{"title":"Saggi","description":"","products":[{"product_id":"quello-che-ho-imparato","title":"Quello che ho imparato","description":"\u003cp\u003eA singular poetic work by the great Italian painter which contains documents and comments about his encounters with other intellectuals.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eQuello che ho imparato\u003c\/em\u003e is part of the \u003cstrong\u003eBlock Notes\u003c\/strong\u003e series, created by Bruno Munari in 1992 for Corraini, an open collection of projects. These included creative examples of how to use art playfully and intelligently. The books in the series are characterized by their grey covers, pocket-size dimensions and the holes on the cover which prompt the reader to \"wander in\" through to the book itself.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629338779978,"sku":"BN6","price":11.4,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/quello-che-ho-imparato.png?v=1768325314"},{"product_id":"il-mare-come-artigiano","title":"Il mare come artigiano","description":"\u003cp\u003e\u003cem\u003e\"You throw something into the sea, and the sea (after an unspecific and indeterminable amount of time) hands it back to you carved, finished, smoothed, shiny or polished according to the material and wet too because that way colours are brighter.\"\u003c\/em\u003e — \u003cstrong\u003eBruno Munari\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eReflections on \u003cstrong\u003ethe sea as creator of 'useless' design objects\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eIl mare come artigiano\u003c\/em\u003e is part of the \u003cstrong\u003eBlock Notes\u003c\/strong\u003e series, created by Bruno Munari in 1992 for Corraini, an open collection of projects. These included creative examples of how to use art playfully and intelligently. The books in the series are characterized by their grey covers, pocket-size dimensions and the holes on the cover which prompt the reader to \"wander in\" through to the book itself.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eThis book is also available in\u003c\/em\u003e \u003ca href=\"https:\/\/corraini.com\/en\/the-sea-as-a-craftsman.html\"\u003eEnglish\u003c\/a\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629338812746,"sku":"BN8","price":11.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/il-mare-come-artigiano_ita.png?v=1768325315"},{"product_id":"ma-chi-bruno-munari","title":"Ma chi è Bruno Munari?","description":"\u003cp\u003eMunari the painter, designer, graphic artist, inventor, architect, sculptor, writer, planner, philosopher, teacher, educator, explorer. Munari pioneer of ideas and situations, thought provoker but lover of harmony, ironic, poetic, reflective, intuitive, eclectic, rational, ingenuous, simple, complex, light, profound. Munari undoubtedly first and foremostan artist. But what do we intend by the word “art” when faced with someone who has constantly questioned its limits, those boundaries that have turned the borderless world of creativity into a series of compartments for specialists?\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eMa chi è Bruno Munari?\u003c\/em\u003e is part of the \u003cstrong\u003eBlock Notes\u003c\/strong\u003e series, created by Bruno Munari in 1992 for Corraini, an open collection of projects. These included creative examples of how to use art playfully and intelligently. The books in the series are characterized by their grey covers, pocket-size dimensions and the holes on the cover which prompt the reader to \"wander in\" through to the book itself.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003e\u003cem\u003eThis book is also available in\u003c\/em\u003e \u003ca href=\"https:\/\/corraini.com\/en\/who-on-earth-is-bruno-munari.html\"\u003eEnglish\u003c\/a\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629339140426,"sku":"BN12","price":8.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/ma-chi-e-bruno-munari-_ita.png?v=1768325319"},{"product_id":"prima-del-disegno","title":"Before the drawing","description":"\u003cp\u003eHow important is the sign for the drawing? With this question \u003cstrong\u003eBruno Munari\u003c\/strong\u003e opens \u003cem\u003eBefore the drawing\u003c\/em\u003e, an issue belonging to the \u003cstrong\u003eBlock Notes\u003c\/strong\u003e series, created by Munari for Corraini in 1992: a free collection of projects with creative implications. A collection of ideas and examples of artistic work as input for everyone's \"intellectual playing\", recognizable in its graphic design through its grey covers, the pocket format and the holes on the cover, which urge the reader to browse through the book.\u003c\/p\u003e\r\n\u003cp\u003eIn this volume, the sign becomes the signature of the most free experimentation, accompanied by captions in Italian, English, French and German.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003epencil's markings left almost free on paper\u003c\/strong\u003e make this book a family album; a collection of all the portraits of that ink sign which on paper becomes the start of a meadow, a poisonous insect, a spinning top that turns while standing still.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629339173194,"sku":"BN13","price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/prima-del-disegno.png?v=1766151384"},{"product_id":"teoremi-sull-arte","title":"Art theorems","description":"\u003cp\u003eFirst published by Scheiwiller in 1961 the Milanese master’s historic \u003cem\u003eArt theorems\u003c\/em\u003e is added to the Block Notes series, conceived and directed by Bruno Munari. The book includes a sharp and amusing collection of brief considerations about art which still make us smile and reflect today.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eBlock Notes\u003c\/strong\u003e series was created by Bruno Munari in 1992 for Corraini, an open collection of projects. These included creative examples of how to use art playfully and intelligently. The books in the series are characterized by their grey covers, pocket-size dimensions and the holes on the cover which prompt the reader to \"wander in\" through to the book itself.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629339337034,"sku":"BN16","price":13.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/teoremi-sullarte.png?v=1768325348"},{"product_id":"inventario-06","title":"Inventario 06","description":"\u003cp\u003eThe latest issue of \u003cem\u003eInventario\u003c\/em\u003e takes a 360 degree view of the design tradition. The magazine\/book deals this time round with architecture, design and art, all combined with real, everyday life.\u003c\/p\u003e\r\n\u003cp\u003eIssue number 06 opens with a focus on \u003cstrong\u003eGlobes\u003c\/strong\u003e, an instrument which, seen through the changes it has undergone through time, is currently gaining new vitality and unparalleled modernity. As always \u003cem\u003eInventario\u003c\/em\u003e directs its flow of objects and thoughts through its customary columns.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eStefano Salis\u003c\/strong\u003e talks about the Life as project of Alberto Casiraghy, tireless founder of publishing company Pulcinoelefante. Since its beginning in 1982 it has worked with some of the major writers, poets and artists of our time, never ceasing to publish a book a day and using its own premises, fine paper and a press or an Audax Nebiolo. \u003cstrong\u003eMichele Calzavara\u003c\/strong\u003e takes us through the work of Getulio Alviani, an attentive “creator of surfaces” where his matter is often transformed, to become something else of its own accord. \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e introduces us to the world of the folding bicycle in his Short Notes, while in an openly Munari-inspired column (Good Design), \u003cstrong\u003eDeborah Duva\u003c\/strong\u003e entertainingly describes the perfect “design” of a pomegranate. These are followed with photos by \u003cstrong\u003eGuido Guidi\u003c\/strong\u003e who teaches us how to look at what only appears to be nothingness, Bagatelle by \u003cstrong\u003eFrancesco M. Cataluccio\u003c\/strong\u003e and \u003cstrong\u003eMichela Dossi\u003c\/strong\u003e on the subject of rain, and with a conversation between \u003cstrong\u003eMarco Romanelli\u003c\/strong\u003e and New Master Pierre Charpin. And much more besides.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 06\u003c\/em\u003e: Roberta Valtorta on Guido Guidi, Francesco M. Cataluccio and Michela Dossi on Rain, Roberto Marone on Fog, Alessandro Rocca on Yves Brunier, Deborah Duva on the Pomegranate, Marco Romanelli interviews Pierre Charpin, Angelika Burtscher and Daniele Lupo interview Studio Moniker - Luna Maurer, Daniele Greppi on Matteo Ragni, Michele Calzavara on Getulio Alviani, Matteo Pirola on Red \u0026 Blue, Giulio Iacchetti on Folding Bicycles, Cristina Miglio on Anna Gili and Animals, Paolo Bocchi on Martì Guixé, Francesco Garutti on Martin Creed.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629341073738,"sku":"D103","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_06.jpg?v=1768325415"},{"product_id":"in-residence-5","title":"IN Residence #5","description":"\u003cp\u003eAfter the editions on \u003ca href=\"https:\/\/corraini.com\/en\/in-residence-1.html\"\u003e\u003cem\u003e“Nature Through Artifice”\u003c\/em\u003e\u003c\/a\u003e (2009), \u003ca href=\"https:\/\/corraini.com\/en\/in-residence-2.html\"\u003e\u003cem\u003e“Matter Matters”\u003c\/em\u003e\u003c\/a\u003e (2010), \u003ca href=\"https:\/\/corraini.com\/en\/in-residence-3.html\"\u003e\u003cem\u003e“Visualising Transformation”\u003c\/em\u003e\u003c\/a\u003e (2011) and \u003ca href=\"https:\/\/corraini.com\/en\/in-residence-4.html\"\u003e\u003cem\u003e“Sense Memory”\u003c\/em\u003e\u003c\/a\u003e (2012), the \u003cstrong\u003eIN Residence project\u003c\/strong\u003e now turns its attention to \u003cem\u003e“Little Daily Wonders”\u003c\/em\u003e, adding a new chapter of reflection to an original path of exploration that has few parallels in the contexts of study programmes, debate and analysis dedicated to \u003cstrong\u003econtemporary design\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eThis \"Diary\", complimenting the other titles in the series, reports on the guidelines and the outcomes of the workshop on the theme of “wonder”, to be understood as the feeling of unconditional amazement, or surprise, that is stimulated through interaction with an object. Through \u003cem\u003e“Little Daily Wonders”\u003c\/em\u003e, the opportunity is offered to assess \u003cstrong\u003ehow the business element that is inherent to the design process can have a responsibility to influence the quality of life of each individual\u003c\/strong\u003e, participating in the minute context of the single moments that make up his daily life and equipping his personal habitat with “sensitive” physical presences that, in addition to their functional details, can establish dialogue with his emotions.\u003c\/p\u003e\r\n\u003cp\u003eThe designers involved in \u003cem\u003e“Little Daily Wonders”\u003c\/em\u003e are: \u003cstrong\u003e45 Kilo, Humans Since 1982, Andrea Magnani, Lex Pott, ShiKai Tseng and Bethan Laura Wood\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eThe last section of this book, arranged as a booklet, collects some notes relating to the four-stage European trip of the collective exhibition \u003cem\u003e“Another Terra \/ Home Away from Home”\u003c\/em\u003e, produced by IN Residence, and featuring a special themed collection of new designer objects created specially for the collection.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eThis volume was \u003cstrong\u003eselected by the ADI Permanent Design Observatory\u003c\/strong\u003e as an example of the best Italian design put into production.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629341958474,"sku":"D110","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/in-residence_5.png?v=1768325427"},{"product_id":"inventario-07","title":"Inventario 07","description":"\u003cp\u003eNow in its seventh edition, \u003cem\u003eInventario\u003c\/em\u003e continues to detail design culture from a number of diverging points of view, and this time research dedicated to the book object has been selected as a starting point – \u003cstrong\u003enot the book as a physical product, however, but as a world of things and actions whose designs have been inspired by the book, and are related to it\u003c\/strong\u003e. A collection of objects that mark the advancement of reading, tools to help readers, structures that hold and sort rows of books, lamps and other decorative objects that have been made for and with books, and, how fundamental constructive and structural elements are found even within books themselves.\u003c\/p\u003e\r\n\u003cp\u003eInside \u003cem\u003eInventario\u003c\/em\u003e, we find, faithfully, the columns that carry out the task of organising the flow of objects, thoughts and words in-between the turning of pages. In this edition, \u003cstrong\u003eElio Grazioli\u003c\/strong\u003e speaks of Claudio Parmiggiani’s “delocazione” which converts a room into a type of three-dimensional sensitive plate, upon which the shape of objects stand out. Meanwhile, in the Architect’s Manual, \u003cstrong\u003eMariana Siracusa\u003c\/strong\u003e tells us how artists and designers have managed and reinterpreted a rational space: the corner, which in itself is not very welcoming. \u003cstrong\u003eFrancesco Garutti\u003c\/strong\u003e tells us about Blinky Palermo, who redefined the language of painting. Among the New Masters, we find \u003cstrong\u003eMartí Guixé\u003c\/strong\u003e, Catalan food designer, true innovator of food design who, in this interview with \u003cstrong\u003ePaolo Bocchi\u003c\/strong\u003e, illustrates his personal and professional journey. Then, there is the work of Umberto Riva in an article by \u003cstrong\u003eMichele Calzavara\u003c\/strong\u003e, paper knives explained by \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e, sofas and chairs by \u003cstrong\u003eNina Saunders\u003c\/strong\u003e, travel paintings by \u003cstrong\u003eVittoria Chierici\u003c\/strong\u003e and the new talents of Near Future (Stéphanie Baechler, Denise Bonapace, James Teng). And much more.\u003c\/p\u003e\r\n\u003cp\u003eThe contributors to \u003cem\u003eInventario 07\u003c\/em\u003e: “Around books” by Stefano Salis and Annalisa Ubaldi, Daniele Greppi on Joy by Achille Castiglioni, Mariana Siracusa on Corners, Francesco Garutti on Blinky Palermo, Judicious pairings by Matteo Pirola, Martí Guixé interviewed da Paolo Bocchi, Deborah Duva on Nina Saunders, Angelika Burtscher and Daniele Lupo interview Maruša Sagadin, Near Future by Cristina Miglio, Giulio Iacchetti on Paper Knives, Michele Calzavara and Mirko Zardini on Umberto Riva, Anna Meroni and the “creativity necessary for the future”, Francesco M. Cataluccio, with illustrations by Marco Manini, on Vittoria Chierici.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629342024010,"sku":"D112","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_07.jpg?v=1768325428"},{"product_id":"inventario-08","title":"Inventario 08","description":"\u003cp\u003eThe 8th \u003c\/span\u003eissue of \u003cem\u003eInventario\u003c\/em\u003e opens with a cover story dedicated to the \u003cstrong\u003esuitcase, elaborated in different interpretations by nine authors\u003c\/strong\u003e who have worked on this container of personal effects, which, more so than other things, refers back to our own history and way of life.\u003c\/p\u003e\r\n\u003cp\u003eThe flow of ideas, objects and thoughts that passes through \u003cem\u003eInventario 08\u003c\/em\u003e embraces the life and works of Carlo Mollino, Rudolf Stingel, Allan Wexler, Jasper Morrison, Giovanni Levanti, Haim Steinbach, Roberto Salbitani and others. Particular attention is paid to the important of hands as a subject in art history, from the Lascaux Caves to Cattelan’s “L.O.V.E.” \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e’s Short Notes are dedicated to the bottle opener, and compiles some of the greatest designs of this object. Accompanying these are the new talents of Near Future (Marco Botti, Daniel Eatock, Helmut Smits), the surprises of Judicious pairings, the certainties of Absolutes, and much more besides.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 08\u003c\/em\u003e: “H as in Hands” by Francesco M. Cataluccio and Matteo Pirola, Deborah Duva on Rudolf Stingel, Manolo De Giorgi on Carlo Mollino, Daniel Greppi on Lucien Gumy’s disassemblale bookshelves, Hiroyuky Ikeuchi, Kohdai Iwamoto and Taitan Architects, Michele Calzavara on Allan Wexler, Jasper Morrison interviewed by Marco Romanelli, Giulio Iacchetti on bottle opener, Paolo Bocchi on Marco Botti, Daniel Eatock and Helmut Smits, Alessandro Mendini on Giovanni Levanti, Francesco Garutti on Haim Steinbach, Roberta Valtorta on Roberto Salbitani, Roberto Marone on Andrea Moscardi and Broomberg+Chanarin, Stefano Bartezzaghi on Bruno Munari’s Disturbi Semantici.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629342318922,"sku":"D117","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_08.jpg?v=1768325433"},{"product_id":"la-voce-del-maestro-achille-castiglioni","title":"La voce del Maestro. Achille Castiglioni","description":"\u003cp\u003e\u003cem\u003e“If you’re not curious, forget about it. If you are not interested in others, what they do and how they behave, then being a designer is not for you,”\u003c\/em\u003e said \u003cstrong\u003eAchille Castiglioni\u003c\/strong\u003e, advising his students.\u003c\/p\u003e\r\n\u003cp\u003eMuch has been written and spoken about Achille Castiglioni, the architect and designer, \u003cstrong\u003ehis work as a teacher\u003c\/strong\u003e is much less known. Yet for more than 20 years, between 1969 and 1993, Castiglioni sought to transmit his passion for design to thousands of students, first at the Faculty of Architecture at the Politecnico di Torino, then at the Faculty of Architecture at the Politecnico di Milano. With this work, \u003cstrong\u003eEugenio Bettinelli\u003c\/strong\u003e, who collaborated with Castiglioni for many years, explores this aspect of his career, little explored by critics thus far. \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eLa voce del Maestro. Achille Castiglioni\u003c\/em\u003e presents, among other content related to his \u003cstrong\u003eteaching activities\u003c\/strong\u003e, programmes and exercises that Castiglioni gave to to his students, the bibliographies from his courses and his unique approach to teaching. But it also presents the transcriptions of some of his lessons, published for the first time and accompanied by \u003cstrong\u003eoriginal audio recordings\u003c\/strong\u003e - which can be heard on a dedicated website - allowing you to get closer to Castiglioni and his teaching without filters or intermediaries, only \u003cstrong\u003ethrough his own voice\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLa voce del Maestro. Achille Castiglioni\u003c\/em\u003e\u003c\/strong\u003e offers a new view and close encounter on the teaching activities of a great master of design, \u003cem\u003e“always related to everyday life and his constant evolution, made up of words and examples that he had personally experienced rather than preconceived disciplinary theories, made of a deeply experienced culture and a reasonable impatience for self-referential academia.”\u003c\/em\u003e\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003e\u003cem\u003eThis volume was selected in 2015 for the \u003cstrong\u003eADI Design Index\u003c\/strong\u003e and won an \u003cstrong\u003eHonorable Mention in the Compasso d'Oro design award\u003c\/strong\u003e in 2016.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629342548298,"sku":"D121","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/enrico-bettinelli-voce-del-maestro-achille-castiglioni.jpg?v=1768325439"},{"product_id":"in-residence-6","title":"IN Residence #6","description":"\u003cp\u003eNow in its sixth edition, the \u003cstrong\u003eIN Residence project is a workshop turned into a book\u003c\/strong\u003e, a reflection on contemporary design created from a format that spans the artist’s residence, educational seminars, the formative master’s and working in the workshop. The idea remains unchanged since the first edition: for three day, some \u003cstrong\u003eyoung international designers\u003c\/strong\u003e meet with \u003cstrong\u003ea select number of students\u003c\/strong\u003e, encouraging a rich and stimulating debate, in the setting of the Contemporary Du Parc Suites, a building designed in the early seventies by architects Laura Petrazzini and Corrado Levi.\u003c\/p\u003e\r\n\u003cp\u003eWith \u003cem\u003e“Identity Detectors”\u003c\/em\u003e, the IN Residence project continues its journey of reflection on contemporary design, following \u003cem\u003e\u003ca href=\"https:\/\/corraini.com\/en\/in-residence-1.html\"\u003e“Nature Through Artifice”\u003c\/a\u003e\u003c\/em\u003e (2009), \u003cem\u003e\u003ca href=\"https:\/\/corraini.com\/en\/in-residence-2.html\"\u003e“Matter Matters”\u003c\/a\u003e\u003c\/em\u003e (2010), \u003cem\u003e\u003ca href=\"https:\/\/corraini.com\/en\/in-residence-3.html\"\u003e“Visualising Transformation”\u003c\/a\u003e\u003c\/em\u003e (2011), \u003cem\u003e\u003ca href=\"https:\/\/corraini.com\/en\/in-residence-4.html\"\u003e“Sense Memory”\u003c\/a\u003e\u003c\/em\u003e (2012) and \u003cem\u003e\u003ca href=\"https:\/\/corraini.com\/en\/in-residence-5.html\"\u003e“Little Daily Wonders”\u003c\/a\u003e\u003c\/em\u003e (2013). On this occasion, the IN Residence project finds, located in a comparison between the terms “identity” and “detector”, the two poles within which an investigation is organised based on the theme of \u003cstrong\u003ethe material object configured as a “detection device” of the character who owns it\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eThe designers featured in \u003cem\u003e“Identity Detectors”\u003c\/em\u003e are: \u003cstrong\u003eAnton Alvarez, Commonplace, Jean-Baptiste Fastrez, Hilda Hellström, Kolk \u0026 Kusters\u003c\/strong\u003eand \u003cstrong\u003eGiorgia Zanellato\u003c\/strong\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629342613834,"sku":"D122","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/in-residence_63.png?v=1768325441"},{"product_id":"inventario-09","title":"Inventario 09","description":"\u003cp\u003eIn this ninth issue, and the first since being awarded the \u003cstrong\u003eCompasso d’Oro\u003c\/strong\u003e in May, \u003cem\u003eInventario\u003c\/em\u003e continues its wide-ranging exploration into design culture in a close dialogue between design, art and architecture, true to its multi-disciplinary approach.\u003c\/p\u003e\r\n\u003cp\u003eThe cover of this issue is dedicated to a natural, multifaceted yet essential element: \u003cstrong\u003ethe leaf\u003c\/strong\u003e. An element that has conquered the creativity of many designers and artists, who have been able to rework its shapes, colours and functions into the most diverse design objects, pieces of furniture and works of art. Inside \u003cem\u003eInventario\u003c\/em\u003e, we find features that organise the flow of thoughts, objects and images. In this issue, \u003cstrong\u003eMariana Siracusa\u003c\/strong\u003e tells us about the relationship between art and architecture in the work of Fred Sandback, \u003cstrong\u003eMassimo Curzi\u003c\/strong\u003e introduces us to Personal inventory in the fascinating work of A G Fronzoni; \u003cstrong\u003eCristina Miglio\u003c\/strong\u003e writes about a Myth of Today, Shiro Kuramata, while \u003cstrong\u003eMatteo Pirola\u003c\/strong\u003e tells us about Alessandro Mendini’s Normal Wonders; \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e’s Short Notes sheds light on an discreet multifunction object like the hanger; in Temporalia \u003cstrong\u003eGiacinto di Pietrantonio\u003c\/strong\u003e researches the design of an iconic character, Pinocchio, a work of craftsmanship in itself, and \u003cstrong\u003eMichele Calzavara\u003c\/strong\u003e delves into the work of a Crossover architect, Jürgen Mayer H.\u003c\/p\u003e\r\n\u003cp\u003eAll of the contributors to \u003cem\u003eInventario 09\u003c\/em\u003e: Mariana Siracusa on Fred Sandback, Massimo Curzi on A G Fronzoni, Francesco Garutti on “Kunsthalle Bern, 1992” by Michael Asher, Paolo Bocchi on water, Cristina Miglio on Shiro Kuramata, dialogue between Marco Romanelli and Johanna Grawunder, Matteo Pirola on Alessandro Mendini, Giulio Iacchetti on the hanger, Daniele Greppi on Domenico Busnelli’s spinning tops, Giacinto di Pietrantonio on Pinocchio, Martina Sanzarello on the “Judicious pairings”, Daniele Lupo and Angelika Burtscher in conversation with Manuel Raeder, Manolo De Giorgi on five architectural plants and Michele Calzavara on J. Mayer H.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629342777674,"sku":"D126","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_09.jpg?v=1768325449"},{"product_id":"design-interviews-1-achille-castiglioni","title":"Design interviews 1 Achille Castiglioni","description":"\u003cp\u003eA series of portraits of some of the most important\u003cstrong\u003e Italian designers\u003c\/strong\u003e. A collection issued from the wish to get to know them through their own description of their experience and method. A project realized by \u003cstrong\u003eCorraini Edizioni\u003c\/strong\u003e in collaboration with the\u003cstrong\u003e Museo Alessi\u003c\/strong\u003e to celebrate the masters of design.\u003c\/p\u003e\r\n\u003cp\u003eEach 48 pages book is associated with a (about) 30’ dvd: a \u003cstrong\u003evideo interview\u003c\/strong\u003e exclusively realized by the Museo Alessi, and directed by \u003cstrong\u003eAnna Pitscheider\u003c\/strong\u003e, that represents a unique source of considerations and experiences about making design. Its transcription is curated to preserve the spontaneity and immediacy of the conversation, and appears in the book along with the most significant stills of the video, photographs from the archive of the Museo Alessi and preliminary sketches of several projects. The life and work of the designer according to five protagonists and masters of designing.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629344874826,"sku":"D37","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/ale_design-interviews_castiglioni_cover_1.jpg?v=1768325512"},{"product_id":"design-interviews-2-andrea-branzi","title":"Design interviews 2 Andrea Branzi","description":"\u003cp\u003eA series of portraits of some of the most important\u003cstrong\u003e Italian designers\u003c\/strong\u003e. A collection issued from the wish to get to know them through their own description of their experience and method. A project realized by \u003cstrong\u003eCorraini Edizioni\u003c\/strong\u003e in collaboration with the\u003cstrong\u003e Museo Alessi\u003c\/strong\u003e to celebrate the masters of design.\u003c\/p\u003e\r\n\u003cp\u003eEach 48 pages book is associated with a (about) 30’ dvd: a \u003cstrong\u003evideo interview\u003c\/strong\u003e exclusively realized by the Museo Alessi, and directed by \u003cstrong\u003eAnna Pitscheider\u003c\/strong\u003e, that represents a unique source of considerations and experiences about making design. Its transcription is curated to preserve the spontaneity and immediacy of the conversation, and appears in the book along with the most significant stills of the video, photographs from the archive of the Museo Alessi and preliminary sketches of several projects. The life and work of the designer according to five protagonists and masters of designing.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629344907594,"sku":"D38","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/ale_design-interviews_branzi_cover_2.jpg?v=1768325513"},{"product_id":"design-interviews-3-richard-sapper","title":"Design interviews 3 Richard Sapper","description":"\u003cp\u003eA series of portraits of some of the most important\u003cstrong\u003e Italian designers\u003c\/strong\u003e. A collection issued from the wish to get to know them through their own description of their experience and method. A project realized by \u003cstrong\u003eCorraini Edizioni\u003c\/strong\u003e in collaboration with the\u003cstrong\u003e Museo Alessi\u003c\/strong\u003e to celebrate the masters of design.\u003c\/p\u003e\r\n\u003cp\u003eEach 48 pages book is associated with a (about) 30’ dvd: a \u003cstrong\u003evideo interview\u003c\/strong\u003e exclusively realized by the Museo Alessi, and directed by \u003cstrong\u003eAnna Pitscheider\u003c\/strong\u003e, that represents a unique source of considerations and experiences about making design. Its transcription is curated to preserve the spontaneity and immediacy of the conversation, and appears in the book along with the most significant stills of the video, photographs from the archive of the Museo Alessi and preliminary sketches of several projects. The life and work of the designer according to five protagonists and masters of designing.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629344940362,"sku":"D39","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/ale_design-interviews_sapper_cover_1.jpg?v=1768325514"},{"product_id":"design-interviews-5-alessandro-mendini","title":"Design interviews 5 Alessandro Mendini","description":"\u003cp\u003eA series of portraits of some of the most important Italian designers. A collection issued from the wish to get to know them through their own description of their experience and method. A project realized by\u003cstrong\u003e Corraini Edizioni\u003c\/strong\u003e in collaboration with the \u003cstrong\u003eMuseo Alessi\u003c\/strong\u003e to celebrate the masters of design.\u003c\/p\u003e\r\n\u003cp\u003eEach 48 pages book is associated with a (about) 30’ dvd: a \u003cstrong\u003evideo\u003c\/strong\u003e \u003cstrong\u003einterview\u003c\/strong\u003e exclusively realized by the Museo Alessi, and directed by \u003cstrong\u003eAnna\u003c\/strong\u003e \u003cstrong\u003ePitscheider\u003c\/strong\u003e, that represents a unique source of considerations and experiences about making design. Its transcription is curated to preserve the spontaneity and immediacy of the conversation, and appears in the book along with the most significant stills of the video, photographs from the archive of the Museo Alessi and preliminary sketches of several projects. The life and work of the designer according to five protagonists and masters of designing.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629344973130,"sku":"D40","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/ale_design-interviews_mendini_cover_1.jpg?v=1768325515"},{"product_id":"design-interviews-4-ettore-sottsass","title":"Design interviews 4 Ettore Sottsass","description":"\u003cp\u003eA series of portraits of some of the most important Italian designers. A collection issued from the wish to get to know them through their own description of their experience and method. A project realized by \u003cstrong\u003eCorraini Edizioni\u003c\/strong\u003e in collaboration with the \u003cstrong\u003eMuseo Alessi\u003c\/strong\u003e to celebrate the masters of design.\u003c\/p\u003e\r\n\u003cp\u003eEach 48 pages book is associated with a (about) 30’ dvd: a \u003cstrong\u003evideo interview\u003c\/strong\u003e exclusively realized by the Museo Alessi, and directed by \u003cstrong\u003eAnna Pitscheider\u003c\/strong\u003e, that represents a unique source of considerations and experiences about making design. Its transcription is curated to preserve the spontaneity and immediacy of the conversation, and appears in the book along with the most significant stills of the video, photographs from the archive of the Museo Alessi and preliminary sketches of several projects. The life and work of the designer according to five protagonists and masters of designing.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629345005898,"sku":"D41","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/ale_design-interviews_sottsass_cover_1.jpg?v=1768325517"},{"product_id":"mendini","title":"Mendini","description":"\u003cp\u003e\u003cstrong\u003eAlessandro Mendini\u003c\/strong\u003e was one of the few protagonists of the international scene of architecture, art and design who \u003cstrong\u003edesigned in every possible size\u003c\/strong\u003e. Walter Gropius’s renowned statement identifies the architect’s field “from spoon to city”: during his career Mendini faced projects “from the infinitesimal to the infinite”. This book dedicated to Alessandro Mendini published is \u003cstrong\u003ea non-stop stream of images and occasions among the renowned Milanese architect’s works and philosophy\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eDesigning horizons, rooms, bodies and thoughts are the four moments of a personal and evocative course through Mendini’s works: from urban landscape to interior furnishing, to body accessories, to his activity as architecture and design theorist, Mendini is \u003cstrong\u003ea protagonist of a personal and aesthetic approach to the project\u003c\/strong\u003e. His design is famous for its emotional and individual character, as well as for the greater importance given to psychological and sensory influences rather than rational contents. In fact, his projects have often been associated with definitions such as “visual poetry”, “fairy and baroque design”, and “labyrinth expansion of spaces and sensations”.\u003c\/p\u003e\r\n\u003cp\u003eIn this book, the images are accompanied by texts by \u003cstrong\u003eBeppe Finessi \u003c\/strong\u003e and Alessandro Mendini himself, in which he describes his very experience of designing. A short biography and bibliography about Mendini complete the book. Bookdesign is curated by \u003cstrong\u003eItalo Lupi\u003c\/strong\u003e (formerly art-director at Domus and director of Abitare, awarded the Compasso d’Oro and Royal Designer in London): the small dimensions, the cloth coated cover and the clear and brilliant layout make this book a sort of evocative and precious compendium of Mendini’s works.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629345464650,"sku":"D52","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/mendini3.png?v=1768325549"},{"product_id":"in-residence-1","title":"IN Residence #1","description":"\u003cp\u003eAmong the events of Turin World Design Capital, the project \u003cstrong\u003eIN Residence\u003c\/strong\u003e, curated by \u003cstrong\u003eBarbara Brondi and Marco Rainò\u003c\/strong\u003e, created a \u003cstrong\u003e48hours workshop\u003c\/strong\u003e, in which five designers reflected with a group of thirty students from specific institutions dedicated to design of the city of Turin.\u003c\/p\u003e\r\n\u003cp\u003eSubject of the discussion \/ creation has been \u003cstrong\u003ethe role of design as an expressive resource sensitive to environmental conditions\u003c\/strong\u003e. The culture of design, in fact, is meant to be the wide process and discipline that organizes creative resources in order to generate common welfare solutions and convey emotions. In its impact with the environment, design produces “new” objects that become in time integral part of the landscape (moreover, they contribute to its construction and development). Pre-existing landscape and created object – “nature” and “artifice” – are the two starting points from which the \u003cstrong\u003eIN Residence\u003c\/strong\u003e project starts.\u003c\/p\u003e\r\n\u003cp\u003eThis book is dedicated to the project \u003cstrong\u003eIN Residence\u003c\/strong\u003e: the diary of this shared experience is starting point and foreword for the future. The involved designers: \u003cstrong\u003ePieke Bergmans\u003c\/strong\u003e (Amsterdam), \u003cstrong\u003eTomáš Gabzdil Libertiny\u003c\/strong\u003e (Rotterdam), \u003cstrong\u003eJulia Lohmann\u003c\/strong\u003e (London), \u003cstrong\u003eLiliana Ovalle\u003c\/strong\u003e (Mexico City), \u003cstrong\u003eRaw-Edges Design Studio\u003c\/strong\u003e (London).\u003c\/p\u003e\r\n\u003cp\u003eArchitects \u003cstrong\u003eBarbara Brondi and Marco Rainò\u003c\/strong\u003e founded brh+, architecture studio which extends its research to design from theoretical analysis to concrete design experience. Among the recent projects: \u003cstrong\u003eIN Residence. Design Dialogues\u003c\/strong\u003e and \u003cstrong\u003eOver Design Over. Materia, Tempo e Natura nel design contemporaneo\u003c\/strong\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629345988938,"sku":"D59","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/in-residence_1.png?v=1768325571"},{"product_id":"in-residence-2","title":"IN Residence #2","description":"\u003cp\u003eAfter the first edition about \u003ca href=\"https:\/\/corraini.com\/en\/in-residence-1\"\u003e\"Nature Through Artifice\"\u003c\/a\u003e, the natural continuation of the “open” project \u003cstrong\u003eIN Residence\u003c\/strong\u003e is dedicated to matter and its use, features and difficulties: \u003cstrong\u003e\"Matter Matters\"\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eThe context has been successfully experimented in the first year: \u003cstrong\u003ea workshop with talented young designers and even younger students\u003c\/strong\u003e, a cross-examination of reasons and projects in some days of tight work together. The workshop took place at the Du Parc Residence in Turin, a renowned building designed in the early Seventies by architects Laura Petrazzini and Corrado Levi. By working onto the meanings that inspire the form and the material of the project, the design process is analyzed in its most concrete aspects and – at the same time – as one of the most powerful and refined means of communication of contemporary age.\u003c\/p\u003e\r\n\u003cp\u003eSubject of this second edition – the control over matter – focuses onto opportunities and difficulties of matter and its use as one of the most important aspects in industrial design. The involved designers: \u003cstrong\u003eFormaFantasma\u003c\/strong\u003e (Eindhoven, The Netherlands), \u003cstrong\u003ePhilippe Malouin\u003c\/strong\u003e (London, UK), \u003cstrong\u003ePeter Marigold\u003c\/strong\u003e (London, UK), \u003cstrong\u003eJo Meesters\u003c\/strong\u003e (Rotterdam, The Netherlands), \u003cstrong\u003eStudio Glithero\u003c\/strong\u003e (London, UK), \u003cstrong\u003eAnke Weiss\u003c\/strong\u003e (Amsterdam, The Netherlands).\u003c\/p\u003e\r\n\u003cp\u003eAn \u003cstrong\u003eenclosed dvd\u003c\/strong\u003e, with original music by \u003cstrong\u003eMax Casacci\u003c\/strong\u003e, documents the most important moments of this experience.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629346120010,"sku":"D63","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/in-residence_2.png?v=1768325577"},{"product_id":"food-designing","title":"Food designing","description":"\u003cp\u003eEven food, and the way we consume it, can be designed: \u003cstrong\u003eMartí Guixé\u003c\/strong\u003e gives us a number of examples by squaring off potatoes, building molecular structures with olives and toothpicks, designing restaurants that use solar energy to cook food and creating artificial indoor fog using gin and tonic. This \u003cstrong\u003enew edition, revised and expanded with 32 new pages and 40 new designs\u003c\/strong\u003e, documents \u003cstrong\u003e20 years of Martí Guixé’s work on food design\u003c\/strong\u003e, taking stock of his research from his earliest designs from 1995 to his most recent works from 2015.\u003c\/p\u003e\r\n\u003cp\u003eTradition, communication and culture come together in \u003cstrong\u003eMartí Guixé\u003c\/strong\u003e’s designs and in their presentation in this book: the combination of the Catalan designer’s curiosity, irony and meticulousness deceive the eyes and stimulate reflections on food and its context. Who has the right of possession over the dish? At which point does the meal belong to the customer and not the restaurant? How can we break the cultural inertia that limits the way in which we eat? Somewhere between classification and gastronomic experimentation, \u003cstrong\u003eMartí Guixé\u003c\/strong\u003e’s designs are more than anything else “reductions” of food ideas, solutions to adapt food to the reality of our time and to propose new ways of relating to food.\u003c\/p\u003e\r\n\u003cp\u003eThe volume is made up of three sections: the first is devoted entirely to photographs of different types of food taken all over the world by \u003cstrong\u003eMartí Guixé\u003c\/strong\u003e and Inga \u003cstrong\u003eKnölke\u003c\/strong\u003e; the second includes texts by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, \u003cstrong\u003eOctavi Rofes\u003c\/strong\u003e, \u003cstrong\u003eInga Knölke\u003c\/strong\u003e and \u003cstrong\u003eJeffrey Swartz\u003c\/strong\u003e, with a burst of questions and answers on the sizzling discipline of food design; the third is a complete repertoire of all of \u003cstrong\u003eMartí Guixé\u003c\/strong\u003e’s food designs, with photography by \u003cstrong\u003eInga Knölke\u003c\/strong\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629346152778,"sku":"D138","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/food-designing-nuova-edizione.png?v=1766151538"},{"product_id":"inventario-01","title":"Inventario 01","description":"\u003cp\u003eEvery gesture and action, even the simplest, is a project. The \u003cstrong\u003ekey words in design – method and precision – can be seen in everything\u003c\/strong\u003e: an inventory is the most effective way of collecting, ordering and deciphering everything we encounter.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is where this study finds a home, open to every form of expression and directed mainly at design. The concept is that of a series of independent books – taking the best of ideas from “book “ and “magazine” – where objects and thoughts flow through a number of regular columns: “boxes” to contain contents that are expressly sought and logically ordered. \u003cem\u003eInventario\u003c\/em\u003e \u003cstrong\u003edescribes the “project” from widely different points of view\u003c\/strong\u003e, shifting freely between different disciplines bound together by the concept of creation: “project” is an object, a work of art, a building or even a part of nature, the preparing of a special dish, organizing of a trip, the taking of a photograph or writing of a short story.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 01\u003c\/em\u003e: Pierluigi Anselmi, Marco Belpoliti on Italo Lupi, Paolo Bocchi on Corrado Levi, Angelika Burtscher and Daniele Lupo on Ingrid Hora, Michele Calzavara on Didier Fiuza Faustino, Francesco M. Cataluccio, Manolo De Giorgi, Deborah Duva, Beppe Finessi, Anna Foppiano on Guy Rottier, Massimo Gardone, Francesco Garutti on Monika Sosnowska, Daniele Greppi, Giulio Iacchetti, Marco Manini, Cristina Miglio on Tomás Alonso Aldo Bakker Nicolas Le Moigne and Scholten \u0026 Baijings, Marco Minuz, Matteo Pirola on Attilio Stocchi, Marco Rainò on Norman Potter, Marco Romanelli interviews Konstantin Grcic, Stefano Salis, Mariana Siracusa on William Kamkwamba, Roberta Valtorta on Tancredi Mangano, Mirko Zardini.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629346545994,"sku":"D68","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_01.jpg?v=1768325594"},{"product_id":"inventario-02","title":"Inventario 02","description":"\u003cp\u003eThe second volume of \u003cem\u003eInventario\u003c\/em\u003e carries on illustrating the project concept from a whole range of different perspectives, shifting freely between disciplines associated by the common will to create. As always \u003cem\u003eInventario\u003c\/em\u003e directs the \u003cstrong\u003eflow of objects and thoughts\u003c\/strong\u003e through a number of regular columns: “boxes” that contain expressly sought out and logically ordered contents.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePaolo Bocchi\u003c\/strong\u003e disentangles life with the adventure of Philippe Petit, the tightrope walker who in August 1974 stretched a wire between New York’s Twin Towers, to then take a 45 minute walk across, suspended 400 metres in the air. \u003cstrong\u003eFrancesco Garutti\u003c\/strong\u003e catalogues the meticulous daily existence of artist André Cadere (1934-1978), already a Myth of Today, who makes, tongue in cheek, permutation and utopia part of his artistic concept. The New Masters of contemporary design, Fernando \u0026 Humberto Campana, chat to \u003cstrong\u003eMarco Romanelli\u003c\/strong\u003e about the aesthetic alchemy of their own approach. \u003cstrong\u003eMatteo Pirola\u003c\/strong\u003e rewrites the entry “Windows” from the Architect’s Manual inventorying works of art and architecture. \u003cstrong\u003eMirko Zardini and Giovanna Borasi\u003c\/strong\u003e propose examples of urban action that lie somewhere between provocation and clever solutions. And there’s much more besides.\u003c\/p\u003e\r\n\u003cp\u003eTo mark the 150th anniversary of Italian Unity, the cover of \u003cem\u003eInventario 02\u003c\/em\u003e is dedicated to \u003cstrong\u003eworks of art that reflect the colours of the Italian flag\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 02\u003c\/em\u003e: Stefano Salis on Olimpia Zagnoli, Francesco M. Cataluccio and Dalia Greppi on the wind, Paolo Bocchi on Philippe Petit, Giacinto di Pietrantonio on Felice Varini, Francesco Garutti on André Cadere, Daniele Greppi on dismountable tables, Marco Romanelli inteviews Fernando \u0026 Humberto Campana, Deborah Duva on the best Ideas of 2010, Massimo Curzi on Helene Binet, Matteo Pirola on windows, Michele Calzavara on Bernard Khoury, Angelika Burtscher and Daniele Lupo on Nina Beier, Mirko Zardini and Giovanna Borasi on Action- urban actions, Manolo De Giorgi on Marco Zanuso.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629346742602,"sku":"D74","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_02.jpg?v=1768325602"},{"product_id":"in-residence-3","title":"IN Residence #3","description":"\u003cp\u003eAfter the first edition on the theme \u003ca href=\"https:\/\/corraini.com\/en\/in-residence-1.html\"\u003e\u003cem\u003e“Nature Through Artifice”\u003c\/em\u003e\u003c\/a\u003e (2009) and the second entitled \u003ca href=\"https:\/\/corraini.com\/en\/in-residence-2.html\"\u003e\u003cem\u003e“Matter Matters”\u003c\/em\u003e\u003c\/a\u003e (2010), the attention of the \u003cstrong\u003eIN Residence project\u003c\/strong\u003e is now focusing on the concept of “transformation” and the many ways it can be “visualized”.\u003c\/p\u003e\r\n\u003cp\u003eHeld at Turin’s Du Parc Residence, built in the early Seventies by architects Laura Petrazzini and Corrado Levi, \u003cstrong\u003ea workshop with talented young international designers and even younger students\u003c\/strong\u003e has produced a plentiful exchange of ideas based on the concept of change, which reflects the tendency for metamorphosis typical to contemporary design objects. In the spirit of the research and experimentation that characterizes the In Residence project, the book explores \u003cstrong\u003ethe design process. Seen as one of the most sophisticated and powerful instruments for cultural communication\u003c\/strong\u003e currently available, the focus is on the idea of transformation and the central role this plays in today’s world.\u003c\/p\u003e\r\n\u003cp\u003eThe designers involved in \u003cem\u003e“Visualising Transformation“ \u003c\/em\u003einclude: \u003cstrong\u003eTomás Alonso, Julien Carretero, Lanzavecchia+Wai, Minale-Maeda and Mischer’Traxler\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eThe key moments of this experience are detailed in the \u003cstrong\u003eDVD included\u003c\/strong\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629347103050,"sku":"D80","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/in-residence_3.png?v=1768325609"},{"product_id":"inventario-05","title":"Inventario 05","description":"\u003cp\u003eExploration continues full throttle into the creation and culture of the project in the new issue of \u003cem\u003eInventario\u003c\/em\u003e, this time with a cover dedicated to \u003cstrong\u003ecandles\u003c\/strong\u003e. And with new content, where the disciplines of architecture, design and art, together with life itself, find themselves interacting.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCristina Miglio\u003c\/strong\u003e speaks of Lisa Ponti and her \"drawings as thoughts\", revealed, nimbly, to the viewer, while \u003cstrong\u003eRoberta Valtorta\u003c\/strong\u003e reveals fragments of the visible world captured by the photos of Rinko Kawauchi. The Short Notes section by \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e is this time dedicated to doorstops, silent objects, useful to daily living, designed by Marc Newson, Chiara Moreschi, Modoloco and others. There is a tribute to the great master \u003cstrong\u003eAngelo Mangiarotti\u003c\/strong\u003e and his designs for tables, developed over a twenty-year time span. The spotlights are trained on the works of Ugo La Pietra, which intertwine to form a \"synesthesia between the arts\", and a masterpiece by Alighiero Boetti that originated in 1971 and is set to last a lifetime: a regular, methodical and poignant project of the \"self-portrait \" through the application of mathematical rules that the artist explains in the texts of telegrams chosen as material support to the work itself. \u003cstrong\u003eMarco Romanelli\u003c\/strong\u003e interviews Tokujin Yoshioka for the column New Masters and \u003cstrong\u003eRoberto Marone\u003c\/strong\u003e tells us about the findings of Daniele Perra Pario regarding Low Cost Design: corkscrews as handles and coffee makers as irons, in a series of small, inexpensive changes for everyday living.  And then, an article by \u003cstrong\u003eMichele Calzavara\u003c\/strong\u003e dedicated one of our Myths of Today: Maarten Van Severen, a conversation on \"objects that have left the stage\" between \u003cstrong\u003eAngelika Burtscher and Daniele Lupo\u003c\/strong\u003e with Tobias Putrih, and a lengthy inquiry, worthy of an Architect’s Manual under the entry \"Amidst the trees\" by \u003cstrong\u003eAnnalisa Ubaldi\u003c\/strong\u003e, and much, much more.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 05\u003c\/em\u003e: Cristina Miglio on Lisa Ponti with comments by Franco Toselli and Corrado Levi, Roberta Valtorta on Rinko Kawauchi, Marco Romanelli interviews Tokujin Yoshioka, Giulio Iacchetti on Doorstops, Roberto Marone on the Low Cost Design of Daniele Pario Perra, Matteo Pirola on Ugo la Pietra, Angelika Burtscher and Daniele Lupo interview Tobias Putrih, Daniele Greppi on Angelo Mangiarotti, Michele Calzavara on Maarten Van Severen, Annalisa Ubaldi on projects concerning trees, Francesco Garutti on Roman Ondák, Deborah Duva and Francesco M. Cataluccio on Alighiero Boetti, Paolo Bocchi on the \"Maps\" of Wim Delvoye.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629347463498,"sku":"D86","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_05.jpg?v=1768325618"},{"product_id":"inventario-04","title":"Inventario 04","description":"\u003cp\u003eInvestigation goes on full steam ahead into the creative process and the concept of project in the latest issue of \u003cem\u003eInventario\u003c\/em\u003e. This time the \u003cstrong\u003emask\u003c\/strong\u003e takes pride of place on the front cover, while inside the disciplines of architecture, design and art communicate in a dialogue with everyday life.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRoberto Marone\u003c\/strong\u003e talks to us about “outsize” jewels made especially for urban spaces, while \u003cstrong\u003eCristina Miglio\u003c\/strong\u003e chooses the best in what is authentic, contemporary jewellery design using non precious materials. In the Near Future section we meet JoeVelluto (JVLT), Anselmo Tumpić and Dominic Wilcox, while \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e gives us his Short Notes on pen design, from Bíró’s Bic to Konstantin Grcic’s Necklace. \u003cstrong\u003eAnnalisa Ubaldi\u003c\/strong\u003e introduces us to the world of mirrors as expressed by the visionary talent of Ron Gilad, and compares his work with the experiences of Carlo Mollino, Corrado Levi and others who have designed mirrors – an item constantly present in our lives and open to ever increasingly stupendous inventiveness. \u003cstrong\u003eDaniele Lupo and Angelika Burtscher\u003c\/strong\u003e talk to Ika Künzel about an object that has now become a dinosaur: the analog camera. \u003cstrong\u003eItalo Lupi\u003c\/strong\u003e instead tells us about how Leonardo Sonnoli has revisited and reinterpreted typeface. And there’s more to come, with \u003cstrong\u003eLorena Tonin\u003c\/strong\u003e talking about tracks as an ancestral way of rendering form, a study on balance by \u003cstrong\u003eMatteo Pirola\u003c\/strong\u003e, the exhibitions of Carsten Höller, the perfect example of exhibition as a work of art, the project “Seven houses for one house” by Architects DVVT, the Monument against Fascism by Jochen Gerz and Esther Shalev-Gerz, and much more besides.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 04\u003c\/em\u003e: Roberto Marone on Urban Jewels, Cristina Miglio on Contemporary Jewellery, Paolo Bocchi on JoeVelluto (JVLT), Anselmo Tumpić and Dominic Wilcox, Giulio Iacchetti on Pens, Annalisa Ubaldi on Mirrors, Angelika Burtscher and Daniele Lupo interview Ika Künzel, Roberta Valtorta on Collecting\/Arranging, Italo Lupi on Leonardo Sonnoli, Francesco M. Cataluccio and Lorena Tonin on Traces, Matteo Pirola on Equilibrium, Francesco Garutti on Carsten Höller, Michele Calzavara on Architecten DVVT, Deborah Duva on Jochen Gerz and Esther Shalev-Gerz, Alessandro Rabottini on Francis Alÿs.\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629347955018,"sku":"D95","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_04.jpg?v=1768325636"},{"product_id":"in-residence-4","title":"IN Residence #4","description":"\u003cp\u003eNow in its fourth edition, after \u003ca href=\"https:\/\/corraini.com\/en\/in-residence-1.html\"\u003e\u003cem\u003e“Nature Through Artifice”\u003c\/em\u003e\u003c\/a\u003e (2009), \u003ca href=\"https:\/\/corraini.com\/en\/in-residence-2.html\"\u003e\u003cem\u003e“Matter Matters”\u003c\/em\u003e\u003c\/a\u003e (2010) and \u003ca href=\"https:\/\/corraini.com\/en\/in-residence-3.html\"\u003e\u003cem\u003e“Visualising Transformation”\u003c\/em\u003e\u003c\/a\u003e (2011), the \u003cstrong\u003eIN Residence project\u003c\/strong\u003e confirms its objectives and its uncommon vitality as a research programme dedicated to contemporary design.\u003c\/p\u003e\r\n\u003cp\u003eBesides promoting \u003cstrong\u003ean open and constantly evolving model of teaching\u003c\/strong\u003e, the idea of an intensive workshop that connects some of the most talented young designers of their generation with a group of selected students has unleashed new energies in the field of training, learning and product design.\u003c\/p\u003e\r\n\u003cp\u003eComplementing the other titles in the series, the Diary reports on the outcome of the \u003cem\u003e“Sense Memory”\u003c\/em\u003e workshop. By exploring the relationship between perception, memory and emotional stimulus the workshop helped identify key elements in a programme that through the years has generated a considerable number of spin-offs associating experimentation with design ideas of great symbolic value but that at the same time are wholly practical.\u003c\/p\u003e\r\n\u003cp\u003eThe designers involved in \u003cem\u003e“Sense Memory“\u003c\/em\u003e include:\u003cstrong\u003e BCXSY, Maarten De Ceulaer, Pepe Heykoop, Daniel Rybakken, Studio Besau-Marguerre\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eA \u003cstrong\u003eDVD accompanying\u003c\/strong\u003e the book includes highlights of the event.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629348086090,"sku":"D97","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/in-residence_4.png?v=1768325638"},{"product_id":"fare-lume","title":"Shed Light","description":"\u003cp\u003eTo coincide with the exhibition \u003cem\u003eShed light. Candles between art and design\u003c\/em\u003e curated by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e at the \u003cstrong\u003eMuseo Poldi Pezzoli\u003c\/strong\u003e, \u003ca href=\"https:\/\/corraini.com\/en\/inventario-05.html\"\u003ethe fifth issue of \u003cem\u003eInventario\u003c\/em\u003e\u003c\/a\u003e loosens its own binding, dedicating one of its signatures to the \u003cstrong\u003ecandle\u003c\/strong\u003e, an object that has spanned the centuries, survived the advent of electricity and continued to inspire artists and designers right up to the present.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e“We are over a decade into the 21st century and yet here we are still imagining, making, designing, proposing and dreaming candles”\u003c\/em\u003e remarks Finessi, drawing our attention to the allure that emanates from the warmth of a small flame and a stick of wax. We cannot resist returning over and over again to that element of fire that has always kept us company, its flickering light that makes every house a Home.\u003c\/p\u003e\r\n\u003cp\u003eThe 60 objects in \u003cem\u003eShed Light\u003c\/em\u003e show \u003cstrong\u003ehow candles lend themselves to art in infinite ways\u003c\/strong\u003e: candles actually designed and made, candles merely suggested, a new generation of candle holders; photographs, drawing and sculptures as well.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDesigns and works by major artists\u003c\/strong\u003e show how curiosity can revive even an object that is no longer part of our everyday existence, transcending function and renewing its appearance, extending the light beyond that cylinder of wax.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629348151626,"sku":"D98","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/fare-lume_candele-tra-arte-e-design_aa8009cb-36bd-40bc-b220-0f62797ca4e1.png?v=1768325639"},{"product_id":"sound-pages","title":"Sound Pages","description":"\u003cp\u003eDivided into four sections, respectively, books, scores, records and scattered documents, \u003cem\u003eSound Pages\u003c\/em\u003e, the book that accompanies the exhibition of the same name at the Museo Internazionale della Musica in Bologna, systematises an important part of the work of \u003cstrong\u003eJohn Cage\u003c\/strong\u003e, addressing the various productions of which the American composer was an author, often overturning the traditional component parts and structures.\u003c\/p\u003e\r\n\u003cp\u003eCage raised the question of \u003cstrong\u003emaking sound something perceptible to the eye\u003c\/strong\u003e: texts, books and music scores, then, become fully visual entities in which the artist tries to juxtapose syntactical links to a new location of characters on the surface of the sheet according to purely visual rules and criteria.\u003c\/p\u003e\r\n\u003cp\u003eEdited by \u003cstrong\u003eGiorgio Maffei\u003c\/strong\u003e, \u003cstrong\u003eEmanuele De Donno\u003c\/strong\u003e and \u003cstrong\u003eFabio Carboni\u003c\/strong\u003e, \u003cem\u003eSound Pages\u003c\/em\u003e is a publishing project that shows how the complexity of John Cage’s thought, but also its disarming simplicity, added \"beauty\" to the printed page to prevent sound space from dissipating at the moment the sound is interrupted and fixing in time its translation into visual space.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349036362,"sku":"DL10","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/sound-pages.png?v=1768325655"},{"product_id":"autoritratti","title":"Autoritratti","description":"\u003cp\u003e\u003cem\u003eAutoritratti. Iscrizioni del femminile nell’arte italiana contemporanea\u003c\/em\u003e is the title of the catalogue for the exhibition of the same name on at MAMbo - Museo d’Arte Moderna di Bologna. The show takes a critical look at the contemporary collections of MAMbo with the aim to highlight the links between art and politics in Italy over the past few decades, focussing primarily on the \u003cstrong\u003erelationship between women and art\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eConceived by Uliana Zanetti and created by female staff members of MAMbo it has attracted the attention of respected women artists, critics, experts and directors of Italian museums, whose contribution has led to a constant interchange between the participants, and a wide ranging source of topics proposed by: a.titolo, Cristiana Collu, Emanuela De Cecco, Laura Iamurri, Arabella Natalini, Francesca Pasini, Maria Antonietta Trasforini, Letizia Ragaglia and by the working group of the museum. The project was also helped along by Federica Timeto and Elvira Vannini .\u003c\/p\u003e\r\n\u003cp\u003eThe outcome is an important book featuring \u003cstrong\u003ethe work of successful female artists\u003c\/strong\u003e, much of which was created for the show at MAMbo and the first part of the exhibition \u003cem\u003eAutoritratti 1. Nuove gen(d)erazioni\u003c\/em\u003e, curated by Donatella Lombardo and Giorgia Benedetta Soncin at the Accademia delle Belle Arti in Bologna .\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCritical texts and visual material\u003c\/strong\u003e appear along with pages compiled by the artists themselves for their own individual projects.\u003c\/p\u003e\r\n\u003cp\u003eThe artists are: Alessandra Andrini, Paola Anziché, Marion Baruch, Valentina Berardinone, Enrica Borghi, Anna Valeria Borsari, Chiara Camoni, Annalisa Cattani, Alice Cattaneo, Daniela Comani, Daniela De Lorenzo, Marta Dell’Angelo, Elisabetta Di Maggio, Silvia Giambrone, goldiechiari, Alice Guareschi, Maria Lai, Christiane Löhr, Claudia Losi, Anna Maria Maiolino, Eva Marisaldi, Sabrina Mezzaqui, Marzia Migliora, Ottonella Mocellin e Nicola Pellegrini, Maria Morganti, Margherita Morgantin, Liliana Moro, Chiara Pergola, Letizia Renzini, Moira Ricci, Mili Romano, Anna Rossi, Anna Scalfi Eghenter, Elisa Sighicelli, Alessandra Spranzi, Grazia Toderi, Sabrina Torelli, Traslochi Emotivi, Tatiana Trouvé, Marcella Vanzo, Grazia Varisco.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349200202,"sku":"E03","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/autoritratti.-iscrizioni-al-femminile.png?v=1768325659"},{"product_id":"nel-paesaggio","title":"Nel paesaggio","description":"\u003cp\u003eFondazione La Raia was set up with the aim of promoting critical reflection on the landscape through contributions covering several fields of investigation. Its first act was to create the project \u003cem\u003eNel paesaggio\u003c\/em\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eArtists, philosophers, landscape architects, photographers and architects\u003c\/strong\u003e are invited to live and experience - in the heart of the Gavi hills - the vineyards, fields and woods of La Raia, and to offer, through interventions and works of art, opportunities for new knowledge and new identity. In this way, the landscape, and what is designed in it, becomes an integral part of an experience. To be lived and shared.\u003c\/p\u003e\r\n\u003cp\u003ePrecisely on the occasion of the inauguration of three permanent works by Remo Salvadori, an internationally renowned artist capable of tracing harmonious cycles in which primary elements interact, the publication \u003cem\u003eNel paesaggio\u003c\/em\u003e a project by Irene Crocco and Fondazione La Raia curated by Matilde Marzotto Caotorta, which collects \u003cstrong\u003evisual notes by Remo Salvadori and texts by Elio Franzini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eIn this book, the artist's themes are compared with the reflections of the philosopher, professor of Aesthetics at the University of Milan. An original contribution, from which emerges \u003cstrong\u003ea fascinating reading of the relationship between art and the interpretation of nature\u003c\/strong\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349232970,"sku":"E04","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/nel-paesaggio.png?v=1768325660"},{"product_id":"tra-peso-e-leggerezza","title":"Tra peso e leggerezza","description":"\u003cp\u003eA journey through Italian sculpture.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629349691722,"sku":"FC7","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/tra-peso-e-leggerezza.png?v=1768325666"},{"product_id":"che-cos-la-poesia","title":"Che cos'è la poesia?","description":"\u003cp\u003eTen interviews with leading Italian poets conducted on the margins of ‘Merano Poesia’.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629350805834,"sku":"FC40","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/che-cos-e-la-poesia.png?v=1768325685"},{"product_id":"nel-disegno","title":"Nel disegno","description":"\u003cp\u003eEssay tracing some of the stages of drawing in the history of art.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629351461194,"sku":"FC48","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/nel-disegno.png?v=1766151662"},{"product_id":"abcdeuropa","title":"ABCDEuropa","description":"\u003cp\u003e\u003cem\u003ealphabet\u003c\/em\u003e [al-pha-bet] noun 1 any system of characters or signs with which a language is written 2 figuratively. first elements; basic facts; simplest rudiments\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eEurope\u003c\/em\u003e [Eu-rope] noun a continent in the W part of the landmass lying between the Atlantic and Pacific oceans, separated from Asia by the Ural Mountains on the E and the Caucasus Mountains and the Black and Caspian seas on the SE\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eEuropean Union (EU)\u003c\/em\u003e: an economic and political union established in 1992 after the ratification of the Maastricht Treaty by members of the European Community. Starting point has been the international organization of European countries formed after World War II to increase cooperation between the members, based upon a rich wealth of common values in the field of culture, economy and society\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e“abcdeuropa”\u003c\/em\u003e noun From A to Z, what we can pick up from the past to build the future, suggestions from images and words to create things.\u003c\/p\u003e\r\n\u003cp\u003eFor the ones who build Europe and for the ones who are inside it, \u003cstrong\u003ea collection of hints and quotations to describe today’s reality and think at tomorrow’s one\u003c\/strong\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629352444234,"sku":"FC64","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/abcdeuropa.png?v=1768325722"},{"product_id":"il-medium-il-massaggio","title":"Il medium è il massaggio","description":"\u003cp\u003eFirst published in 1967 \u003cstrong\u003ewith graphics by Quentin Fiore\u003c\/strong\u003e, \u003cem\u003eThe Medium Is the Massage. An inventory of effects\u003c\/em\u003e is one of the 20th century's seminal texts on communication theory.\u003c\/p\u003e\r\n\u003cp\u003eBeginning with the observation that media are extensions of man's physical and psychic faculties, \u003cstrong\u003eMcLuhan\u003c\/strong\u003e outlines the effect that each medium ‘in itself’ has on the senses. The particular structure of each medium makes it non-neutral, and the technological medium through which the information is conveyed has an effect on the imaginary regardless of the content of the information itself. McLuhan's reflection expands to include \u003cstrong\u003ethe world of goods, printing, advertising and the arts\u003c\/strong\u003e, and the blending of text and images - developed by Quentin Fiore - reflects his controversial thought on paper, becoming an integral part of the message.\u003c\/p\u003e\r\n\u003cp\u003eAccording to Eric McLuhan, Marshall's son, the title of the book was the result of a typo by the printer, who wrote ‘Massage’ instead of ‘Message’ in the proofs. The author decided to keep the error, which created an unintentional play on words in the full spirit of his famous phrase ‘the medium is the message’, \u003cem\u003e\"even going so far as to make fun of himself in a humorous and highly intelligent way\"\u003c\/em\u003e (from the back cover by \u003cstrong\u003eMarco Belpoliti\u003c\/strong\u003e).\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629353853258,"sku":"FC76","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/il-medium-e-il-massaggio.png?v=1768325739"},{"product_id":"lezioni-impertinenti","title":"Lezioni impertinenti","description":"\u003cp\u003eIs it possible \u003cstrong\u003eto excite, entertain and fascinate our children\u003c\/strong\u003e with children's literature, art, science, landscape and music? Can occasions be created within and beyond school in which our children engage in daredevil acrobatics of imaginative and critical thinking, learn to twist a problem, mix up hypotheses and search for new and creative associations of ideas? \u003cstrong\u003eWhat is the educational value of impertinence?\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eLezioni impertinenti\u003c\/em\u003e, edited by \u003cstrong\u003eMarnie Campagnaro\u003c\/strong\u003e, is a sort of \u003cstrong\u003eeducation manual for creativity and curiosity,\u003c\/strong\u003e a claim to the indispensable role of multidimensional, complex thinking, within school and educational environments, developed along more relaxed and slowed down timeframes and modes.\u003c\/p\u003e\r\n\u003cp\u003eThe book, divided into five sections (Children's Literature, Art, Science, Music and Landscape) \u003cstrong\u003ecollects essays, educational proposals and workshops\u003c\/strong\u003e to stimulate in children a way of thinking that feeds on associations, analogies, metaphors and lateral thoughts.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629354574154,"sku":"FC86","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/lezioni-impertinenti3.png?v=1768325749"},{"product_id":"scuola-elementare-di-scrittura-emiliana-per-non-frequentanti","title":"Scuola elementare di scrittura emiliana per non frequentanti","description":"\u003cp\u003e\u003cem\u003e“Italian-Italian, proper Italian, the one where you say 'giuoco' and not 'gioco', the one where 'pésca' and 'pèsca' are two different words, the one where you follow the rules in grammar books, not from use, i.e., the one where the way you speak is not because that’s how you speak, but because that’s how you should speak. Around two to three million people speak it in Italy; the others speak in a language that is affected by the place they come from, which is often different to how they speak in the town five kilometres away, but which remains, for the most part, understandable to everyone and is full of an expressivity that is difficult to achieve with Italian-Italian. It’s because of this that the school is called Emilian, not because it should be written in Emilian (there have also been other Emilian schools abroad, in Lombardy, in Piedmont, in Liguria, in Sardinia and even in the Canton of Ticino) but rather to underline the fact that who take part in the school will be asked to work in a \u003cstrong\u003econcrete, regional, rough language; a language in which it is difficult to hear somebody say 'cribbio' or 'poffarbacco', instead saying 'vacco mondo' or 'zio campanaro'.”\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003eWithin the pages of the book, \u003cstrong\u003eillustrated by Yocci\u003c\/strong\u003e, the author digs, often through real examples, through the layers of this language in search of authenticity, released from the bubble wrap of literary correctness. Each chapter ends with a number of \u003cstrong\u003e“completed exercises”\u003c\/strong\u003e for the student by different schools of Emilian writing, precious insights for readers, students who have not attended \u003cstrong\u003ePaolo Nori\u003c\/strong\u003e’s anti-scholastic school.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629355032906,"sku":"FC90","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/paolo-nori-scuola-elementare-scrittura-emiliana.jpg?v=1766151713"},{"product_id":"regolamento-del-giuoco-del-calcio","title":"Regolamento del giuoco del calcio","description":"\u003cp\u003eEtching linked to the publication of \u003cem\u003e\u003ca href=\"https:\/\/corraini.com\/en\/regolamento-del-giuoco-del-calcio.html\"\u003eRegolamento del giuoco del calcio\u003c\/a\u003e\u003c\/em\u003e, an interpretation of the official rules of soccer through \u003cstrong\u003eFederico Maggioni\u003c\/strong\u003e's illustrations.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eEtching 22 x 16 cm.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e100 numbered copies signed\u003c\/strong\u003e by the artist, dated 2004.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629355229514,"sku":"I4","price":12.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/regolamento-del-giuoco-del-calcio.png?v=1768325768"},{"product_id":"esercizi-di-lettura","title":"Esercizi di lettura","description":"\u003cp\u003eEssays by Elisabetta Rasy on various contemporary writers.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629356114250,"sku":"L19","price":13.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/esercizi-di-lettura.png?v=1768325791"},{"product_id":"marco-pellizzola","title":"Marco Pellizzola","description":"\u003cp\u003eA tale of exploration among the mountains and of Nature observation\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629356343626,"sku":"L27","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/di-ritorno-dallo-stelvio.png?v=1768325804"},{"product_id":"terre-vulnerabili","title":"Terre vulnerabili","description":"\u003cp\u003eThe \u003cem\u003eTerre vulnerabili\u003c\/em\u003e project takes the shape of an organic and polyphonic exhibition. Numerous artists interact around the “earth” as their place of belonging and to “vulnerability” as a positive concept to be contrasted with security.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eTerre vulnerabili\u003c\/em\u003e is \u003cstrong\u003ean exhibition in progress\u003c\/strong\u003e, something which is germinating and organic, growing as it progresses. Articulated in four different stages, each given a different title – it lasts over a period of nine months. The underlying concept was that the work of each of the thirty international artists should not remain as it was at the start of each phase, but would continue to change and evolve throughout the duration of the show, with additions, corrections, changes of shape or place and interaction between the artists themselves. Behind it all lies the vision of a shared project that aimed to question traditional exhibition methods and show the way ahead, at a time when both our planet and the systems governing it and the conventions of contemporary art are showing serious signs of weakness and a need to be reconsidered.\u003c\/p\u003e\r\n\u003cp\u003eThis book is a diary of the \u003cem\u003eTerre vulnerabili\u003c\/em\u003e, on show at the HangarBicocca in Milan, 21 October 2010 - 17 July 2011. In addition to an analysis of each of the works and participating artists, there is a behind the scenes view of how the project originated and became a changing object, comparable to a garden, a city or delicate land to be travelled every which way. Told through the \u003cstrong\u003ephotos of Agostino Osio\u003c\/strong\u003e, the story documents the passing of time, revealing how the installations altered over the nine-month period.\u003c\/p\u003e\r\n\u003cp\u003eThere is also \u003cstrong\u003ea personal reflection by Andrea Zanzotto\u003c\/strong\u003e on how the creative act is inevitably destined to damage what already exists – plus \u003cstrong\u003ea conversation between Chiara Bertola, Andrea Lissoni and Hans Ulrich Obrist\u003c\/strong\u003e, a member of the HangarBicocca scientific committee and key figure in the contemporary art world, around the concept of an exhibition that creates itself by itself.\u003c\/p\u003e\r\n\u003cp\u003eThe artists involved in the \u003cem\u003eTerre vulnerabili\u003c\/em\u003e project: Ackroyd \u0026 Harvey \/ Mario Airò \/ Stefano Arienti \/ Massimo Bartolini \/ Stefano Boccalini \/ Ludovica Carbotta \/ Alice Cattaneo \/ Elisabetta Di Maggio \/ Rä di Martino \/ Bruna Esposito \/ Yona Friedman \/ Carlos Garaicoa \/ Alberto Garutti \/ Gelitin \/ Nicolò Lombardi \/ Mona Hatoum \/ Invernomuto \/ Kimsooja \/ Christiane Löhr \/ Marcellvs L. \/ Margherita Morgantin \/ Ermanno Olmi \/ Roman Ondák \/ Hans Op de Beeck \/ Adele Prosdocimi \/ Remo Salvadori \/ Alberto Tadiello \/ Pascale Marthine Tayou \/ Nico Vascellari \/ Nari Ward \/ Franz West.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629359456586,"sku":"L73","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/terre-vulnerabili.png?v=1768325872"},{"product_id":"verbale-scritto","title":"Verbale scritto","description":"\u003cp\u003e\u003cem\u003e“To complicate is simple, to simplify is complicated. In order to complicate, you just need to add something, whatever you wish: colours, shapes, actions, decorations, characters, environments full of odds and ends. Everybody is able to complicate. Only a few can simplify.”\u003c\/em\u003e — Bruno Munari\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eVerbale scritto\u003c\/em\u003e is \u003cstrong\u003ea collection of some short texts by Munari\u003c\/strong\u003e, taken from many of hs books. From the aphorisms to the Japanese haiku, Munari’s verbal inventions create sparkles in every direction and about many subjects: \u003cstrong\u003efrom art to design, to common non-usable thing to everyday objects.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eFirst published in 1992 by Il Melangolo, \u003cem\u003eVerbale scritto\u003c\/em\u003e is divided into 5 sections (Promemoria, Teoremi, Canzoni, Pensare confonde le idee and Due autobiografie), that reproduce hints taken from other books by Munari following the ways of his personal imagination.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629361422666,"sku":"M57","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/verbale-scritto6.png?v=1768325926"},{"product_id":"a-che-gioco-giochiamo","title":"A che gioco giochiamo?","description":"\u003cp\u003e\u003cstrong\u003eTo offer good playing situations is one of the best gifts that one can make to a family\u003c\/strong\u003e: it allows the recovering of good relationships between children and adults. As Munari said, \u003cem\u003e“everyone sees what he knows”\u003c\/em\u003e: from these words is born the awareness of the importance of offering to the children not only words, but also experiences to let them really know the world.\u003c\/p\u003e\r\n\u003cp\u003eThis book describes the experience of the workshops for children by Beba Restelli and Silvana Sperati. \u003cstrong\u003eThe words of the authors and those of Bruno Munari\u003c\/strong\u003e, collected in several interviews, describe the curiosity of children through many direct experiences and practical suggestings.\u003c\/p\u003e\r\n\u003cp\u003eOn the other hand, \u003cstrong\u003eAlberto Munari\u003c\/strong\u003e's contribution focuses on the nature and the psychological importance of playing in the learning process of children, also referring to the psychological studies about this subject in 20th century.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629370827082,"sku":"QL1","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/a-che-gioco-giochiamo.png?v=1768326094"},{"product_id":"de-pas-d-urbino-lomazzi","title":"De Pas, D'Urbino, Lomazzi","description":"\u003cp\u003e\u003cem\u003e“Three men in a boat”\u003c\/em\u003e was the name Giovanni Klaus Koenig in 1989 gave the group of young designers \u003cstrong\u003eJonathan De Pas, Donato D’Urbino\u003c\/strong\u003e and \u003cstrong\u003ePaolo Lomazzi\u003c\/strong\u003e. The five-word title cleverly captured two distinctive features of the three men: the playfulness of their approach to design and their passion for sailing. \u003cem\u003e“There was a sailing centre famous for its seriousness and rigour at Caprera. Ours was rather different: it was important to teach the rules but equally important to spend time together and to play the guitar.”\u003c\/em\u003e says D’Urbino, talking of the sailing school he founded.\u003c\/p\u003e\r\n\u003cp\u003ePlay and rules, rules and play: a rare approach by designers and one that the book \u003cem\u003eIl gioco e le regole\u003c\/em\u003e plays tribute to. A selection of iconic pieces shows \u003cstrong\u003ethe important contribution De Pas, D’Urbino and Lomazzi have made to Italian design\u003c\/strong\u003e both professionally and as regards research and experimentation.\u003c\/p\u003e\r\n\u003cp\u003eEdited by \u003cstrong\u003eVanni Pasca\u003c\/strong\u003e under the direction of \u003cstrong\u003eSilvana Annicchiarico\u003c\/strong\u003e, the book – catalogue of the exhibition at the \u003cstrong\u003eTriennale Design Museum\u003c\/strong\u003e – celebrates the ingenuity and innovation of the three designers whose slogan was “creativity with your head in the clouds and your feet on the ground”, an approach that produced new and exciting objects that were both fun and extremely practical.\u003c\/p\u003e\r\n\u003cp\u003eWhile experts on the rules of modern design they also loved to surprise and entertain, and this is what transpires from the work of De Pas, D’Urbino and Lomazzi. With texts by Vanni Pasca and Silvana Annicchiarico and some brilliantly clear and entertaining book design by \u003cstrong\u003eItalo Lupi\u003c\/strong\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629372170570,"sku":"TR01","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/il-gioco-e-le-regole.png?v=1768326118"},{"product_id":"tdm-5-grafica-italiana","title":"TDM 5: Grafica italiana","description":"\u003cp\u003eGraphics are an essential chapter in the history of Italian design. Besides communicating, interpreting and translating reality into visual forms, the discipline has played an important role in forming the identity and culture of modern Italy. Dedicated then to \u003cstrong\u003eItalian graphic design\u003c\/strong\u003e in all its various forms is \u003cem\u003eTDM 5: Grafica italiana \u003c\/em\u003e(Italian Graphics), 5th edition of the \u003cstrong\u003eTriennale Design Museum catalogue\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eThe book takes on the difficult task of uniting the vast production by Italian graphic designers from the past century to the present. It has been divided into nine sections (nine, like the Muses, noble representatives of the supreme ideal of Art): \u003cstrong\u003eLetters, Books, Magazines, Culture and Politics, Advertising, Packaging, Visual Identity, Signposting, Film and Video.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eA colour for each section and a spectrum of colours is created on the three sides of the book to set off a collection of graphic works that offers an important insight into the customs and history of Italy: not only posters but a vast selection of materials ranging from typefaces to trademarks, magazines, leaflets, brochures and books by major Italian publishers, coordinated image manuals, signposts, product packaging and the first examples of video graphics. There are some \u003cstrong\u003egreat names\u003c\/strong\u003e – it would be impossible to list them all.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eTDM 5: Grafica italiana\u003c\/em\u003e, edited by \u003cstrong\u003eGiorgio Camuffo, Mario Piazza,\u003c\/strong\u003e and \u003cstrong\u003eCarlo Vinti \u003c\/strong\u003eunder the direction of \u003cstrong\u003eSilvana Annicchiarico\u003c\/strong\u003e, pays tribute to the creativity of Italian graphic design and is an excellent opportunity to illustrate events, figures and phenomena that have accompanied and supported the cultural, social, economic and political development of the Nation, and to make this wealth of design known and accessible to non-specialists as well.\u003c\/p\u003e\r\n\u003cp\u003eA detailed look at the history of \u003cstrong\u003eItalian graphic design\u003c\/strong\u003e and its traditions which, by connecting past and present, offers an occasion to increase critical awareness of new and existing products and tools of visual culture that are now commonplace in our daily lives.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629372236106,"sku":"TR02","price":48.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/tdm-5_grafica-italiana3.png?v=1768326119"},{"product_id":"gae-aulenti-gli-oggetti-gli-spazi","title":"Gae Aulenti. Objects. Spaces","description":"\u003cp\u003e\u003cstrong\u003eGae Aulenti\u003c\/strong\u003e (1927-2012) was one of the most internationally known Italian architects, and the most famous female Italian architect.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eGae Aulenti. Objects. Spaces\u003c\/em\u003e, which accompanies the exhibition of the same name at the \u003cstrong\u003eTriennale Design Museum\u003c\/strong\u003e, is dedicated to her, and to her work.\u003c\/p\u003e\r\n\u003cp\u003eThe book, edited by \u003cstrong\u003eVanni Pasca\u003c\/strong\u003e, traces Gae Aulenti’s and her love of architecture and design, through a selection of her most important designs. The \u003cem\u003eSgarsul\u003c\/em\u003e chair, the \u003cem\u003eKing Sun\u003c\/em\u003e lamp for the Olivetti showroom in Buenos Aires, the \u003cem\u003eTennis\u003c\/em\u003e furniture series, the \u003cem\u003eIl tempo delle vacanze\u003c\/em\u003e installation for the XIII Triennale (1964), colours for Venini creations: many different focuses to provide a face to Gae’s well-rounded work where designs, spaces and objects are defined by a unitary thought, giving rise narratives that are controlled, but full of emotions caused by elements of strong communicative intensity.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629372629322,"sku":"TR08","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/gae-aulenti.png?v=1768326134"},{"product_id":"tdm-7-il-design-italiano-oltre-le-crisi","title":"TDM7: Italian design beyond the crisis","description":"\u003cp\u003e\u003cem\u003e“Every crisis poses an alternative. It compels movement. Innovation. A countermove. It does not allow for inertia, waiting, routine.”\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eItalian design beyond the crisis. Autarky, austerity, autonomy\u003c\/em\u003e, the catalogue that accompanies the VII edition of the \u003cstrong\u003eTriennale Design Museum\u003c\/strong\u003e, seeks to explore the creative potential induced by the crisis, ultimately responding to a fundamental question: “what did Italian design do when it found itself operated in a society with ‘its back against the wall’”?\u003c\/p\u003e\r\n\u003cp\u003eThe volume, edited by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, and designed by \u003cstrong\u003eItalo Lupi\u003c\/strong\u003e, focuses its attention on the \u003cstrong\u003etheme of self-sufficient production\u003c\/strong\u003e, as declined and approached in \u003cstrong\u003ethree different, but crucial, time periods\u003c\/strong\u003e: the 1930s (From autarky to autonomy), the 1970s (From austerity to participation) and the Noughties (From self-production to self-sufficiency). The journey, therefore, sets off from the origins of Italian design, where as a result of international sanctions imposed by the United Nations in 1935, Italian design had to make virtue out of necessity and \u003cstrong\u003erediscover materials and techniques from the Italian tradition\u003c\/strong\u003e, or even invent new creative materials. The second section is devoted to the period coinciding with the 70s oil crisis, where great Italian designers created exemplary works, daringly overcoming a shortage of resources with \u003cstrong\u003eexperimentation in new languages\u003c\/strong\u003e. The journey ends with the present day, in the context of a crisis of a production model that has been uncritically followed in previous decades, provoking the rediscovery of \u003cstrong\u003eself-production\u003c\/strong\u003e as well as local specialities and that unique peculiarity, on the international stage, of the Italian industrial districts.\u003c\/p\u003e\r\n\u003cp\u003eComplete with an extensive visual collection of over 800 pictures, \u003cem\u003eItalian design beyond the crisis. Autarky, austerity, autonomy\u003c\/em\u003e compiles a number of original contributions from several experts and designers, each offering a new perspective on each of these crucial historical moment, highlighting the extraordinary resilience of Italian design.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eThis volume was awarded an \u003cstrong\u003eHonorable Mention of the ADI Compasso d'Oro Award\u003c\/strong\u003e as a superior quality project, deserving of special distinction.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629372957002,"sku":"TR11","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/tdm-7_il-design-italiano-oltre-le-crisi.png?v=1768326138"},{"product_id":"who-on-earth-is-bruno-munari","title":"Who on earth is Bruno Munari?","description":"\u0026nbsp;\r\n\u003cp\u003e\u003cem\u003eThis book is also available in\u003c\/em\u003e \u003ca href=\"https:\/\/corraini.com\/en\/ma-chi-e-bruno-munari.html\"\u003eItalian\u003c\/a\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629382787402,"sku":"BN12INGL","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/ma-chi-e-bruno-munari-_ing.png?v=1768326280"},{"product_id":"the-sea-as-a-craftsman","title":"The sea as a craftsman","description":"\u003cp\u003e\u003cem\u003e\"You throw something into the sea, and the sea (after an unspecific and indeterminable amount of time) hands it back to you carved, finished, smoothed, shiny or polished according to the material and wet too because that way colours are brighter.\"\u003c\/em\u003e — \u003cstrong\u003eBruno Munari\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eReflections on \u003cstrong\u003ethe sea as creator of 'useless' design objects\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eThe sea as a craftsman\u003c\/em\u003e is part of the \u003cstrong\u003eBlock Notes\u003c\/strong\u003e series, created by Bruno Munari in 1992 for Corraini, an open collection of projects. These included creative examples of how to use art playfully and intelligently. The books in the series are characterized by their grey covers, pocket-size dimensions and the holes on the cover which prompt the reader to \"wander in\" through to the book itself.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003e\u003cem\u003eThis book is also available in\u003c\/em\u003e \u003ca href=\"https:\/\/corraini.com\/en\/il-mare-come-artigiano.html\"\u003eItalian\u003c\/a\u003e.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629382820170,"sku":"BN8INGL","price":11.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/il-mare-come-artigiano_ing.png?v=1768326282"}],"url":"https:\/\/corraini.com\/en\/collections\/saggi.oembed?page=2","provider":"corraini-shop","version":"1.0","type":"link"}