{"title":"Marco Romanelli","description":"\u003cp\u003eMarco Romanelli è architetto, progettista e critico. È stato a lungo presidente dell’Association Jacqueline Vodoz et Bruno Danese, nell’ambito della quale ha avuto modo di conoscere e collaborare personalmente con Bruno Munari. Redattore di Domus dal 1986 al 1994 e di Abitare dal 1995 al 2007, ha pubblicato monografie su, fra gli altri, Gio Ponti, Bruno Munari e Joe Colombo. Dal 1995 è art director di Oluce. Ha curato numerose mostre e con Marta Laudani ha progettato per aziende quali Arflex, Driade, Fontana Arte e Fiam.\u003c\/p\u003e","products":[{"product_id":"inventario-07","title":"Inventario 07","description":"\u003cp\u003eNow in its seventh edition, \u003cem\u003eInventario\u003c\/em\u003e continues to detail design culture from a number of diverging points of view, and this time research dedicated to the book object has been selected as a starting point – \u003cstrong\u003enot the book as a physical product, however, but as a world of things and actions whose designs have been inspired by the book, and are related to it\u003c\/strong\u003e. A collection of objects that mark the advancement of reading, tools to help readers, structures that hold and sort rows of books, lamps and other decorative objects that have been made for and with books, and, how fundamental constructive and structural elements are found even within books themselves.\u003c\/p\u003e\r\n\u003cp\u003eInside \u003cem\u003eInventario\u003c\/em\u003e, we find, faithfully, the columns that carry out the task of organising the flow of objects, thoughts and words in-between the turning of pages. In this edition, \u003cstrong\u003eElio Grazioli\u003c\/strong\u003e speaks of Claudio Parmiggiani’s “delocazione” which converts a room into a type of three-dimensional sensitive plate, upon which the shape of objects stand out. 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In “Temporalia” Michele Dossi develops a reflection around an object, in this case an umbrella, while Giulio Iacchetti looks at the umbrella stand in “Short notes”. Marco Romanelli talks with Robert Stadler in “New Masters”. In “Savoir-faire” Arianna Panatela explains – aided by Massimo Gardone’s photography – the Fórcola, the object that is used to support and hold the oar on Venetian boats. Michele Calzavara discusses Enric Miralles’ architecture in “Myths of today”, which connects to Domi Mora’s photographic alphabet in “Normal wonders”, which was created in 1994 in a building created by Miralles. Corrado Levi examines five plants in “Other cases, other houses”. Francesco M. 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With his “Why” and the drawings by Marco Manini, \u003cstrong\u003eCorrado Levi\u003c\/strong\u003e presents the Arabesque tables designed by Carlo Mollino made at the end of the 1940s. Nature is at the centre of the work by Elisabetta Di Maggio, analysed in its timeless beauty by \u003cstrong\u003eDamiano Gullì\u003c\/strong\u003e in \"Normal Wonders”, but also in Gabriel Orozco’s photography, chosen by \u003cstrong\u003eAndrea Anastasio\u003c\/strong\u003e for “Absolutes”. The new feature “Hues” opens with \u003cstrong\u003eManolo De Giorgi\u003c\/strong\u003e and the colour orange, with some iconic images of objects and environments where this colour is protagonist; and dust, which does not slip into hidden corners but takes on different forms in the works of art presented by \u003cstrong\u003eMarta Elisa Cecchi\u003c\/strong\u003e in \"Bagatelle\".\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eINVENTARIO won the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629421355338,"sku":"D170","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_13.jpg?v=1768326850"},{"product_id":"inventario-14","title":"Inventario 14","description":"\u003cp\u003eNow in its\u003cstrong\u003e fourteenth issue\u003c\/strong\u003e, \u003cstrong\u003eINVENTARIO\u003c\/strong\u003e continues to tell the story of the culture of design, combining design, art and architecture in an open and interdisciplinary dialogue. The cover of this new issue is dedicated to the fan: an extension of the hand and an object with a precise function, but at the same time an instrument of seduction that moves as if in a dance. Showing and hiding, telling endless stories from one gesture, fans move not only air but also attention. \u003cbr \/\u003e\u003cbr \/\u003eIn the pages of \u003cstrong\u003eINVENTARIO\u003c\/strong\u003e, the stream of thoughts, objects and images unfolds in the usual columns. Beppe Finessi explores the multiple possibilities of meaning that space can assume, between emptiness and boundaries, in “Bounces”, while in “Other Gazes” Roberta Valtorta explores Robert Frank and his photography, in which everything is fragmented and in movement. In “Temporalia”, Chiara Fauda Pichet focuses on overcoming fractures and on the ways in which various designers have interpreted this idea, with its strong symbolic value. \u003cbr \/\u003e\u003cbr \/\u003eThe reflection on the theme of fractures – highlighted or recomposed, but nevertheless transformed – continues in “Species of Spaces”, where \u003cstrong\u003eMatteo Pirola\u003c\/strong\u003e and \u003cstrong\u003eGianni Faraci\u003c\/strong\u003e describe the “Grande Cretto” of Gibellina by Alberto Burri, from design to realisation. For “Absolutes”, \u003cstrong\u003eAndrea Anastasio\u003c\/strong\u003e chooses Mona Hatoum and her “Map”, an atlas of the world made of glass beads that inspires a reflection on freedom and power, while \u003cstrong\u003ePaolo Bocchi\u003c\/strong\u003e proposes “Tutto Cambia”, a carpet by Bruno Munari with combinations of coloured shapes and threads left free to move, to create infinite variations in the design of the carpet. Lorenzo Damiani is interviewed by \u003cstrong\u003eMarco Romanelli\u003c\/strong\u003e in “New Masters”, while guitars are at the centre of Giulio Iacchetti’s “Short Notes”, which explores twelve iconic variations of the musical instrument with texts and drawings. \u003cstrong\u003eCorrado Levi\u003c\/strong\u003e presents, through his “Why”, Franco Albini’s “Veliero” bookcase, created in 1940, while \u003cstrong\u003eMaria Elisa Cecchi\u003c\/strong\u003e dedicates “Normal Wonders” to Amalia Pica and her sculptures from the “Catachresis” series: assemblages in the ironic spirit of the ready-made, in search of new identities and balances. \u003cstrong\u003eManolo De Giorgi\u003c\/strong\u003e’s column “Hues”, which was launched in the last issue, continues this time with green and a selection of works, objects and spaces that are characterised by this colour.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eINVENTARIO won the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629422731594,"sku":"D180","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_14.jpg?v=1768326901"}],"url":"https:\/\/corraini.com\/en\/collections\/marco-romanelli.oembed","provider":"corraini-shop","version":"1.0","type":"link"}