{"title":"Paolo Ulian","description":"\u003cp\u003ePaolo Ulian nasce nel 1961. Frequenta per tre anni l’Accademia di Belle Arti di Carrara dove segue i corsi di pittura tenuti da Getulio Alviani e Luciano Fabro quindi si trasferisce a Firenze per iscriversi all’Isia. Si diploma in industrial design nel 1990 con il progetto di un paravento in cartone col quale vince il premio “Design for Europe in Belgio”. Alla fine del 1990 é a Milano per lavorare con Enzo Mari. Rimane con lui fino al 1992 per poi tornare in Toscana ed iniziare la propria attività con il fratello Giuseppe col quale collabora ancora oggi. Dal 1994 partecipa a molte delle mostre organizzate allo Spazio Opos a Milano e a numerose altre in Italia e all’estero. Sono del 1995 i suoi primi progetti entrati in produzione, con Driade e Bieffeplast. Nel 2000 partecipa al Salone Satellite dove vince la prima edizione del “Design Report” Award. Negli anni successivi vince il premio “Dedalus” e inizia a collaborare con Droog Design e con alcune aziende italiane come Fontana Arte, Luminara, Zani e Zani, BBB Bonacina, Sensi\u0026amp;C., Coop, Azzurra Ceramiche, Skitsch.\u003c\/p\u003e","products":[{"product_id":"l-essenza-e-l-eccesso","title":"Essence and excess","description":"\u003cp\u003eThe book collects \u003cstrong\u003edrawings of a series of products\u003c\/strong\u003e that represent the \u003cstrong\u003eexcesses of a superficial and uncritical consumerism\u003c\/strong\u003e, excesses to which we have become irresponsibly addicted over the past fifty years, \u003cstrong\u003echanging our planet’s environment\u003c\/strong\u003e. These products are all things that we could easily do without, but the production system, spurred on by advertising, has managed to convert them into products that are absolutely indispensible for mankind.\u003c\/p\u003e\r\n\u003cp\u003eIn \u003cstrong\u003ePaolo Ulian\u003c\/strong\u003e's \u003cstrong\u003edrawings\u003c\/strong\u003e, these products, for example, a bottle of weed killer, are put \u003cstrong\u003enext to essential objects\u003c\/strong\u003e, in this case, a small hoe, which has the same function as the weed killer, but is healthier from all points of view, therefore creating pairs for functional analogy and ethical contrast; one product expressing the excesses of consumerism, and another expressing the essence.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629341237578,"sku":"D106","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/lessenza-e-leccesso.png?v=1768325419"},{"product_id":"paolo-ulian-il-marmo-tra-classicit-e-contemporaneit","title":"Paolo Ulian. Marble poised between classicism and the contemporary","description":"\u003cp\u003eThe book contains a collection of \u003cstrong\u003emarble works by Paolo Ulian\u003c\/strong\u003e - from his earliest studies in 1992 to his most recent projects, launched to coincide with the 2011 Milan International Furniture Fair. \u003c\/p\u003e\r\n\u003cp\u003eThe objects that appear in the book are conceived, designed and made of marble. Thanks to a process developed in the late Sixties which enables the work to be semi processed, \u003cstrong\u003ethis inflexible “heavy” material can be used to create a lighter and more flexible formal language\u003c\/strong\u003e. His careful reuse of discarded marble and optimization of production processes reveal Ulian’s design method, both ethical and aesthetic at the same time. There is no waste and every mark and sign can be justified.\u003c\/p\u003e\r\n\u003cp\u003eIncluded among the sixteen designs, the \u003cem\u003eConcentrico\u003c\/em\u003e table is made up of square rings obtained from water-jet cut marble slabs, so there is no waste; the \u003cem\u003eNumerica\u003c\/em\u003e bookcase combines units overlapped to form Roman numerals; the \u003cem\u003eBrecciato\u003c\/em\u003e table is a made out of one large single slab broken inside into four fragments that can be recomposed to close the crevice. The book ends with a biography and an essential bibliography of Paolo Ulian.\u003c\/p\u003e\r\n\u003cp\u003ePublished on the occasion of the exhibition of the same name and promoted by Le Fablier in 2011 at the Gallery Il Castello in Milan\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629346808138,"sku":"D76","price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/il-marmo-tra-classicita-e-contemporaneita.png?v=1768325603"},{"product_id":"tdm-6-design","title":"TDM 6: Design","description":"\u003cp\u003eThe capacity to assimilate, the curiosity and the desire to confront other languages and cultures in order to start new projects and new processes, the result of continuous and constant influence. These are key features of the our country’s design, and it is to this aptitude that \u003cem\u003eDesign. The Syndrome of Influence\u003c\/em\u003e is dedicated. The volume, edited by \u003cstrong\u003ePierluigi Nicolin\u003c\/strong\u003e, accompanies the sixth edition of the \u003cstrong\u003eTriennale Design Museum\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eThe book provides a broad overview of Italian design, and is organised into three main parts: the first (the invention of italian design) explores \u003cstrong\u003eten installations that the same number of contemporary designers have each dedicated to a master from the ‘50s and ‘60s\u003c\/strong\u003e; to their sensitivities, curiosities, inspirations, journeys and meetings.\u003c\/p\u003e\r\n\u003cp\u003eThe second section (creative destruction) is \u003cstrong\u003ededicated to the memory and legacy of the post-war masters\u003c\/strong\u003e and puts on paper stories taken from video interviews with Alessandro Mendini, Enzo Mari, Mario Bellini, Paolo Deganello, Paolo Rizzatto, Ernesto Gismondi, Alberto Alessi, Claudio Luti, Franco Raggi, Vanni Pasca, Joseph Grima and Giulio Iacchetti. The chapter sheds light on how a historic moment of crisis led to new behaviours and manufacturing innovations which ensured that design became an integral part of the \u003cstrong\u003eMade in Italy\u003c\/strong\u003e brand. Testimonies from the protagonists of the time, and from their “heirs”, showcase the transition between the two periods of design, also evoking “creative destruction” from which, surprisingly, innovative content and the true protagonists of the third section emerge.\u003c\/p\u003e\r\n\u003cp\u003eThe third part (the new context) presents \u003cstrong\u003ethe way in which the new design brands organise themselves in the context of Made in Italy\u003c\/strong\u003e, and documents the installations dedicated to exposing the philosophies of the featured brands, the way in which they determine their production strategy, their image and the choice of the designer.\u003c\/p\u003e\r\n\u003cp\u003eCompleted with detailed photographs of all the installations, \u003cem\u003eDesign. The Syndrome of Influence\u003c\/em\u003e gathers all of the curiosity and sense of adventure of the designers from the ‘50s and ‘60s together with the dynamism of contemporary design, achieving a reversal of perspective that aims to x-ray Italian design in the convergence of different points of view who built and defined it.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629372563786,"sku":"TR07","price":48.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/tdm-6_la-sindrome-dellinfluenza.png?v=1766152058"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/collections\/ulian_-_cover_sito_75d56501-8eac-4de5-bf29-12ae11c61487.jpg?v=1773747981","url":"https:\/\/corraini.com\/en\/collections\/paolo-ulian.oembed","provider":"corraini-shop","version":"1.0","type":"link"}