{"title":"Giulio Paolini","description":"\u003cp\u003eGiulio Paolini è nato a Genova nel 1940 e vive a Torino. Dalla sua prima partecipazione a un'esposizione collettiva nel 1961 e dalla sua prima personale nel 1964 ha tenuto innumerevoli mostre in gallerie e musei di tutto il mondo, tra cui Palazzo della Pilotta a Parma, Stedelijk Museum di Amsterdam, Galleria Nazionale d'Arte Moderna di Roma, Fondazione Prada a Milano e Whitechapel Gallery a Londra. Ha partecipato a diverse mostre di Arte povera ed è stato invitato più volte alla Documenta di Kassel e alla Biennale di Venezia. Grafico di formazione, ha sempre nutrito un particolare interesse per il campo editoriale e la pagina scritta. Fin dall'inizio ha accompagnato la sua ricerca artistica con riflessioni raccolte in libri curati in prima persona. Dal 1969 ha realizzato anche scene e costumi per rappresentazioni teatrali, tra cui le scenografie per due opere di Richard Wagner per la regia di Federico Tiezzi.\u003c\/p\u003e","products":[{"product_id":"giulio-paolini-essere-o-non-essere-1994-95","title":"Giulio Paolini. Essere o non essere, 1994-95","description":"\u003cp\u003eWith this book, the \u003cstrong\u003eFondazione Giulio e Anna Paolini\u003c\/strong\u003e launches \u003cem\u003eIN\/collezione\u003c\/em\u003e, a new series dedicated to in-depth reflections on some of \u003cstrong\u003eGiulio Paolini\u003c\/strong\u003e’s works that belong to its collection.\u003c\/p\u003e\r\n\u003cp\u003eThis inaugural volume examines a work of particular importance in the artist’s recent research, \u003cem\u003eEssere o non essere (1994-95)\u003c\/em\u003e, putting focus on some fundamental characteristics of his poetics. In particular, it brings a theme into play that is dear to Giulio Paolini, one that is featured in his research time and again: the journey towards the work, the design of the \u003cstrong\u003ework in progress\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eBesides \u003cstrong\u003eBarbara Satre\u003c\/strong\u003e’s essay, \u003cem\u003eGiulio Paolini. Essere o non essere (1994-95)\u003c\/em\u003e contains an afterword by \u003cstrong\u003eMaddalena Disch\u003c\/strong\u003e, as well as a section of backmatter including some information on the work’s installations and a short critical anthology.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629384393034,"sku":"IN01","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/paolini_essere-non-essere.jpg?v=1768326297"},{"product_id":"intenzione-manifesta","title":"Manifest intention","description":"\u003cp\u003eThe volume, which accompanied the exhibition of the same name at \u003cstrong\u003eCastello di Rivoli\u003c\/strong\u003e, focuses on \u003cstrong\u003edrawing in its various forms\u003c\/strong\u003e and through its many different languages. The practice of drawing, often hidden or kept in the shadows, is actually \u003cstrong\u003ethe common ground that is shared by each artistic practice\u003c\/strong\u003e, whether it be a sketch, a design or a finished work that is full of messages.\u003c\/p\u003e\r\n\u003cp\u003eCurated by \u003cstrong\u003eBeatrice Merz\u003c\/strong\u003e with \u003cstrong\u003eMarianna Vecellio\u003c\/strong\u003e, \u003cem\u003eIntenzione Manifesta. Drawing In All Its Forms\u003c\/em\u003e is divided into different concepts and pathways: ways of drawing; trace; paradox of praxis; story of being an artist; timeless concept; political drawing; quote as memory; chiaroscuro, or of the representation; writing in the world, drawing as project practice; action.\u003c\/p\u003e\r\n\u003cp\u003eStarting from a nucleus of works by artists linked in various ways to the history of Castello di Rivoli, the research expands by looking at artists who, in the near past, have proven, through their work, to be crucial in the formation of newer generations. Among these, just to name a few, we find leading figures from the world of art such as \u003cstrong\u003ePablo Picasso\u003c\/strong\u003e, \u003cstrong\u003eJoan Miró\u003c\/strong\u003e, \u003cstrong\u003ePaul Klee\u003c\/strong\u003e, \u003cstrong\u003eGiacomo Balla\u003c\/strong\u003e, \u003cstrong\u003eGiorgio Morandi\u003c\/strong\u003e, \u003cstrong\u003eMario Merz\u003c\/strong\u003e, \u003cstrong\u003eOsvaldo Licini\u003c\/strong\u003e and \u003cstrong\u003eRenato Guttuso\u003c\/strong\u003e next to major contemporary figures including \u003cstrong\u003eWilliam Kentridge\u003c\/strong\u003e, \u003cstrong\u003eMatt Mullican\u003c\/strong\u003e, \u003cstrong\u003eFrancis Alÿs\u003c\/strong\u003e, \u003cstrong\u003eHanne Darboven\u003c\/strong\u003e, \u003cstrong\u003eMatthew Barney\u003c\/strong\u003e and \u003cstrong\u003eRobin Rhode\u003c\/strong\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629396746570,"sku":"L91","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/intenzione_manifesta.png?v=1766152270"},{"product_id":"giulio-paolini-vedo-e-non-vedo","title":"Giulio Paolini. Vedo e non vedo","description":"\u003cp\u003eEyes and looks, observers and spectators animate many of \u003cstrong\u003eGiulio Paolini’s works\u003c\/strong\u003e. The clear reference to the visual act, however, does not open our gaze upon any actual vision, nor does it disclose the field to visionariness. Paolini’s device of the gaze is turned upon itself – upon \u003cem\u003e“the ancient phenomenon of seeing”\u003c\/em\u003e – in order to observe the artifices of representation and enforce the mechanisms of expecting and searching for an image.\u003c\/p\u003e\r\n\u003cp\u003eThe theme of seeing (and not seeing) in Paolini is investigated in this first volume of the \u003cem\u003eIn tema\u003c\/em\u003e series through four essays – written by \u003cstrong\u003eErich Franz\u003c\/strong\u003e, \u003cstrong\u003eJohannes Meinhardt\u003c\/strong\u003e, \u003cstrong\u003eRiccardo Venturi\u003c\/strong\u003e and \u003cstrong\u003eElena Volpato\u003c\/strong\u003e – which draw their inspiration from theoretical reflections and methodological approaches that differ profoundly from one another.\u003c\/p\u003e\r\n\u003cp\u003eAs in the other books dedicated to Giulio Paolini, \u003cem\u003eGiulio Paolini. Vedo e non vedo\u003c\/em\u003e is enhanced by an original design (a concertina folded insert) created by Giulio Paolinii especially for the occasion.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629398581578,"sku":"IN02","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/giulio-paolini-vedo-non-vedo.jpg?v=1768326509"},{"product_id":"giulio-paolini-delfo-iv-1997","title":"Giulio Paolini. Delfo (IV), 1997","description":"\u003cp\u003e\u003cstrong\u003eElisabetta Trincherini \u003c\/strong\u003eoffers an interpretation of \u003cstrong\u003eGiulio Paolini’s work Delfo (IV) \u003c\/strong\u003einspired by an original theoretical approach, one that is wholly unprecedented in the bibliography on the artist’s work. The common thread in Trincherini’s thoughts is the relationship between the author and the spectator, analyzed through the spatial construct and the photographic language underlying the work, as well as through a questioning of the artist’s “oracular” presence in his interaction with the spectator. The analysis is supported by scientific, philosophical and art-historical references, as well as by perspicacious comparisons with other works by the artist.\u003c\/p\u003e\r\n\u003cp\u003eThe essay constitutes the second volume of the \u003cstrong\u003e“In collezione” \u003c\/strong\u003eseries, dedicated to in-depth monographic studies on selected works of \u003cstrong\u003eGiulio Paolini\u003c\/strong\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629400514890,"sku":"IN03","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/paolini_delfo-iv.jpg?v=1768326576"},{"product_id":"giulio-paolini-senza-titolo-1961","title":"Giulio Paolini. Senza titolo, 1961","description":"\u003cp\u003eWhat actually is a painting? Which material conditions and visual predisposition does its functioning depend on? Why do we interpret the object known as a “painting” to be the support for an “image”? These are just some of the issues \u003cstrong\u003eJohannes Meinhardt \u003c\/strong\u003eraises starting from one of \u003cstrong\u003eGiulio Paolini\u003c\/strong\u003e’s best-known works, \u003cem\u003eSenza titolo\u003c\/em\u003e (1961), which consists of a tin of paint placed on the lower edge of an empty stretcher and held down by a transparent plastic sheet.\u003c\/p\u003e\r\n\u003cp\u003eBy looking back at the art-historical debate that unfolded in around 1960 on painting and the concept of the painting as object, and via an accurate analysis of other works by the artist, Meinhardt succeeds in casting light on the originality of the assumptions developed by Paolini during the first five years of his activity.\u003c\/p\u003e\r\n\u003cp\u003eThe essay is enhanced by an\u003cstrong\u003e original design\u003c\/strong\u003e (a concertina folded insert), specially created by the artist, and it constitutes the third volume of the \u003cstrong\u003e“In collezione” \u003c\/strong\u003eseries, dedicated to in-depth monographic studies on selected works of Giulio Paolini. \u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629410181450,"sku":"IN04","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/paolini_senza-titolo_1.jpg?v=1768326604"},{"product_id":"giulio-paolini-il-passato-al-presente","title":"Giulio Paolini. Il passato al presente","description":"\u003cp\u003eOld Master paintings and images of Classical Antiquity typically characterize the work of \u003cstrong\u003eGiulio Paolini\u003c\/strong\u003e. The artist’s “citations” from illustrious examples of European art history have often been seen as a distinguishing feature of his poetics. \u003cstrong\u003eStephen Bann, Daniel Soutif, Denis Viva\u003c\/strong\u003e, and \u003cstrong\u003eClaudio Zambianchi\u003c\/strong\u003e take a new look at the meanings and procedures of this uniquely Paolinian “grammar,” by examining some of the works and their relationship with the iconographic sources. These four essays comprise the second volume of the “In tema” series, curated by the \u003cstrong\u003eFondazione Giulio e Anna Paolini\u003c\/strong\u003e, and dedicated to the key themes underpinning Giulio Paolini’s artistic exploration. As in the previous books dedicated to Giulio Paolini, \u003cem\u003eGiulio Paolini. Il passato al presente \u003c\/em\u003eis enhanced by an original design (a concertina folded insert) created by Giulio Paolini especially for the occasion.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629413097802,"sku":"IN05","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/giulio-paolini-passato-al-presente.jpg?v=1768326667"},{"product_id":"giulio-paolini-lo-spazio-1967","title":"Giulio Paolini. Lo spazio, 1967","description":"\u003cp\u003eThe fourth volume in the series “In collezione,” curated by the \u003cstrong\u003eFondazione Giulio e Anna Paolini\u003c\/strong\u003e, presents an interpretation of the work \u003cem\u003eLo spazio (1967)\u003c\/em\u003e, mainly based on the relationship between the work, the space, and the viewer. In addition to tracing the genesis of this theme in Paolini’s previous output, \u003cstrong\u003eRiccardo Cuomo\u003c\/strong\u003e especially focuses on the intricate juxtaposition between the conceptual and physical-perceptive elements that distinguish the work analysed. The author also compares the tautological and linguistic component of Lo spazio with several contemporary works by Luciano Fabro and Alighiero Boetti, as well as with other works by Paolini.\u003c\/p\u003e\r\n\u003cp\u003eAs in the previous books dedicated to Giulio Paolini, \u003cem\u003eGiulio Paolini. Lo spazio, 1967 \u003c\/em\u003eis enhaced by an original design (a concertina folded insert) created by Giulio Paolinii especially for the occasion.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629415555402,"sku":"IN06","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/paolini_spazio-1967.jpg?v=1768326711"},{"product_id":"giulio-paolini-teresa-nella-parte-di-giovanna-d-arco","title":"Giulio Paolini. 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Reflecting on the links with the film \u003cem\u003eBlow-Up\u003c\/em\u003e by Michelangelo Antonioni, the author develops new ways of reading around the motifs and themes used by Paolini, with particular attention to the visual act.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629422272842,"sku":"IN07","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/paolini_giovanna-d-arco.jpg?v=1768326869"},{"product_id":"giulio-paolini-disegno-geometrico-1960","title":"Giulio Paolini. Disegno geometrico, 1960","description":"\u003cp\u003eIn 1960, twenty-year-old Giulio Paolini made an artwork with the help of a handbook, a ruling pen, and a compass. He used ink to square the white-painted canvas, and called it \u003cem\u003eDisegno geometrico\u003c\/em\u003e. A few years later he acknowledged that that modestly sized painting had marked his debut as an artist: a starting point, but also a never-ending return – both mental and formal – for each and every one of his works. Why did such an early, essential artwork become the cornerstone of Paolinian poetics? Fabio Belloni is the first to put forward an in-depth critical reading of \u003cem\u003eDisegno geometrico\u003c\/em\u003e. He explores the work’s genesis and meanings, and the powerful role it has played in the artist’s oeuvre as well as in contemporary art.\u003c\/p\u003e\r\n\u003cp\u003eThe book constitutes the sixth volume of the “In collezione” series, curated by the \u003cstrong\u003eFondazione Giulio e Anna Paolini \u003c\/strong\u003eand dedicated to in-depth monographic studies on selected works of Giulio Paolini.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629432561994,"sku":"IN08","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/paolini_disegno-geometrico.jpg?v=1768327082"},{"product_id":"committenze-contemporanee-alla-galleria-borghese","title":"Committenze Contemporanee at The Galleria Borghese","description":"\u003cp\u003eThe Galleria Borghese, \u003cstrong\u003eone of Italy's most important classical art museums\u003c\/strong\u003e, has been hosting exhibitions by contemporary artists in its spaces for over a decade. \u003cem\u003eCommittenze Contemporanee\u003c\/em\u003e is the title of the exhibition programme devised and curated by Anna Coliva. It was prompted by the desire to refresh the patronage of Cardinal Scipione Borghese (1577-1633), a connoisseur of beauty and luxury, creator and founder of the Galleria Borghese.\u003c\/p\u003e\r\n\u003cp\u003eFrom 2007 to 2019 the Galleria Borghese sought to create once again the conditions for it to carry on living through the works of artists of the current age: \u003cstrong\u003evedovamazzei, Giulio Paolini, Hans Op de Beeck, Nedko Solakov, Georg Baselitz, Candida Höfer, Mat Collishaw, Daniele Puppi and Zhang Enli\u003c\/strong\u003e were called upon to intervene with \u003cstrong\u003especific projects that renewed the vision of the space\u003c\/strong\u003e. The book presents the nine exhibitions in chronological order, with a wealth of images showing the works set up in the Uccelliera pavilion or in the Gallery's rooms. Each exhibition is introduced by the words of \u003cstrong\u003eAnna Coliva\u003c\/strong\u003e, explored in depth by the guest curator and, in some cases, by a testimony from the \u003cstrong\u003eartists themselves\u003c\/strong\u003e, and closes with \u003cstrong\u003ephotographic diptychs\u003c\/strong\u003e that narrate the relationship between the contemporary and the classic.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629454090570,"sku":"9788875709822","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/committenzecontemporanee-cover-ombra.jpg?v=1768327277"}],"url":"https:\/\/corraini.com\/en\/collections\/giulio-paolini.oembed","provider":"corraini-shop","version":"1.0","type":"link"}