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It also includes an insert with a catalogue of the artists and the works of art.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eA work of Persol\u003c\/em\u003e's artists are: \u003cstrong\u003eWilfrid Almendra\u003c\/strong\u003e,\u003cstrong\u003e Francesco Cuomo\u003c\/strong\u003e, \u003cstrong\u003eModou Dieng\u003c\/strong\u003e, \u003cstrong\u003eTjorg Douglas Beer\u003c\/strong\u003e, \u003cstrong\u003eFrancesca Gabbiani\u003c\/strong\u003e, \u003cstrong\u003eAnne Hardy\u003c\/strong\u003e, \u003cstrong\u003eClaire Healy \u003c\/strong\u003ee \u003cstrong\u003eSean Cordeiro\u003c\/strong\u003e, \u003cstrong\u003eMustafa Hulusi\u003c\/strong\u003e, \u003cstrong\u003eElliott Hundley\u003c\/strong\u003e, \u003cstrong\u003eJonathan Jones\u003c\/strong\u003e, \u003cstrong\u003eGuillaume Leblon\u003c\/strong\u003e, \u003cstrong\u003eAmanda Ross-Ho\u003c\/strong\u003e, \u003cstrong\u003eSeher Shah\u003c\/strong\u003e, \u003cstrong\u003eFefe Talavera\u003c\/strong\u003e, \u003cstrong\u003eThukral \u0026 Tagra\u003c\/strong\u003e, \u003cstrong\u003eMarcella Vanzo\u003c\/strong\u003e, \u003cstrong\u003eDanwen Xing\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003e\u003cem\u003eThis book is also available in\u003c\/em\u003e \u003ca href=\"https:\/\/corraini.com\/en\/art-in-process.html\"\u003eItalian\u003c\/a\u003e \u003cem\u003eand\u003c\/em\u003e \u003ca href=\"https:\/\/corraini.com\/en\/art-in-process-fr.html\"\u003eFrench\u003c\/a\u003e .\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629358866762,"sku":"L66","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/art-in-process_a-work-of-persol_ita.png?v=1766151806"},{"product_id":"marcello-morandini-architetture-d-arte","title":"Marcello Morandini. Art achitectures","description":"\u003cp\u003eThroughout his artistic career, \u003cstrong\u003eMarcello Morandini\u003c\/strong\u003e has applied the precision of his concepts to the various fields of the \u003cstrong\u003evisual image, painting, sculpture, design, architecture and even fabric design\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eStrongly influenced by Programmed Art and Concrete Art, and due to his extensive experience as an artist working with the world of industry, Morandini has based his own studies on the aesthetic laws of rigorous and geometric rationalism.\u003c\/p\u003e\r\n\u003cp\u003eComplied by the artist himself, this book offers a selection of designs by Marcello Morandini covering the various fields he has embraced during the course of his career. From the very conception of a work of art though to his urban sculptures, his personal methodology is easily identifiable in the \u003cstrong\u003ecoordinated, essential and elegantly compact shapes\u003c\/strong\u003e that characterize each object like a mark of beauty in the landscape and in their overall visual perception: “open” works of art that serve as knowledge, utopia and identity of their own human and urban context.\u003c\/p\u003e\r\n\u003cp\u003eThis book is published on the occasion of the \u003cstrong\u003epersonal exhibition “Art achitectures”\u003c\/strong\u003e, on display in 2010 at the Casa del Mantegna in Mantua. It includes texts by \u003cstrong\u003eFrançois Burkhardt, Enrico Crispolti, Marcello Morandini\u003c\/strong\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629358899530,"sku":"L67","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/casa-del-mantegna-a-mantova.png?v=1768325859"},{"product_id":"istanbul-05-010","title":"Istanbul 05 010","description":"\u003cp\u003eGabriele Basilico’s Istanbul includes unpublished photographs shot in 2005 and to which he turned again in 2010. The precision of the camera lens shows images of a city – one of the most populated metropolitan areas in the world – expanding and thinning away to incorporate the surrounding hillsides. 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Although it is impossible to classify him as member of any particular art movement, his interest in everyday objects of mass culture have often led him to be associated with Pop Art.\u2028\u003c\/p\u003e\r\n\u003cp\u003eConceived as \u003cstrong\u003ea parallel journey through the works of the two artists, one American and the other Bolognese\u003c\/strong\u003e, the book reveals the close affinities that underlie their work: the interest in everyday items (simplified to the point of becoming purely formal elements), the tendency to align them in rigorously tidy lines, the apparent repetitiveness, the study of variations, the aesthetic isolation of the object and the achievement of visual effects through attention to light, form and quality of brushstroke.\u003c\/p\u003e\r\n\u003cp\u003eThe book includes \u003cstrong\u003ea piece written by Thiebaud about the oeuvre of Giorgio Morandi\u003c\/strong\u003e, which appeared in the New York Times in 1981, \u003cstrong\u003ean interview with Wayne Thiebaud by Alessia Masi\u003c\/strong\u003e, a \u003cstrong\u003ebiography and selected bibliography\u003c\/strong\u003e of the American artist.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629359423818,"sku":"L72","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/wayne-thiebaud-at-museo-morandi.png?v=1768325871"},{"product_id":"terre-vulnerabili","title":"Terre vulnerabili","description":"\u003cp\u003eThe \u003cem\u003eTerre vulnerabili\u003c\/em\u003e project takes the shape of an organic and polyphonic exhibition. Numerous artists interact around the “earth” as their place of belonging and to “vulnerability” as a positive concept to be contrasted with security.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eTerre vulnerabili\u003c\/em\u003e is \u003cstrong\u003ean exhibition in progress\u003c\/strong\u003e, something which is germinating and organic, growing as it progresses. Articulated in four different stages, each given a different title – it lasts over a period of nine months. The underlying concept was that the work of each of the thirty international artists should not remain as it was at the start of each phase, but would continue to change and evolve throughout the duration of the show, with additions, corrections, changes of shape or place and interaction between the artists themselves. 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