{"title":"Inventario","description":"","products":[{"product_id":"inventario-06","title":"Inventario 06","description":"\u003cp\u003eThe latest issue of \u003cem\u003eInventario\u003c\/em\u003e takes a 360 degree view of the design tradition. The magazine\/book deals this time round with architecture, design and art, all combined with real, everyday life.\u003c\/p\u003e\r\n\u003cp\u003eIssue number 06 opens with a focus on \u003cstrong\u003eGlobes\u003c\/strong\u003e, an instrument which, seen through the changes it has undergone through time, is currently gaining new vitality and unparalleled modernity. As always \u003cem\u003eInventario\u003c\/em\u003e directs its flow of objects and thoughts through its customary columns.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eStefano Salis\u003c\/strong\u003e talks about the Life as project of Alberto Casiraghy, tireless founder of publishing company Pulcinoelefante. Since its beginning in 1982 it has worked with some of the major writers, poets and artists of our time, never ceasing to publish a book a day and using its own premises, fine paper and a press or an Audax Nebiolo. \u003cstrong\u003eMichele Calzavara\u003c\/strong\u003e takes us through the work of Getulio Alviani, an attentive “creator of surfaces” where his matter is often transformed, to become something else of its own accord. \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e introduces us to the world of the folding bicycle in his Short Notes, while in an openly Munari-inspired column (Good Design), \u003cstrong\u003eDeborah Duva\u003c\/strong\u003e entertainingly describes the perfect “design” of a pomegranate. These are followed with photos by \u003cstrong\u003eGuido Guidi\u003c\/strong\u003e who teaches us how to look at what only appears to be nothingness, Bagatelle by \u003cstrong\u003eFrancesco M. Cataluccio\u003c\/strong\u003e and \u003cstrong\u003eMichela Dossi\u003c\/strong\u003e on the subject of rain, and with a conversation between \u003cstrong\u003eMarco Romanelli\u003c\/strong\u003e and New Master Pierre Charpin. And much more besides.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 06\u003c\/em\u003e: Roberta Valtorta on Guido Guidi, Francesco M. Cataluccio and Michela Dossi on Rain, Roberto Marone on Fog, Alessandro Rocca on Yves Brunier, Deborah Duva on the Pomegranate, Marco Romanelli interviews Pierre Charpin, Angelika Burtscher and Daniele Lupo interview Studio Moniker - Luna Maurer, Daniele Greppi on Matteo Ragni, Michele Calzavara on Getulio Alviani, Matteo Pirola on Red \u0026 Blue, Giulio Iacchetti on Folding Bicycles, Cristina Miglio on Anna Gili and Animals, Paolo Bocchi on Martì Guixé, Francesco Garutti on Martin Creed.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629341073738,"sku":"D103","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_06.jpg?v=1768325415"},{"product_id":"inventario-07","title":"Inventario 07","description":"\u003cp\u003eNow in its seventh edition, \u003cem\u003eInventario\u003c\/em\u003e continues to detail design culture from a number of diverging points of view, and this time research dedicated to the book object has been selected as a starting point – \u003cstrong\u003enot the book as a physical product, however, but as a world of things and actions whose designs have been inspired by the book, and are related to it\u003c\/strong\u003e. A collection of objects that mark the advancement of reading, tools to help readers, structures that hold and sort rows of books, lamps and other decorative objects that have been made for and with books, and, how fundamental constructive and structural elements are found even within books themselves.\u003c\/p\u003e\r\n\u003cp\u003eInside \u003cem\u003eInventario\u003c\/em\u003e, we find, faithfully, the columns that carry out the task of organising the flow of objects, thoughts and words in-between the turning of pages. In this edition, \u003cstrong\u003eElio Grazioli\u003c\/strong\u003e speaks of Claudio Parmiggiani’s “delocazione” which converts a room into a type of three-dimensional sensitive plate, upon which the shape of objects stand out. Meanwhile, in the Architect’s Manual, \u003cstrong\u003eMariana Siracusa\u003c\/strong\u003e tells us how artists and designers have managed and reinterpreted a rational space: the corner, which in itself is not very welcoming. \u003cstrong\u003eFrancesco Garutti\u003c\/strong\u003e tells us about Blinky Palermo, who redefined the language of painting. Among the New Masters, we find \u003cstrong\u003eMartí Guixé\u003c\/strong\u003e, Catalan food designer, true innovator of food design who, in this interview with \u003cstrong\u003ePaolo Bocchi\u003c\/strong\u003e, illustrates his personal and professional journey. Then, there is the work of Umberto Riva in an article by \u003cstrong\u003eMichele Calzavara\u003c\/strong\u003e, paper knives explained by \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e, sofas and chairs by \u003cstrong\u003eNina Saunders\u003c\/strong\u003e, travel paintings by \u003cstrong\u003eVittoria Chierici\u003c\/strong\u003e and the new talents of Near Future (Stéphanie Baechler, Denise Bonapace, James Teng). And much more.\u003c\/p\u003e\r\n\u003cp\u003eThe contributors to \u003cem\u003eInventario 07\u003c\/em\u003e: “Around books” by Stefano Salis and Annalisa Ubaldi, Daniele Greppi on Joy by Achille Castiglioni, Mariana Siracusa on Corners, Francesco Garutti on Blinky Palermo, Judicious pairings by Matteo Pirola, Martí Guixé interviewed da Paolo Bocchi, Deborah Duva on Nina Saunders, Angelika Burtscher and Daniele Lupo interview Maruša Sagadin, Near Future by Cristina Miglio, Giulio Iacchetti on Paper Knives, Michele Calzavara and Mirko Zardini on Umberto Riva, Anna Meroni and the “creativity necessary for the future”, Francesco M. 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Particular attention is paid to the important of hands as a subject in art history, from the Lascaux Caves to Cattelan’s “L.O.V.E.” \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e’s Short Notes are dedicated to the bottle opener, and compiles some of the greatest designs of this object. Accompanying these are the new talents of Near Future (Marco Botti, Daniel Eatock, Helmut Smits), the surprises of Judicious pairings, the certainties of Absolutes, and much more besides.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 08\u003c\/em\u003e: “H as in Hands” by Francesco M. 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The concept is that of a series of independent books – taking the best of ideas from “book “ and “magazine” – where objects and thoughts flow through a number of regular columns: “boxes” to contain contents that are expressly sought and logically ordered. \u003cem\u003eInventario\u003c\/em\u003e \u003cstrong\u003edescribes the “project” from widely different points of view\u003c\/strong\u003e, shifting freely between different disciplines bound together by the concept of creation: “project” is an object, a work of art, a building or even a part of nature, the preparing of a special dish, organizing of a trip, the taking of a photograph or writing of a short story.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 01\u003c\/em\u003e: Pierluigi Anselmi, Marco Belpoliti on Italo Lupi, Paolo Bocchi on Corrado Levi, Angelika Burtscher and Daniele Lupo on Ingrid Hora, Michele Calzavara on Didier Fiuza Faustino, Francesco M. Cataluccio, Manolo De Giorgi, Deborah Duva, Beppe Finessi, Anna Foppiano on Guy Rottier, Massimo Gardone, Francesco Garutti on Monika Sosnowska, Daniele Greppi, Giulio Iacchetti, Marco Manini, Cristina Miglio on Tomás Alonso Aldo Bakker Nicolas Le Moigne and Scholten \u0026 Baijings, Marco Minuz, Matteo Pirola on Attilio Stocchi, Marco Rainò on Norman Potter, Marco Romanelli interviews Konstantin Grcic, Stefano Salis, Mariana Siracusa on William Kamkwamba, Roberta Valtorta on Tancredi Mangano, Mirko Zardini.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629346545994,"sku":"D68","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_01.jpg?v=1768325594"},{"product_id":"inventario-02","title":"Inventario 02","description":"\u003cp\u003eThe second volume of \u003cem\u003eInventario\u003c\/em\u003e carries on illustrating the project concept from a whole range of different perspectives, shifting freely between disciplines associated by the common will to create. 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The New Masters of contemporary design, Fernando \u0026 Humberto Campana, chat to \u003cstrong\u003eMarco Romanelli\u003c\/strong\u003e about the aesthetic alchemy of their own approach. \u003cstrong\u003eMatteo Pirola\u003c\/strong\u003e rewrites the entry “Windows” from the Architect’s Manual inventorying works of art and architecture. \u003cstrong\u003eMirko Zardini and Giovanna Borasi\u003c\/strong\u003e propose examples of urban action that lie somewhere between provocation and clever solutions. And there’s much more besides.\u003c\/p\u003e\r\n\u003cp\u003eTo mark the 150th anniversary of Italian Unity, the cover of \u003cem\u003eInventario 02\u003c\/em\u003e is dedicated to \u003cstrong\u003eworks of art that reflect the colours of the Italian flag\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 02\u003c\/em\u003e: Stefano Salis on Olimpia Zagnoli, Francesco M. 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In The architecture of Art \u003cstrong\u003eFrancesco Garutti\u003c\/strong\u003e examines the eight years of activity of Meir Eshel, alias Absalon, and in particular his most ambitious design for six living units for as many metropolises modelled on the artist’s own body: the minimalist units, or cellules, are compressed to allow mind and body to dilate. A conversation between two old friends: \u003cstrong\u003eMarco Romanelli\u003c\/strong\u003e interviews \u003cstrong\u003ePaolo Ulian\u003c\/strong\u003e on his work. A former pupil of Enzo Mari, Ulian is currently one of the New Masters of design. The extraordinary story of W. Reginald Bray, an eccentric English gentleman who at the end of the 19th century became famous for his postcards, sent “to the train driver of the locomotive in the picture” or “to any resident of London”, and even posting himself home to his father who, patiently, signed the return slip. 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For \u003cem\u003e“Myths of Today”\u003c\/em\u003e \u003cstrong\u003eFrancesca Picchi\u003c\/strong\u003e chooses James Irvine, retracing the stages of his work as a designer, while \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e's \u003cem\u003e“Short Notes”\u003c\/em\u003e are dedicated to the pipe, with a selection of twelve iconic models. In \u003cem\u003e“Lessons”\u003c\/em\u003e, \u003cstrong\u003eAlberto Meda\u003c\/strong\u003e talks about his concept of industrial design through some of the projects developed during his career. The protagonist of \u003cem\u003e“Temporalia”\u003c\/em\u003e by \u003cstrong\u003eElisa Testori\u003c\/strong\u003e is tape: a material dear to contemporary artists, tape can become design and an object of attention even by graphic designers and designers if they use it (to modify, to weld, to cover, to create, to play with) and rethink it. 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In Normal Wonders \u003cstrong\u003eDamiano Gullì\u003c\/strong\u003e tells us about Oscar Abraham Pabón who, starting with the brick, makes a sophisticated reflection on structure and surface, ornament and decoration, monochromy and polychromy, rhythm and reiteration; as in the \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e's Bounces, where artists and designers make the shape of the cube a module from which to generate new meanings and analogies. For Temporalia \u003cstrong\u003eMirko Zardini\u003c\/strong\u003e takes us back to the first uses of barbed wire and then to its recent applications in the art world. \u003cstrong\u003ePaolo Bocchi\u003c\/strong\u003e recounts the experiment \u003cem\u003eChew Your Own Brooch\u003c\/em\u003e by Ted Noten, and \u003cstrong\u003eAnna Sedino\u003c\/strong\u003e also writes about Gold, extolling the properties of a stone rich in memories and deceptive mirages. 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