp\u003eFirst published by Scheiwiller in 1961 the Milanese master’s historic \u003cem\u003eArt theorems\u003c\/em\u003e is added to the Block Notes series, conceived and directed by Bruno Munari. The book includes a sharp and amusing collection of brief considerations about art which still make us smile and reflect today.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eBlock Notes\u003c\/strong\u003e series was created by Bruno Munari in 1992 for Corraini, an open collection of projects. These included creative examples of how to use art playfully and intelligently. The books in the series are characterized by their grey covers, pocket-size dimensions and the holes on the cover which prompt the reader to \"wander in\" through to the book itself.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629339337034,"sku":"BN16","price":13.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/teoremi-sullarte.png?v=1768325348"},{"product_id":"la-mensa-delle-culture","title":"The dining table of cultures","description":"\u003cp\u003e\u003cem\u003e\"Understanding and accepting the Other is the most threatening dare that recent history challenges us\"\u003c\/em\u003e, says Angela Vettese, editor of this book. \u003cstrong\u003eMichelangelo Pistoletto\u003c\/strong\u003e picks up this dare and shows us \u003cstrong\u003esix \"dining tables of cultures\", projected thinking at the form of the seas that link different people, landscapes and cultures\u003c\/strong\u003e: from Mediterranean sea to Baltic, from South China sea to Caribbean sea, without forgetting Black and Red sea.\u003c\/p\u003e\r\n\u003cp\u003eIf a sea joins, an island can be the setting of a world in which art claims a responsible change in society: in San Servolo island near Venice, the italian artist presented Cittadellarte, some installations that show a different social structure in politics, communication, works, economics and so on.\u003c\/p\u003e\r\n\u003cp\u003eEven the book's construction reflects Pistoletto's sensibility towards nature: \u003cstrong\u003eevery page, included cover, are made of aluminium\u003c\/strong\u003e. Some of these are punched and, like open doors, show the concepts on which is based the new civilization pushed by Cittadellarte.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629340090698,"sku":"CR10","price":500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/pistoletto_la_mensa_delle_culture_b2ef47fb-23fe-43a5-a713-d39e9035598e.jpg?v=1768325371"},{"product_id":"alberto-zorzi","title":"Alberto Zorzi","description":"\u003cp\u003eThe book collects some of the most fascinating jewelry-sculptures designed by this Paduan artist.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629340844362,"sku":"9788886250993","price":23.25,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/alberto_zorzi.png?v=1768325408"},{"product_id":"inventario-06","title":"Inventario 06","description":"\u003cp\u003eThe latest issue of \u003cem\u003eInventario\u003c\/em\u003e takes a 360 degree view of the design tradition. The magazine\/book deals this time round with architecture, design and art, all combined with real, everyday life.\u003c\/p\u003e\r\n\u003cp\u003eIssue number 06 opens with a focus on \u003cstrong\u003eGlobes\u003c\/strong\u003e, an instrument which, seen through the changes it has undergone through time, is currently gaining new vitality and unparalleled modernity. As always \u003cem\u003eInventario\u003c\/em\u003e directs its flow of objects and thoughts through its customary columns.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eStefano Salis\u003c\/strong\u003e talks about the Life as project of Alberto Casiraghy, tireless founder of publishing company Pulcinoelefante. Since its beginning in 1982 it has worked with some of the major writers, poets and artists of our time, never ceasing to publish a book a day and using its own premises, fine paper and a press or an Audax Nebiolo. \u003cstrong\u003eMichele Calzavara\u003c\/strong\u003e takes us through the work of Getulio Alviani, an attentive “creator of surfaces” where his matter is often transformed, to become something else of its own accord. \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e introduces us to the world of the folding bicycle in his Short Notes, while in an openly Munari-inspired column (Good Design), \u003cstrong\u003eDeborah Duva\u003c\/strong\u003e entertainingly describes the perfect “design” of a pomegranate. These are followed with photos by \u003cstrong\u003eGuido Guidi\u003c\/strong\u003e who teaches us how to look at what only appears to be nothingness, Bagatelle by \u003cstrong\u003eFrancesco M. Cataluccio\u003c\/strong\u003e and \u003cstrong\u003eMichela Dossi\u003c\/strong\u003e on the subject of rain, and with a conversation between \u003cstrong\u003eMarco Romanelli\u003c\/strong\u003e and New Master Pierre Charpin. And much more besides.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 06\u003c\/em\u003e: Roberta Valtorta on Guido Guidi, Francesco M. Cataluccio and Michela Dossi on Rain, Roberto Marone on Fog, Alessandro Rocca on Yves Brunier, Deborah Duva on the Pomegranate, Marco Romanelli interviews Pierre Charpin, Angelika Burtscher and Daniele Lupo interview Studio Moniker - Luna Maurer, Daniele Greppi on Matteo Ragni, Michele Calzavara on Getulio Alviani, Matteo Pirola on Red \u0026 Blue, Giulio Iacchetti on Folding Bicycles, Cristina Miglio on Anna Gili and Animals, Paolo Bocchi on Martì Guixé, Francesco Garutti on Martin Creed.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629341073738,"sku":"D103","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_06.jpg?v=1768325415"},{"product_id":"inventario-07","title":"Inventario 07","description":"\u003cp\u003eNow in its seventh edition, \u003cem\u003eInventario\u003c\/em\u003e continues to detail design culture from a number of diverging points of view, and this time research dedicated to the book object has been selected as a starting point – \u003cstrong\u003enot the book as a physical product, however, but as a world of things and actions whose designs have been inspired by the book, and are related to it\u003c\/strong\u003e. A collection of objects that mark the advancement of reading, tools to help readers, structures that hold and sort rows of books, lamps and other decorative objects that have been made for and with books, and, how fundamental constructive and structural elements are found even within books themselves.\u003c\/p\u003e\r\n\u003cp\u003eInside \u003cem\u003eInventario\u003c\/em\u003e, we find, faithfully, the columns that carry out the task of organising the flow of objects, thoughts and words in-between the turning of pages. In this edition, \u003cstrong\u003eElio Grazioli\u003c\/strong\u003e speaks of Claudio Parmiggiani’s “delocazione” which converts a room into a type of three-dimensional sensitive plate, upon which the shape of objects stand out. Meanwhile, in the Architect’s Manual, \u003cstrong\u003eMariana Siracusa\u003c\/strong\u003e tells us how artists and designers have managed and reinterpreted a rational space: the corner, which in itself is not very welcoming. \u003cstrong\u003eFrancesco Garutti\u003c\/strong\u003e tells us about Blinky Palermo, who redefined the language of painting. Among the New Masters, we find \u003cstrong\u003eMartí Guixé\u003c\/strong\u003e, Catalan food designer, true innovator of food design who, in this interview with \u003cstrong\u003ePaolo Bocchi\u003c\/strong\u003e, illustrates his personal and professional journey. Then, there is the work of Umberto Riva in an article by \u003cstrong\u003eMichele Calzavara\u003c\/strong\u003e, paper knives explained by \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e, sofas and chairs by \u003cstrong\u003eNina Saunders\u003c\/strong\u003e, travel paintings by \u003cstrong\u003eVittoria Chierici\u003c\/strong\u003e and the new talents of Near Future (Stéphanie Baechler, Denise Bonapace, James Teng). And much more.\u003c\/p\u003e\r\n\u003cp\u003eThe contributors to \u003cem\u003eInventario 07\u003c\/em\u003e: “Around books” by Stefano Salis and Annalisa Ubaldi, Daniele Greppi on Joy by Achille Castiglioni, Mariana Siracusa on Corners, Francesco Garutti on Blinky Palermo, Judicious pairings by Matteo Pirola, Martí Guixé interviewed da Paolo Bocchi, Deborah Duva on Nina Saunders, Angelika Burtscher and Daniele Lupo interview Maruša Sagadin, Near Future by Cristina Miglio, Giulio Iacchetti on Paper Knives, Michele Calzavara and Mirko Zardini on Umberto Riva, Anna Meroni and the “creativity necessary for the future”, Francesco M. Cataluccio, with illustrations by Marco Manini, on Vittoria Chierici.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629342024010,"sku":"D112","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_07.jpg?v=1768325428"},{"product_id":"inventario-08","title":"Inventario 08","description":"\u003cp\u003eThe 8th \u003c\/span\u003eissue of \u003cem\u003eInventario\u003c\/em\u003e opens with a cover story dedicated to the \u003cstrong\u003esuitcase, elaborated in different interpretations by nine authors\u003c\/strong\u003e who have worked on this container of personal effects, which, more so than other things, refers back to our own history and way of life.\u003c\/p\u003e\r\n\u003cp\u003eThe flow of ideas, objects and thoughts that passes through \u003cem\u003eInventario 08\u003c\/em\u003e embraces the life and works of Carlo Mollino, Rudolf Stingel, Allan Wexler, Jasper Morrison, Giovanni Levanti, Haim Steinbach, Roberto Salbitani and others. Particular attention is paid to the important of hands as a subject in art history, from the Lascaux Caves to Cattelan’s “L.O.V.E.” \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e’s Short Notes are dedicated to the bottle opener, and compiles some of the greatest designs of this object. Accompanying these are the new talents of Near Future (Marco Botti, Daniel Eatock, Helmut Smits), the surprises of Judicious pairings, the certainties of Absolutes, and much more besides.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 08\u003c\/em\u003e: “H as in Hands” by Francesco M. Cataluccio and Matteo Pirola, Deborah Duva on Rudolf Stingel, Manolo De Giorgi on Carlo Mollino, Daniel Greppi on Lucien Gumy’s disassemblale bookshelves, Hiroyuky Ikeuchi, Kohdai Iwamoto and Taitan Architects, Michele Calzavara on Allan Wexler, Jasper Morrison interviewed by Marco Romanelli, Giulio Iacchetti on bottle opener, Paolo Bocchi on Marco Botti, Daniel Eatock and Helmut Smits, Alessandro Mendini on Giovanni Levanti, Francesco Garutti on Haim Steinbach, Roberta Valtorta on Roberto Salbitani, Roberto Marone on Andrea Moscardi and Broomberg+Chanarin, Stefano Bartezzaghi on Bruno Munari’s Disturbi Semantici.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629342318922,"sku":"D117","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_08.jpg?v=1768325433"},{"product_id":"la-casa-morbida","title":"The Soft House","description":"\u003cp\u003e\u003cstrong\u003eTo mark “The Soft House” exhibition\u003c\/strong\u003e, \u003cem\u003eInventario\u003c\/em\u003e and the \u003cstrong\u003eMuseo Poldi Pezzoli\u003c\/strong\u003e once again deliberate on a specific topic, somewhere between art and the visual arts. In this case, it is a material and production technique, seemingly from days gone by, but in reality, it is very current: \u003cstrong\u003etextile design\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eThe Soft House\u003c\/em\u003e is configured as a collection of artworks and objects, featuring carpets that demonstrate an unexpected creative vitality and tapestries that are transformed into something else as they emerge from walls; with curtains and coverings that go beyond traditional decorated linear shapes, becoming functional objects, and upholstered elements that are anything but reminiscent of the usual chairs that we have seen for years. Last but not least, we see “items” of clothing that leave behind traditional consolidated typologies and move towards new hybridized products, somewhere \u003cstrong\u003ebetween fashion, art and design\u003c\/strong\u003e. A vast territory, also affected by the technological advances of our time, but especially ignited by a renewed interest in these artifacts which can contribute more than others to the idea of domesticity and the home that we all need and enjoy.\u003c\/p\u003e\r\n\u003cp\u003eAs with previous exhibitions curated by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e at \u003cstrong\u003eMuseo Poldi Pezzoli\u003c\/strong\u003e, (“Di vaso in fiore”, “Fare Lume” and “Intorno al libro”), each of these works will be taken from the most significant protagonists on the contemporary international design scene, from a summary of some of the \u003cstrong\u003egreat masters\u003c\/strong\u003e such as Bruno Munari and Ettore Sotssass, Alessandro Mendini and Vico Magistretti, and some of the \u003cstrong\u003enew players on the international scene\u003c\/strong\u003e, such as Hella Jongerius, Scholten \u0026 Baijings, Ronan and Erwan Bourollec, Martí Guixé, Luca Nichetto and Matali Crasset. Once again, there will be significant presence from the world of visual arts, \u003cstrong\u003eauthors who have always worked on “the story of the thread”\u003c\/strong\u003e, such as Ghada Amer, Stefano Arienti, Alighiero Boetti, Letizia Cariello, Wim Delvoye, Mariann Imre, Mike Kelley, Claudia Losi and Rosemarie Trockel.\u003c\/p\u003e\r\n\u003cp\u003eGiven the great relevance of the theme, and the number of works on display (more than 120), \u003cem\u003eThe Soft House\u003c\/em\u003e seeks to become \u003cstrong\u003ea reference point on contemporary “textile art”\u003c\/strong\u003e, structured like a real dictionary of keywords, types and designers, as well as featuring a number of essays by contemporary specialists and scholars.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629342417226,"sku":"D119","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/la_casa_morbida.png?v=1768325437"},{"product_id":"inventario-09","title":"Inventario 09","description":"\u003cp\u003eIn this ninth issue, and the first since being awarded the \u003cstrong\u003eCompasso d’Oro\u003c\/strong\u003e in May, \u003cem\u003eInventario\u003c\/em\u003e continues its wide-ranging exploration into design culture in a close dialogue between design, art and architecture, true to its multi-disciplinary approach.\u003c\/p\u003e\r\n\u003cp\u003eThe cover of this issue is dedicated to a natural, multifaceted yet essential element: \u003cstrong\u003ethe leaf\u003c\/strong\u003e. An element that has conquered the creativity of many designers and artists, who have been able to rework its shapes, colours and functions into the most diverse design objects, pieces of furniture and works of art. Inside \u003cem\u003eInventario\u003c\/em\u003e, we find features that organise the flow of thoughts, objects and images. In this issue, \u003cstrong\u003eMariana Siracusa\u003c\/strong\u003e tells us about the relationship between art and architecture in the work of Fred Sandback, \u003cstrong\u003eMassimo Curzi\u003c\/strong\u003e introduces us to Personal inventory in the fascinating work of A G Fronzoni; \u003cstrong\u003eCristina Miglio\u003c\/strong\u003e writes about a Myth of Today, Shiro Kuramata, while \u003cstrong\u003eMatteo Pirola\u003c\/strong\u003e tells us about Alessandro Mendini’s Normal Wonders; \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e’s Short Notes sheds light on an discreet multifunction object like the hanger; in Temporalia \u003cstrong\u003eGiacinto di Pietrantonio\u003c\/strong\u003e researches the design of an iconic character, Pinocchio, a work of craftsmanship in itself, and \u003cstrong\u003eMichele Calzavara\u003c\/strong\u003e delves into the work of a Crossover architect, Jürgen Mayer H.\u003c\/p\u003e\r\n\u003cp\u003eAll of the contributors to \u003cem\u003eInventario 09\u003c\/em\u003e: Mariana Siracusa on Fred Sandback, Massimo Curzi on A G Fronzoni, Francesco Garutti on “Kunsthalle Bern, 1992” by Michael Asher, Paolo Bocchi on water, Cristina Miglio on Shiro Kuramata, dialogue between Marco Romanelli and Johanna Grawunder, Matteo Pirola on Alessandro Mendini, Giulio Iacchetti on the hanger, Daniele Greppi on Domenico Busnelli’s spinning tops, Giacinto di Pietrantonio on Pinocchio, Martina Sanzarello on the “Judicious pairings”, Daniele Lupo and Angelika Burtscher in conversation with Manuel Raeder, Manolo De Giorgi on five architectural plants and Michele Calzavara on J. Mayer H.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629342777674,"sku":"D126","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_09.jpg?v=1768325449"},{"product_id":"tessere","title":"Weave","description":"\u003cp\u003eAn expressive urgency which others might transfer to canvas through straightforward painting, and which \u003cstrong\u003eRoberta Furlanetto\u003c\/strong\u003e translates into \u003cstrong\u003e'possible objects'\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eByzantine in her depth and richness of colour and compounded materials. There is nary a thread or a treatment that is not somehow also an experiment. Her work provides a rewarding \u003cstrong\u003esensory experience\u003c\/strong\u003e, and exists in a middle ground that is neither pure art nor mere fashion. It is a thoroughly personale language, and therefore doubly meaningful.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629343105354,"sku":"D18","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/tessere.png?v=1768325480"},{"product_id":"lo-schizzismo","title":"Lo schizzismo","description":"\u003cp\u003e\u003cstrong\u003e[Schiz-zìs-mo]\u003c\/strong\u003e noun\u003c\/p\u003e\r\n\u003cp\u003e1 Technique to produce hints, ideas and visions that exceed the subject’s needs of clearness, coherence and uniformity. Born at the beginning of the 21st century from the ashes of the uncertainty principle and the \u003cstrong\u003eincompleteness theorems\u003c\/strong\u003e, the S. defines itself as science of programming singularity and anomaly.\u003c\/p\u003e\r\n\u003cp\u003e2 Painting. In visual arts, \u003cstrong\u003eimpressionistic instantaneity\u003c\/strong\u003e in the use of the pen on the sheet, immediate imprint of the object onto the consciousness, run-up of the speed to the present.\u003c\/p\u003e\r\n\u003cp\u003e3 Figuratively. Architecture of \u003cstrong\u003espots\u003c\/strong\u003e and \u003cstrong\u003edoodles\u003c\/strong\u003e. \u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629345038666,"sku":"D42","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/lo-schizzismo.png?v=1768325518"},{"product_id":"useless-is-more","title":"Useless Is More","description":"\u003cp\u003eIndustrial design produces objects to be used, in which the function defines the reason of the project, and utility is the main assumption. On the contrary, art produces “useless” things (from a functional point of view), in which the key-role is their meaning.\u003c\/p\u003e\r\n\u003cp\u003eBetween art and design, \u003cstrong\u003eAdesign by JoeVelluto aims to use design for useless goals, facing meaning instead of utility\u003c\/strong\u003e. After the \u003cem\u003eManifesto dell’Adesign\u003c\/em\u003e, in \u003cem\u003eUseLess is More\u003c\/em\u003e JoeVelluto makes clear its provocation and reflection about today’s life environment, saturated with objects that are not really necessary: a contribution for going back and designing for an actual world.\u003c\/p\u003e\r\n\u003cp\u003eJoeVelluto’s book follows 5 main principles (\u003cem\u003eDisfunction\u003c\/em\u003e, \u003cem\u003eUseless\u003c\/em\u003e, \u003cem\u003eAbsence\u003c\/em\u003e, \u003cem\u003eAdesign\u003c\/em\u003e and \u003cem\u003eUseLess is More\u003c\/em\u003e); it is built starting from \u003cstrong\u003ephotographic charms about disfunction, inutility and absence\u003c\/strong\u003e, and then it goes deeply with some hypothesis and examples about Adesign and everyday objects.\u003c\/p\u003e\r\n\u003cp\u003eThe choice of different types of papers accompanies this course, supporting its \u003cstrong\u003eexperimental and provocative character\u003c\/strong\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629345366346,"sku":"D49","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/useless-is-more5.png?v=1766151521"},{"product_id":"decrescita","title":"Decrescita","description":"\u003cp\u003e\u003cstrong\u003eRiccardo Dalisi\u003c\/strong\u003e’s research in \u003cstrong\u003e“decrease”\u003c\/strong\u003e starts from the thoughts of Friedensreich Hundertwasser, an Austrian painter, architect, ecologist and sculptor, that foresaw some concepts of bioarchitecture. Dalisi develops the concept of “decrease”: a philosophy, a guideline, an attention to the architectural and design project that he explains with written materials, images, illustrations and objects made with discarded materials by himself and by his students.\u003c\/p\u003e\r\n\u003cp\u003eDalisi’s solution to the ecological collapse is not only energy saving but above all the \u003cstrong\u003ecorrect proportion between human and natural space\u003c\/strong\u003e, the rebirth of architecture and also a new attention to everything that is wrongly considered waste. \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e“It’s been more than 20years from Friedensreich Hundertwasser pleaded for a greater sensitivity to nature, an attention that is very much similar to what we want to concretise here”.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629345431882,"sku":"D51","price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/descrescita_architettura-della-nuova-innocenza.png?v=1768325547"},{"product_id":"mangiarotti","title":"Mangiarotti","description":"\u003cp\u003eFrom the 50s \u003cstrong\u003eAngelo Mangiarotti\u003c\/strong\u003e has been one of the protagonists in the international architecture, design, and sculpture scene. \u003cstrong\u003eMore than 100 projects, conceived in 50 years of professional activity\u003c\/strong\u003e, are presented in this book through original documents, often previously unpublished, from the Archivio Studio Mangiarotti in Milan.\u003c\/p\u003e\r\n\u003cp\u003eDrawings, models, design objects, photographs and sculptures are the evidences of \u003cstrong\u003eMangiarotti’s search for the object’s intrinsic aesthetic quality\u003c\/strong\u003e as an “objective” characteristic of its very material. As a result of the combination of aesthetic sensibility and deep knowledge of the material, \u003cstrong\u003eMangiarotti’s work mixes architecture, design and sculpture\u003c\/strong\u003e: many of his architecture projects have a sculpting value and a great attention is dedicated to the industrial production aspects of every design object. The importance of the “concreteness” of his work is also clearly visible in many of his projects, that are conceived so that the final user can have the possibility to make a personal intervention onto the object or the building.\u003c\/p\u003e\r\n\u003cp\u003eThis book features texts by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, \u003cstrong\u003eToyo Ito\u003c\/strong\u003e and \u003cstrong\u003eMarco Meneguzzo\u003c\/strong\u003e. Each project is presented through short notes by Matteo Pirola\u003c\/strong\u003e. Bookdesign is by \u003cstrong\u003eItalo Lupi\u003c\/strong\u003e (formerly art-director of \u003cem\u003eDomus\u003c\/em\u003e and director of \u003cem\u003eAbitare\u003c\/em\u003e, awarded many prizes such as the Compasso d’Oro and the Honorary Royal Designer for Industry in London): the \u003cstrong\u003emore than 250 illustrations, many of them previously unpublished\u003c\/strong\u003e, accompany the text in a clear and precise layout. This double reading level that presents Mangiarotti’s projects at their best.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629345628490,"sku":"D56","price":24.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/mangiarotti.png?v=1768325560"},{"product_id":"camparisoda","title":"Camparisoda","description":"\u003cp\u003eFrom the historical collaboration with \u003cstrong\u003eFortunato Depero\u003c\/strong\u003e to the last works with \u003cstrong\u003eMatteo Ragni\u003c\/strong\u003e, the past and future of the relationship between \u003cstrong\u003eCamparisoda\u003c\/strong\u003e, art and design are described in this book through images and words that evoke \u003cstrong\u003egraphic, typographic and pictorial inventions from 1932 throughout 20th century\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eAt the service of \u003cstrong\u003eFuturistic dynamism\u003c\/strong\u003e, the extraordinary expressive language by Fortunato Depero for Camparisoda is presented by \u003cstrong\u003eAlessandro Mendini\u003c\/strong\u003e: \u003cem\u003e“Drinking a Camparisoda was and still is an artistic performance. Dynamic and energetic invention, brilliant inspiration for both heart and soul, Camparisoda is the very aperitivo of Futurist art”\u003c\/em\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSteven Guarnaccia\u003c\/strong\u003e’s light and ironic illustrations describe \u003cstrong\u003ethe aperitivo and its atmosphere as timeless moments of everyday life\u003c\/strong\u003e. Among architectures and design objects, Camparisoda’s red colour associates scenes that take place in every bar at around 7pm.\u003c\/p\u003e\r\n\u003cp\u003eLastly, in the last section of the book \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e describes the present and future of Camparisoda: the projects issued from the collaboration with Matteo Ragni, protagonists of the last edition of the \u003cstrong\u003eSalone del Mobile\u003c\/strong\u003e, re-invent the shapes of tradition in the contemporary world. From the glass “clic” to the project for the caffetteria at the \u003cstrong\u003eCasa d’Arte Futurista F. Depero\u003c\/strong\u003e in \u003cstrong\u003eRovereto\u003c\/strong\u003e, his works are a dialogue of curiosity and variety between tradition and innovation.\u003c\/p\u003e\r\n\u003cp\u003eFrom the history of Campari, a trademark always beside experimentation, this book features \u003cstrong\u003ea rich set of resources of Modern Time\u003c\/strong\u003e along with graphic inventions conceived on this occasion for a wider public.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629346054474,"sku":"D61","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/camparisoda.png?v=1768325574"},{"product_id":"inventario-01","title":"Inventario 01","description":"\u003cp\u003eEvery gesture and action, even the simplest, is a project. The \u003cstrong\u003ekey words in design – method and precision – can be seen in everything\u003c\/strong\u003e: an inventory is the most effective way of collecting, ordering and deciphering everything we encounter.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is where this study finds a home, open to every form of expression and directed mainly at design. The concept is that of a series of independent books – taking the best of ideas from “book “ and “magazine” – where objects and thoughts flow through a number of regular columns: “boxes” to contain contents that are expressly sought and logically ordered. \u003cem\u003eInventario\u003c\/em\u003e \u003cstrong\u003edescribes the “project” from widely different points of view\u003c\/strong\u003e, shifting freely between different disciplines bound together by the concept of creation: “project” is an object, a work of art, a building or even a part of nature, the preparing of a special dish, organizing of a trip, the taking of a photograph or writing of a short story.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 01\u003c\/em\u003e: Pierluigi Anselmi, Marco Belpoliti on Italo Lupi, Paolo Bocchi on Corrado Levi, Angelika Burtscher and Daniele Lupo on Ingrid Hora, Michele Calzavara on Didier Fiuza Faustino, Francesco M. Cataluccio, Manolo De Giorgi, Deborah Duva, Beppe Finessi, Anna Foppiano on Guy Rottier, Massimo Gardone, Francesco Garutti on Monika Sosnowska, Daniele Greppi, Giulio Iacchetti, Marco Manini, Cristina Miglio on Tomás Alonso Aldo Bakker Nicolas Le Moigne and Scholten \u0026 Baijings, Marco Minuz, Matteo Pirola on Attilio Stocchi, Marco Rainò on Norman Potter, Marco Romanelli interviews Konstantin Grcic, Stefano Salis, Mariana Siracusa on William Kamkwamba, Roberta Valtorta on Tancredi Mangano, Mirko Zardini.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629346545994,"sku":"D68","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_01.jpg?v=1768325594"},{"product_id":"gariboldi","title":"Gariboldi","description":"\u003cp\u003eThe book gives an account of the long career of \u003cstrong\u003eGiovanni Gariboldi\u003c\/strong\u003e, a decorative arts designer specializing in ceramics whose name was inextricably linked to manufacturer \u003cstrong\u003eRichard Ginori\u003c\/strong\u003e. The book traces Gariboldi’s life from his early days under Art Director \u003cstrong\u003eGio Ponti\u003c\/strong\u003e, to his first independent designs for dinner services and single items. After taking on the role of Ginori Art Director himself, he was in charge of designing and mounting all the company exhibitions. He was awarded the \u003cstrong\u003eCompasso d’Oro\u003c\/strong\u003e for his dinner service \u003cem\u003eColonna\u003c\/em\u003e, a powerful icon, and sign of a society that was opening up to a new, more modern world.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629346709834,"sku":"D73","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/gariboldi.png?v=1768325600"},{"product_id":"inventario-02","title":"Inventario 02","description":"\u003cp\u003eThe second volume of \u003cem\u003eInventario\u003c\/em\u003e carries on illustrating the project concept from a whole range of different perspectives, shifting freely between disciplines associated by the common will to create. As always \u003cem\u003eInventario\u003c\/em\u003e directs the \u003cstrong\u003eflow of objects and thoughts\u003c\/strong\u003e through a number of regular columns: “boxes” that contain expressly sought out and logically ordered contents.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePaolo Bocchi\u003c\/strong\u003e disentangles life with the adventure of Philippe Petit, the tightrope walker who in August 1974 stretched a wire between New York’s Twin Towers, to then take a 45 minute walk across, suspended 400 metres in the air. \u003cstrong\u003eFrancesco Garutti\u003c\/strong\u003e catalogues the meticulous daily existence of artist André Cadere (1934-1978), already a Myth of Today, who makes, tongue in cheek, permutation and utopia part of his artistic concept. The New Masters of contemporary design, Fernando \u0026 Humberto Campana, chat to \u003cstrong\u003eMarco Romanelli\u003c\/strong\u003e about the aesthetic alchemy of their own approach. \u003cstrong\u003eMatteo Pirola\u003c\/strong\u003e rewrites the entry “Windows” from the Architect’s Manual inventorying works of art and architecture. \u003cstrong\u003eMirko Zardini and Giovanna Borasi\u003c\/strong\u003e propose examples of urban action that lie somewhere between provocation and clever solutions. And there’s much more besides.\u003c\/p\u003e\r\n\u003cp\u003eTo mark the 150th anniversary of Italian Unity, the cover of \u003cem\u003eInventario 02\u003c\/em\u003e is dedicated to \u003cstrong\u003eworks of art that reflect the colours of the Italian flag\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 02\u003c\/em\u003e: Stefano Salis on Olimpia Zagnoli, Francesco M. Cataluccio and Dalia Greppi on the wind, Paolo Bocchi on Philippe Petit, Giacinto di Pietrantonio on Felice Varini, Francesco Garutti on André Cadere, Daniele Greppi on dismountable tables, Marco Romanelli inteviews Fernando \u0026 Humberto Campana, Deborah Duva on the best Ideas of 2010, Massimo Curzi on Helene Binet, Matteo Pirola on windows, Michele Calzavara on Bernard Khoury, Angelika Burtscher and Daniele Lupo on Nina Beier, Mirko Zardini and Giovanna Borasi on Action- urban actions, Manolo De Giorgi on Marco Zanuso.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629346742602,"sku":"D74","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_02.jpg?v=1768325602"},{"product_id":"cruciale","title":"Cruciale","description":"\u003cp\u003e\u003cstrong\u003eThe shape of the cross lies at the heart of this project by Giulio Iacchetti\u003c\/strong\u003e: his sign (the cross as a symbol of the divine, a meeting place and a centre for relationships) is observed and analyzed as a shape concealed within reality. A symbol with religious and earthly significance, it is also the outcome of a search for form and concept.\u003c\/p\u003e\r\n\u003cp\u003eBy deconstructing objects and spaces, investigating different ways of using certain materials and looking at daily objects through new eyes, Iacchetti creates the shape of the cross by emptying out the alveolar structure of a pierced brick, by blacking out nine postage stamps on a sheet, or by cleverly arranging electrical connectors and their screws to suggest the nails of the Crucifixion.\u003c\/p\u003e\r\n\u003cp\u003eThe book contains \u003cstrong\u003etwenty designs by Giulio Iacchetti created over a five year period\u003c\/strong\u003e. They show how \u003cem“the design project can be a way of satisfying a market need but it can also be a means for describing your own way of seeing the “things” of the world and being part of them”\u003c\/em\u003e — \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e. The book design is by \u003cstrong\u003eLeonardo Sonnoli\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003ePublished on the occasion of the exhibition “Cruciale. 20 Croci di Giulio Iacchetti al Museo Diocesano” at the Museo Diocesano in Milan in 2011.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629346906442,"sku":"D77","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/cruciale.jpg?v=1768325605"},{"product_id":"inventario-03","title":"Inventario 03","description":"\u003cp\u003eFull speed ahead in the new issue of \u003cem\u003eInventario\u003c\/em\u003e the investigation continues into creation and cultivation of the project. As indicated in the sub heading “Everything is a Project” the, generally separate, disciplines of architecture, design and art, combined with real everyday life, interact freely with one another.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMichele Calzavara\u003c\/strong\u003e presents the exceptional work of Thomas Heatherwick, designer of the UK pavilion at the Shanghai Expo. His works are visionary creations that originate from a blend of traditional methods and a unique flair for experimentation rarely found among architects. \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e presents a brief history of the coffee pot, tracing its technical evolution and its various styles: from “mamma” Bialetti of 1933 to the most recent, here are some ideas for a good coffee by top designers. In The architecture of Art \u003cstrong\u003eFrancesco Garutti\u003c\/strong\u003e examines the eight years of activity of Meir Eshel, alias Absalon, and in particular his most ambitious design for six living units for as many metropolises modelled on the artist’s own body: the minimalist units, or cellules, are compressed to allow mind and body to dilate. A conversation between two old friends: \u003cstrong\u003eMarco Romanelli\u003c\/strong\u003e interviews \u003cstrong\u003ePaolo Ulian\u003c\/strong\u003e on his work. A former pupil of Enzo Mari, Ulian is currently one of the New Masters of design. The extraordinary story of W. Reginald Bray, an eccentric English gentleman who at the end of the 19th century became famous for his postcards, sent “to the train driver of the locomotive in the picture” or “to any resident of London”, and even posting himself home to his father who, patiently, signed the return slip. He claimed to be checking the efficiency of the British postal service. And much more.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 03\u003c\/em\u003e: Roberto Marone on Erwin Wurm, Manolo De Giorgi and Michela Dossi on Inhabited walls, Matteo Pirola on Floors, Michele Calzavara on Thomas Heatherwick, Cristina Miglio, Marco Meneguzzo and Renata Molho on Clothes as sculptures, Paolo Bocchi on Tibor Kalman, Marco Rainò on Peter Marigold, Studio Formafantasma and Mischer‘Traxler, Giulio Iacchetti on Coffee Pots, Marco Romanelli’s interview of Paolo Ulian, Daniele Greppi on Ernst Gamperl, Italo Lupi on Michele Provinciali, Francesco Garutti on Absalon, Stefano Salis on W. Reginald Bray and Deborah Duva on Alison Smithson.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629347135818,"sku":"D81","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_03.jpg?v=1768325611"},{"product_id":"inventario-05","title":"Inventario 05","description":"\u003cp\u003eExploration continues full throttle into the creation and culture of the project in the new issue of \u003cem\u003eInventario\u003c\/em\u003e, this time with a cover dedicated to \u003cstrong\u003ecandles\u003c\/strong\u003e. And with new content, where the disciplines of architecture, design and art, together with life itself, find themselves interacting.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCristina Miglio\u003c\/strong\u003e speaks of Lisa Ponti and her \"drawings as thoughts\", revealed, nimbly, to the viewer, while \u003cstrong\u003eRoberta Valtorta\u003c\/strong\u003e reveals fragments of the visible world captured by the photos of Rinko Kawauchi. The Short Notes section by \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e is this time dedicated to doorstops, silent objects, useful to daily living, designed by Marc Newson, Chiara Moreschi, Modoloco and others. There is a tribute to the great master \u003cstrong\u003eAngelo Mangiarotti\u003c\/strong\u003e and his designs for tables, developed over a twenty-year time span. The spotlights are trained on the works of Ugo La Pietra, which intertwine to form a \"synesthesia between the arts\", and a masterpiece by Alighiero Boetti that originated in 1971 and is set to last a lifetime: a regular, methodical and poignant project of the \"self-portrait \" through the application of mathematical rules that the artist explains in the texts of telegrams chosen as material support to the work itself. \u003cstrong\u003eMarco Romanelli\u003c\/strong\u003e interviews Tokujin Yoshioka for the column New Masters and \u003cstrong\u003eRoberto Marone\u003c\/strong\u003e tells us about the findings of Daniele Perra Pario regarding Low Cost Design: corkscrews as handles and coffee makers as irons, in a series of small, inexpensive changes for everyday living.  And then, an article by \u003cstrong\u003eMichele Calzavara\u003c\/strong\u003e dedicated one of our Myths of Today: Maarten Van Severen, a conversation on \"objects that have left the stage\" between \u003cstrong\u003eAngelika Burtscher and Daniele Lupo\u003c\/strong\u003e with Tobias Putrih, and a lengthy inquiry, worthy of an Architect’s Manual under the entry \"Amidst the trees\" by \u003cstrong\u003eAnnalisa Ubaldi\u003c\/strong\u003e, and much, much more.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 05\u003c\/em\u003e: Cristina Miglio on Lisa Ponti with comments by Franco Toselli and Corrado Levi, Roberta Valtorta on Rinko Kawauchi, Marco Romanelli interviews Tokujin Yoshioka, Giulio Iacchetti on Doorstops, Roberto Marone on the Low Cost Design of Daniele Pario Perra, Matteo Pirola on Ugo la Pietra, Angelika Burtscher and Daniele Lupo interview Tobias Putrih, Daniele Greppi on Angelo Mangiarotti, Michele Calzavara on Maarten Van Severen, Annalisa Ubaldi on projects concerning trees, Francesco Garutti on Roman Ondák, Deborah Duva and Francesco M. Cataluccio on Alighiero Boetti, Paolo Bocchi on the \"Maps\" of Wim Delvoye.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629347463498,"sku":"D86","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_05.jpg?v=1768325618"},{"product_id":"pennellate-all-arte","title":"Pennellate all'arte","description":"\u003cp\u003eEncouraged by one of his pupils, \u003cstrong\u003eCorrado Levi\u003c\/strong\u003e’s \u003cem\u003ePennellate all’arte\u003c\/em\u003e contains recollections gathered over the years of anecdotes and meetings with artists. Divided between his role as critic, artist, architect, lecturer and writer, the author paints \u003cstrong\u003ea new and personal picture of the art scene from 1930 to the present day\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eMomentous faces, works of art, memories and adventures are picked from the different eras and presented in this academically unpretentious book as we are taken on \u003cstrong\u003ean intimate, emotional and enjoyable journey through the world of art\u003c\/strong\u003e. In his customary style, Levi provides us with new and unexpected insights.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629347889482,"sku":"D94","price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/pennellate-allarte.png?v=1768325635"},{"product_id":"inventario-04","title":"Inventario 04","description":"\u003cp\u003eInvestigation goes on full steam ahead into the creative process and the concept of project in the latest issue of \u003cem\u003eInventario\u003c\/em\u003e. This time the \u003cstrong\u003emask\u003c\/strong\u003e takes pride of place on the front cover, while inside the disciplines of architecture, design and art communicate in a dialogue with everyday life.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRoberto Marone\u003c\/strong\u003e talks to us about “outsize” jewels made especially for urban spaces, while \u003cstrong\u003eCristina Miglio\u003c\/strong\u003e chooses the best in what is authentic, contemporary jewellery design using non precious materials. In the Near Future section we meet JoeVelluto (JVLT), Anselmo Tumpić and Dominic Wilcox, while \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e gives us his Short Notes on pen design, from Bíró’s Bic to Konstantin Grcic’s Necklace. \u003cstrong\u003eAnnalisa Ubaldi\u003c\/strong\u003e introduces us to the world of mirrors as expressed by the visionary talent of Ron Gilad, and compares his work with the experiences of Carlo Mollino, Corrado Levi and others who have designed mirrors – an item constantly present in our lives and open to ever increasingly stupendous inventiveness. \u003cstrong\u003eDaniele Lupo and Angelika Burtscher\u003c\/strong\u003e talk to Ika Künzel about an object that has now become a dinosaur: the analog camera. \u003cstrong\u003eItalo Lupi\u003c\/strong\u003e instead tells us about how Leonardo Sonnoli has revisited and reinterpreted typeface. And there’s more to come, with \u003cstrong\u003eLorena Tonin\u003c\/strong\u003e talking about tracks as an ancestral way of rendering form, a study on balance by \u003cstrong\u003eMatteo Pirola\u003c\/strong\u003e, the exhibitions of Carsten Höller, the perfect example of exhibition as a work of art, the project “Seven houses for one house” by Architects DVVT, the Monument against Fascism by Jochen Gerz and Esther Shalev-Gerz, and much more besides.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 04\u003c\/em\u003e: Roberto Marone on Urban Jewels, Cristina Miglio on Contemporary Jewellery, Paolo Bocchi on JoeVelluto (JVLT), Anselmo Tumpić and Dominic Wilcox, Giulio Iacchetti on Pens, Annalisa Ubaldi on Mirrors, Angelika Burtscher and Daniele Lupo interview Ika Künzel, Roberta Valtorta on Collecting\/Arranging, Italo Lupi on Leonardo Sonnoli, Francesco M. Cataluccio and Lorena Tonin on Traces, Matteo Pirola on Equilibrium, Francesco Garutti on Carsten Höller, Michele Calzavara on Architecten DVVT, Deborah Duva on Jochen Gerz and Esther Shalev-Gerz, Alessandro Rabottini on Francis Alÿs.\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629347955018,"sku":"D95","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_04.jpg?v=1768325636"},{"product_id":"ultrabody","title":"Ultrabody","description":"\u003cp\u003eThe body is a recurring theme in History of Art and a favourite subject in contemporary creativity – from design to architecture, fashion and decor.\u003c\/p\u003e\r\n\u003cp\u003eWritten by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e and published by Corraini Edizioni, \u003cem\u003eUltrabody\u003c\/em\u003e offers \u003cstrong\u003ea new and intriguing take on the topic of the body\u003c\/strong\u003e through a trans-disciplinary series of works embracing design, fashion, architecture and art. Investigating the relationship between body and space and the infinite ways of relating among people and the things and environment that surrounds them, the book explores 208 different types of “body”, from the most obvious to the more enigmatic and experimental, in a potential dictionary of authors, works and key words for our new Millennium.\u003c\/p\u003e\r\n\u003cp\u003eThe book, that accompanies the \u003cstrong\u003eexhibition hold at Castello Sforzesco, Milan\u003c\/strong\u003e, includes details about each of the 208 works with special graphics by \u003cstrong\u003eLeonardo Sonnoli\u003c\/strong\u003e. For the occasion the graphic artist has created a new typeface to suit the mood of the works.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003e\u003cem\u003eThis volume was \u003cstrong\u003eselected by the ADI Permanent Design Observatory\u003c\/strong\u003e as an example of the best Italian design put into production.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629348348234,"sku":"D99","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/ultra-body.png?v=1768325642"},{"product_id":"guardare-raccontare-pensare-conservare","title":"Looking telling thinking collecting","description":"\u003cp\u003eFor what intrinsic artistic reasons does an artist choose to realise his project as a book?\u003c\/p\u003e\r\n\u003cp\u003eThrough four thematic paths - looking, telling, thinking, collecting - the catalogue delves into \u003cstrong\u003ethe fascinating and still little-known reality of the artist's book\u003c\/strong\u003e, which saw its origins around the 1960s and permeates, almost ‘quietly’, the art world up to the present day.\u003c\/p\u003e\r\n\u003cp\u003eA surprising artistic experience for its vastness and originality played out on \u003cstrong\u003ethe infinite transformations to which the book-object of art is subjected by artists\u003c\/strong\u003e who are poetically also very distant, but whose elements of continuity are analysed regardless of the singularity of the projects or the changes in the historical and ideological context, in order to trace, in the end, the diachronic constant in the book-object and in its very material structure.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629348381002,"sku":"9788887942811","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/guardare_raccontare_pensare_conservare.png?v=1768325642"},{"product_id":"arte-povera-1966-1980","title":"Arte povera 1966-1980","description":"\u003cp\u003eAnselmo, Boetti, Calzolari, Fabro, Kounellis, Mario and Marisa Merz, Paolini, Pascali, Penone, Pistoletto, Prini, Zorio: the protagonists of the most important italian artistic movement in the second half of the XX century are introduced not by their “traditional” works, but from a particular point of view: their publishing production.\u003c\/p\u003e\r\n\u003cp\u003eThese \u003cstrong\u003eartists’ books were conceived, built and re-invented as works of art themselves\u003c\/strong\u003e, and some of them had a very important role in defining the aims and beliefs of the whole artistic movement. A detailed introduction analyses “diagonally” people, times, places and texts involved in the \u003cstrong\u003eArte Povera\u003c\/strong\u003e movement and their mutual relationships; then, each artist is individually presented through his books and one-person exhibitions, along with several photos of the mentioned documents.\u003c\/p\u003e\r\n\u003cp\u003eThe book is completed by an accurate chronology of the collective exhibitions (1966-2005) and a detailed bibliography of the books, essays and articles about the \"poveristi” (1966-2006).\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629348610378,"sku":"9788875700188","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/libri-e-documenti_arte-povera-1966-1980.png?v=1768325646"},{"product_id":"alighiero-e-boetti-oltre-il-libro","title":"Alighiero e Boetti. Beyond books","description":"\u003cp\u003e\u003cem\u003eIf you really want something, write it down\u003c\/em\u003e — \u003cstrong\u003eAlighiero Boetti\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAlighiero e Boetti. Beyond books\u003c\/em\u003e covers the intense activity of printer Alighiero Boetti, from his artists’ books to posters and exhibition invitations, taking a look along the way at his long association with newspaper “Il Manifesto”. \u003cstrong\u003eBoetti\u003c\/strong\u003e was both typesetter and director of his work, shifting from the role of creator to graphic artist to rewrite and redesign the informative materials on his work. And this is how the artists’ books were born. A limited number of books with hard red cloth covers – Boetti’s trademark – linked by one common feature: \u003cstrong\u003ethey were pieces of real craftsmanship and a fusion of the traditions of printing and art\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAlighiero Boetti\u003c\/strong\u003e’s books tell of an observer heedless of his own era. One who talks to us of his obsessions and his desire to go beyond the surface and the way in which things appear, to reach a deeper level of being and a new, concise and intimate awareness of emotional reality. In his artists’ books, Boetti manages to abstract reality, probing the unprobable and grasping the ungraspable definition of what surrounds us.\u003c\/p\u003e\r\n\u003cp\u003eIn \u003cem\u003eAlighiero e Boetti. Beyond books\u003c\/em\u003e, \u003cstrong\u003eGiorgio Maffei\u003c\/strong\u003e and \u003cstrong\u003eMaura Picciau\u003c\/strong\u003e investigate the evolution of a genre. The dawn of a new concept in books, where reading and looking become part of the same aesthetic experience.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629348970826,"sku":"DL9","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/oltre-il-libro.png?v=1768325653"},{"product_id":"remo-salvadori","title":"Remo Salvadori","description":"\u003cp\u003eA new addition to the series of book dedicated to artists whose works are part of the \u003cstrong\u003ecollection at Rome's MAXXI\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eThe book illustrates and documents the career of \u003cstrong\u003eRemo Salvadori\u003c\/strong\u003e through images of works on display at the MAXXI - photographed by \u003cstrong\u003eAugustine Osio\u003c\/strong\u003e - and pieces written by \u003cstrong\u003eAnna Mattirolo, Flavia De Sanctis Mangelli and Lorenzo Giusti\u003c\/strong\u003e. A section in black and white compiles critical texts, and a colour insert in the centre of the book introduces us to both Augustine Osio's photography and the different shades of Remo Salvadori's work, each of which carves out its own path within Zaha Hadid's architecture.\u003c\/p\u003e\r\n\u003cp\u003eThe book is a valuable tool for reading the artist's work, and it is enriched with information on exhibitions and further reading related to Remo Salvadori.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349167434,"sku":"E02","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/remo-salvadori.png?v=1768325658"},{"product_id":"autoritratti","title":"Autoritratti","description":"\u003cp\u003e\u003cem\u003eAutoritratti. Iscrizioni del femminile nell’arte italiana contemporanea\u003c\/em\u003e is the title of the catalogue for the exhibition of the same name on at MAMbo - Museo d’Arte Moderna di Bologna. The show takes a critical look at the contemporary collections of MAMbo with the aim to highlight the links between art and politics in Italy over the past few decades, focussing primarily on the \u003cstrong\u003erelationship between women and art\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eConceived by Uliana Zanetti and created by female staff members of MAMbo it has attracted the attention of respected women artists, critics, experts and directors of Italian museums, whose contribution has led to a constant interchange between the participants, and a wide ranging source of topics proposed by: a.titolo, Cristiana Collu, Emanuela De Cecco, Laura Iamurri, Arabella Natalini, Francesca Pasini, Maria Antonietta Trasforini, Letizia Ragaglia and by the working group of the museum. The project was also helped along by Federica Timeto and Elvira Vannini .\u003c\/p\u003e\r\n\u003cp\u003eThe outcome is an important book featuring \u003cstrong\u003ethe work of successful female artists\u003c\/strong\u003e, much of which was created for the show at MAMbo and the first part of the exhibition \u003cem\u003eAutoritratti 1. Nuove gen(d)erazioni\u003c\/em\u003e, curated by Donatella Lombardo and Giorgia Benedetta Soncin at the Accademia delle Belle Arti in Bologna .\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCritical texts and visual material\u003c\/strong\u003e appear along with pages compiled by the artists themselves for their own individual projects.\u003c\/p\u003e\r\n\u003cp\u003eThe artists are: Alessandra Andrini, Paola Anziché, Marion Baruch, Valentina Berardinone, Enrica Borghi, Anna Valeria Borsari, Chiara Camoni, Annalisa Cattani, Alice Cattaneo, Daniela Comani, Daniela De Lorenzo, Marta Dell’Angelo, Elisabetta Di Maggio, Silvia Giambrone, goldiechiari, Alice Guareschi, Maria Lai, Christiane Löhr, Claudia Losi, Anna Maria Maiolino, Eva Marisaldi, Sabrina Mezzaqui, Marzia Migliora, Ottonella Mocellin e Nicola Pellegrini, Maria Morganti, Margherita Morgantin, Liliana Moro, Chiara Pergola, Letizia Renzini, Moira Ricci, Mili Romano, Anna Rossi, Anna Scalfi Eghenter, Elisa Sighicelli, Alessandra Spranzi, Grazia Toderi, Sabrina Torelli, Traslochi Emotivi, Tatiana Trouvé, Marcella Vanzo, Grazia Varisco.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349200202,"sku":"E03","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/autoritratti.-iscrizioni-al-femminile.png?v=1768325659"},{"product_id":"nel-paesaggio","title":"Nel paesaggio","description":"\u003cp\u003eFondazione La Raia was set up with the aim of promoting critical reflection on the landscape through contributions covering several fields of investigation. Its first act was to create the project \u003cem\u003eNel paesaggio\u003c\/em\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eArtists, philosophers, landscape architects, photographers and architects\u003c\/strong\u003e are invited to live and experience - in the heart of the Gavi hills - the vineyards, fields and woods of La Raia, and to offer, through interventions and works of art, opportunities for new knowledge and new identity. In this way, the landscape, and what is designed in it, becomes an integral part of an experience. To be lived and shared.\u003c\/p\u003e\r\n\u003cp\u003ePrecisely on the occasion of the inauguration of three permanent works by Remo Salvadori, an internationally renowned artist capable of tracing harmonious cycles in which primary elements interact, the publication \u003cem\u003eNel paesaggio\u003c\/em\u003e a project by Irene Crocco and Fondazione La Raia curated by Matilde Marzotto Caotorta, which collects \u003cstrong\u003evisual notes by Remo Salvadori and texts by Elio Franzini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eIn this book, the artist's themes are compared with the reflections of the philosopher, professor of Aesthetics at the University of Milan. An original contribution, from which emerges \u003cstrong\u003ea fascinating reading of the relationship between art and the interpretation of nature\u003c\/strong\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349232970,"sku":"E04","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/nel-paesaggio.png?v=1768325660"},{"product_id":"in-wagner","title":"In Wagner","description":"\u003cp\u003e\u003cem\u003eIn Wagner\u003c\/em\u003e s the first of 5 books that accompany the \u003cstrong\u003eComune di Bologna\u003c\/strong\u003e’s \u003cem\u003e\"e la volpe disse al corvo project - Corso di Linguistica Generale\"\u003c\/em\u003e, curated by Romeo Castellucci and Piersandra Di Matteo, \u003cstrong\u003eSocìetas Raffaello Sanzio\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eFeaturing a programmatic text by \u003cstrong\u003eRomeo Castellucci\u003c\/strong\u003e, a look at his two installations, Wagnerian in inspiration, at the Bayerische Staatsoper, Munich Opernfestspiele in 2012 and a critical essay by \u003cstrong\u003ePiersandra Di Matteo\u003c\/strong\u003e, \u003cem\u003eIn Wagner\u003c\/em\u003e accompanies Richard Wagner’s Parsifal, staged at the Teatro Comunale di Bologna to commemorate the 100 year anniversary of the first Italian production on 1st January 1914.\u003c\/p\u003e\r\n\u003cp\u003eNeutralising traditional symbology and removing images from didactic certainties, in Parsifal, Romeo Castellucci carries out a vertical leap in search of the mythical matrix and the forms of conflict that underlie it. The spectator of the director’s first opera is invited to travel to an unknown land, deprived of what is recognisable, so that the prismatic nature of the opera reveals itself through their own imagination.\u003c\/p\u003e\r\n\u003cp\u003eCastellucci foreshadows the loss of the human being in its own humanity, taking up the theme of purity in relation to the question of society, before which Parsifal’s defenceless passing away rises up as a contemporary prayer. And so, the unrepresentability of the Grail, its emergence as an object that is to be lost forever, as the founding emptiness that belongs to the intimate sphere of the spectator.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349265738,"sku":"E05","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/in_wagner.png?v=1768325661"},{"product_id":"persona","title":"Persona","description":"\u003cp\u003e\u003cem\u003ePersona\u003c\/em\u003e s the second of 5 books that accompany the \u003cstrong\u003eComune di Bologna\u003c\/strong\u003e’s \u003cem\u003e\"e la volpe disse al corvo project - Corso di Linguistica Generale\"\u003c\/em\u003e, curated by Romeo Castellucci and Piersandra Di Matteo, \u003cstrong\u003eSocìetas Raffaello Sanzio\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003ePersona\u003c\/em\u003e accompanies \u003cstrong\u003eRomeo Castellucci\u003c\/strong\u003e's installation of the same name at the air-raid shelter in Via Indipendenza, Bologna, with sound by Scott Gibbons. In the darkness of an air-raid shelter, you come across a satyric mask that, in the hollows of the eyes and mouth, is operated by a frenzied, deafening mechanical device. It is a Papposilenus from the Hellenistic period, a depiction of the oldest of the satyrs, the one who hates the city.\u003c\/p\u003e\r\n\u003cp\u003eIt is with a comedic language that Castellucci tells the human comedy, and with a inhuman look that concentrates on the human being. The mask is made from heavy monumental bronze, and that is contradicted by the speed of its eyes and tongue: this semi-feral entity sees \"everything\" and talks about \"everything\", a summation of the visual angles and the languages ​​of people. The sonority that captures and sends back again, while the eyeballs flail as if in the throes of ecstasy or delirium, is the result of the condensation of a screaming crowd, and his bronze as if it were a bell. The goal of the installation is to instil fear, but fear of what is seen: we, the audience, the group of the species, spectator-performers. Persona, which means \"mask\" in Latin, is our face to face meeting with a warning siren.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003ePersona\u003c\/em\u003e includes the text \"From an exchange of opinions with a spectator on the myth\" by Romeo Castellucci, and the Blumenberg-like anthology \"The Future of Myth.\"\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349298506,"sku":"E06","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/persona.png?v=1768325662"},{"product_id":"la-generalissima","title":"La Generalissima","description":"\u003cp\u003e\u003cem\u003eLa Generalissima\u003c\/em\u003e s the third of 5 books that accompany the \u003cstrong\u003eComune di Bologna\u003c\/strong\u003e’s \u003cem\u003e\"e la volpe disse al corvo project - Corso di Linguistica Generale\"\u003c\/em\u003e, curated by Romeo Castellucci and Piersandra Di Matteo, \u003cstrong\u003eSocìetas Raffaello Sanzio\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eLa Generalissima\u003c\/em\u003e accompanies the play ‘Uso umano di esseri umani. Un esercizio in lingua Generalissima’ at the Ex Ospedale dei Bastardini in Bologna. The action – which is based iconographically on Giotto’s The Raising of Lazarus - uses la Generalissima, an artificial language created in 1985 by the Socìetas Raffaello Sanzio, based on creoles and Ramon Lull’s ‘Ars Magna’, which was based on numerology.\u003c\/p\u003e\r\n\u003cp\u003eCarefully formulated by Claudia Castellucci based on four-hundred comprehensive terms, la Generalissima proceeds to even more abstract levels – from the most common, to the purest, which is made up of only four words – through each of which, it is possible to communicate. The scene which sees the Lord go towards Lazarus’s body, while family members are covering their noses due to the rotting stench, is recreated according to these combinatorial principles. The atonal light from the sun that passes through the enormous space at the Ex Ospedale dei Bastardini prepares the audience for a contemplation of a profound transformation.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349364042,"sku":"E07","price":3.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/la_generalissima.png?v=1768325662"},{"product_id":"unheard","title":"Unheard","description":"\u003cp\u003e\u003cem\u003eUnheard\u003c\/em\u003e s the fourth of 5 books that accompany the \u003cstrong\u003eComune di Bologna\u003c\/strong\u003e’s \u003cem\u003e\"e la volpe disse al corvo project - Corso di Linguistica Generale\"\u003c\/em\u003e, curated by Romeo Castellucci and Piersandra Di Matteo, \u003cstrong\u003eSocìetas Raffaello Sanzio\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eUnheard\u003c\/em\u003e accompanies the sound show of the same name by \u003cstrong\u003eRomeo Castellucci\u003c\/strong\u003e with \u003cstrong\u003eScott Gibbons\u003c\/strong\u003e, the composer who he has collaborated with for almost fifteen years. For this new show, Gibbons uses a medical device capable of recording the lowest grade of human matter, the atom, seeking to penetrate the smallest essence that we are made from.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eUnheard\u003c\/em\u003e contains texts by \u003cstrong\u003eRomeo Castellucci\u003c\/strong\u003e, \u003cstrong\u003eHenry Parkman\u003c\/strong\u003e and \u003cstrong\u003eScott Gibbons\u003c\/strong\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349495114,"sku":"E09","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/romeo-castellucci-unheard.jpg?v=1768325664"},{"product_id":"riccardo-dalisi-architettura-e-scultura-a-lamezia","title":"Riccardo Dalisi. Architettura e scultura a Lamezia","description":"\u003cp\u003eCatalogue of the exhibition held in Lamezia, Chiostro di San Domenico, from 22 June to 3 August 1996.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349593418,"sku":"FC5","price":26.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/architettura-e-scultura-a-lamezia.png?v=1768325665"},{"product_id":"enrico-castellani-opera-grafica-1960-1995","title":"Enrico Castellani. Opera grafica 1960-1995","description":"\u003cp\u003eCatalogue of Enrico Castellani's graphic works with reproductions of 50 works and descriptive notes, introduced by a text by Leonardo Magini, with biography and essential bibliography.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349626186,"sku":"FC6","price":26.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/opera-grafica-1960_1995.png?v=1768325668"},{"product_id":"tra-peso-e-leggerezza","title":"Tra peso e leggerezza","description":"\u003cp\u003eA journey through Italian sculpture.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349691722,"sku":"FC7","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/tra-peso-e-leggerezza.png?v=1768325666"},{"product_id":"via-della-poesia","title":"Via della poesia","description":"\u003cp\u003ePublished in cooperation with the Merano Library.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349757258,"sku":"FC10","price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/via-della-poesia.png?v=1768325668"},{"product_id":"concetto-pozzati-meglio-sconfitti-da-giovanni-bellini-che-da-jeff-koons","title":"Concetto Pozzati. Meglio sconfitti da Giovanni Bellini che da Jeff Koons","description":"\u003cp\u003eCatalogue of the Concetto Pozzati exhibition at the Pinacoteca dell'Accademia dei Concordi, Rovigo.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349790026,"sku":"FC11","price":16.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/meglio-sconfitti-da-giovanni-bellini.png?v=1768325668"},{"product_id":"viaggio-in-italia-1998-2000-milano","title":"Viaggio in italia 1998-2000: Milano","description":"Libro catalogo sulla mostra delle collezioni del CIMAC di Milano tenuta alla Casa del Mantegna di Mantova.","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349822794,"sku":"FC17","price":21.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/viaggio-in-italia_milano3.png?v=1768325669"},{"product_id":"viaggio-in-italia-1998-2000-torino","title":"Trip to Italy 1998-2000: Turin","description":"","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349888330,"sku":"FC18","price":21.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/viaggio-in-italia_torino.png?v=1768325670"}],"url":"https:\/\/corraini.com\/en\/collections\/arte.oembed?page=6","provider":"corraini-shop","version":"1.0","type":"link"}