{"title":"Romeo Castellucci","description":"\u003cp\u003eRomeo Castellucci nasce nel 1960 a Cesena. Si diploma in Pittura e Scenografia all’Accademia di Belle Arti di Bologna. Nel 1981 fonda, insieme a Claudia Castellucci e a Chiara Guidi, la Socìetas Raffaello Sanzio. I suoi lavori sono stati presentati in più di cinquanta nazioni, prodotti dai più prestigiosi teatri e festival del mondo. Insignito di numerosi premi e onorificenze internazionali, il recente conferimento del Leone D’Oro alla carriera della Biennale di Venezia è l’ultimo importante riconoscimento del suo percorso artistico.\u003c\/p\u003e","products":[{"product_id":"in-wagner","title":"In Wagner","description":"\u003cp\u003e\u003cem\u003eIn Wagner\u003c\/em\u003e s the first of 5 books that accompany the \u003cstrong\u003eComune di Bologna\u003c\/strong\u003e’s \u003cem\u003e\"e la volpe disse al corvo project - Corso di Linguistica Generale\"\u003c\/em\u003e, curated by Romeo Castellucci and Piersandra Di Matteo, \u003cstrong\u003eSocìetas Raffaello Sanzio\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eFeaturing a programmatic text by \u003cstrong\u003eRomeo Castellucci\u003c\/strong\u003e, a look at his two installations, Wagnerian in inspiration, at the Bayerische Staatsoper, Munich Opernfestspiele in 2012 and a critical essay by \u003cstrong\u003ePiersandra Di Matteo\u003c\/strong\u003e, \u003cem\u003eIn Wagner\u003c\/em\u003e accompanies Richard Wagner’s Parsifal, staged at the Teatro Comunale di Bologna to commemorate the 100 year anniversary of the first Italian production on 1st January 1914.\u003c\/p\u003e\r\n\u003cp\u003eNeutralising traditional symbology and removing images from didactic certainties, in Parsifal, Romeo Castellucci carries out a vertical leap in search of the mythical matrix and the forms of conflict that underlie it. The spectator of the director’s first opera is invited to travel to an unknown land, deprived of what is recognisable, so that the prismatic nature of the opera reveals itself through their own imagination.\u003c\/p\u003e\r\n\u003cp\u003eCastellucci foreshadows the loss of the human being in its own humanity, taking up the theme of purity in relation to the question of society, before which Parsifal’s defenceless passing away rises up as a contemporary prayer. And so, the unrepresentability of the Grail, its emergence as an object that is to be lost forever, as the founding emptiness that belongs to the intimate sphere of the spectator.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349265738,"sku":"E05","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/in_wagner.png?v=1768325661"},{"product_id":"persona","title":"Persona","description":"\u003cp\u003e\u003cem\u003ePersona\u003c\/em\u003e s the second of 5 books that accompany the \u003cstrong\u003eComune di Bologna\u003c\/strong\u003e’s \u003cem\u003e\"e la volpe disse al corvo project - Corso di Linguistica Generale\"\u003c\/em\u003e, curated by Romeo Castellucci and Piersandra Di Matteo, \u003cstrong\u003eSocìetas Raffaello Sanzio\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003ePersona\u003c\/em\u003e accompanies \u003cstrong\u003eRomeo Castellucci\u003c\/strong\u003e's installation of the same name at the air-raid shelter in Via Indipendenza, Bologna, with sound by Scott Gibbons. In the darkness of an air-raid shelter, you come across a satyric mask that, in the hollows of the eyes and mouth, is operated by a frenzied, deafening mechanical device. It is a Papposilenus from the Hellenistic period, a depiction of the oldest of the satyrs, the one who hates the city.\u003c\/p\u003e\r\n\u003cp\u003eIt is with a comedic language that Castellucci tells the human comedy, and with a inhuman look that concentrates on the human being. The mask is made from heavy monumental bronze, and that is contradicted by the speed of its eyes and tongue: this semi-feral entity sees \"everything\" and talks about \"everything\", a summation of the visual angles and the languages ​​of people. The sonority that captures and sends back again, while the eyeballs flail as if in the throes of ecstasy or delirium, is the result of the condensation of a screaming crowd, and his bronze as if it were a bell. The goal of the installation is to instil fear, but fear of what is seen: we, the audience, the group of the species, spectator-performers. Persona, which means \"mask\" in Latin, is our face to face meeting with a warning siren.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003ePersona\u003c\/em\u003e includes the text \"From an exchange of opinions with a spectator on the myth\" by Romeo Castellucci, and the Blumenberg-like anthology \"The Future of Myth.\"\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349298506,"sku":"E06","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/persona.png?v=1768325662"},{"product_id":"la-generalissima","title":"La Generalissima","description":"\u003cp\u003e\u003cem\u003eLa Generalissima\u003c\/em\u003e s the third of 5 books that accompany the \u003cstrong\u003eComune di Bologna\u003c\/strong\u003e’s \u003cem\u003e\"e la volpe disse al corvo project - Corso di Linguistica Generale\"\u003c\/em\u003e, curated by Romeo Castellucci and Piersandra Di Matteo, \u003cstrong\u003eSocìetas Raffaello Sanzio\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eLa Generalissima\u003c\/em\u003e accompanies the play ‘Uso umano di esseri umani. Un esercizio in lingua Generalissima’ at the Ex Ospedale dei Bastardini in Bologna. The action – which is based iconographically on Giotto’s The Raising of Lazarus - uses la Generalissima, an artificial language created in 1985 by the Socìetas Raffaello Sanzio, based on creoles and Ramon Lull’s ‘Ars Magna’, which was based on numerology.\u003c\/p\u003e\r\n\u003cp\u003eCarefully formulated by Claudia Castellucci based on four-hundred comprehensive terms, la Generalissima proceeds to even more abstract levels – from the most common, to the purest, which is made up of only four words – through each of which, it is possible to communicate. The scene which sees the Lord go towards Lazarus’s body, while family members are covering their noses due to the rotting stench, is recreated according to these combinatorial principles. The atonal light from the sun that passes through the enormous space at the Ex Ospedale dei Bastardini prepares the audience for a contemplation of a profound transformation.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349364042,"sku":"E07","price":3.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/la_generalissima.png?v=1768325662"},{"product_id":"unheard","title":"Unheard","description":"\u003cp\u003e\u003cem\u003eUnheard\u003c\/em\u003e s the fourth of 5 books that accompany the \u003cstrong\u003eComune di Bologna\u003c\/strong\u003e’s \u003cem\u003e\"e la volpe disse al corvo project - Corso di Linguistica Generale\"\u003c\/em\u003e, curated by Romeo Castellucci and Piersandra Di Matteo, \u003cstrong\u003eSocìetas Raffaello Sanzio\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eUnheard\u003c\/em\u003e accompanies the sound show of the same name by \u003cstrong\u003eRomeo Castellucci\u003c\/strong\u003e with \u003cstrong\u003eScott Gibbons\u003c\/strong\u003e, the composer who he has collaborated with for almost fifteen years. For this new show, Gibbons uses a medical device capable of recording the lowest grade of human matter, the atom, seeking to penetrate the smallest essence that we are made from.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eUnheard\u003c\/em\u003e contains texts by \u003cstrong\u003eRomeo Castellucci\u003c\/strong\u003e, \u003cstrong\u003eHenry Parkman\u003c\/strong\u003e and \u003cstrong\u003eScott Gibbons\u003c\/strong\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349495114,"sku":"E09","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/romeo-castellucci-unheard.jpg?v=1768325664"},{"product_id":"canto-del-cigno","title":"Canto del Cigno","description":"\u003cp\u003e\u003cem\u003eCanto del Cigno\u003c\/em\u003eis the fifth of 5 books that accompany the \u003cstrong\u003eComune di Bologna\u003c\/strong\u003e's \u003cem\u003e\"e la volpe disse al corvo project - Corso di Linguistica Generale\"\u003c\/em\u003e, edited by Romeo Castellucci and Piersandra Di Matteo, \u003cstrong\u003eSocìetas Raffaello Sanzio\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eCanto del Cigno\u003c\/em\u003e accompanies the play \u003cem\u003eJulius Caesar. Detached parts\u003c\/em\u003e staged at the Accademia di Belle Arti in Bologna. The booklet contains essays by \u003cstrong\u003eDaniel Sack, Joe Kelleher\u003c\/strong\u003e and \u003cstrong\u003eLucia Amara\u003c\/strong\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629384130890,"sku":"E10","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/romeo-castellucci-canto-del-cigno.jpg?v=1768326290"}],"url":"https:\/\/corraini.com\/en\/collections\/romeo-castellucci.oembed","provider":"corraini-shop","version":"1.0","type":"link"}