{"title":"Stefania di Maria","description":"\u003cp\u003eStefania di Maria laureata in Interior Design (MSc) presso il Politecnico di Milano (con la tesi sperimentale No, dedicata alla negazione, all’impedimento e all’assenza nelle opere di artisti e progettisti contemporanei), svolge attività critica (collaborando con Inventario), curatoriale e didattica (nei corsi di Design e arti e Cultura italiana di Beppe Finessi, alla Scuola del Design del Politecnico). Ricercatrice presso l’ADI Design Museum, si occupa della collezione permanente, della gestione dell’archivio, e di assistenza alla curatela per mostre temporanee in Italia e all’estero. Ha collaborato alle ricerche preliminari che hanno portato alla ricostruzione dell’archivio della Collezione Storica del Compasso d’Oro, e all’ordinamento scientifico dell’esposizione permanente Il cucchiaio e la città.\u003c\/p\u003e","products":[{"product_id":"inventario-01","title":"Inventario 01","description":"\u003cp\u003eEvery gesture and action, even the simplest, is a project. The \u003cstrong\u003ekey words in design – method and precision – can be seen in everything\u003c\/strong\u003e: an inventory is the most effective way of collecting, ordering and deciphering everything we encounter.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is where this study finds a home, open to every form of expression and directed mainly at design. The concept is that of a series of independent books – taking the best of ideas from “book “ and “magazine” – where objects and thoughts flow through a number of regular columns: “boxes” to contain contents that are expressly sought and logically ordered. \u003cem\u003eInventario\u003c\/em\u003e \u003cstrong\u003edescribes the “project” from widely different points of view\u003c\/strong\u003e, shifting freely between different disciplines bound together by the concept of creation: “project” is an object, a work of art, a building or even a part of nature, the preparing of a special dish, organizing of a trip, the taking of a photograph or writing of a short story.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 01\u003c\/em\u003e: Pierluigi Anselmi, Marco Belpoliti on Italo Lupi, Paolo Bocchi on Corrado Levi, Angelika Burtscher and Daniele Lupo on Ingrid Hora, Michele Calzavara on Didier Fiuza Faustino, Francesco M. 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As always \u003cem\u003eInventario\u003c\/em\u003e directs the \u003cstrong\u003eflow of objects and thoughts\u003c\/strong\u003e through a number of regular columns: “boxes” that contain expressly sought out and logically ordered contents.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePaolo Bocchi\u003c\/strong\u003e disentangles life with the adventure of Philippe Petit, the tightrope walker who in August 1974 stretched a wire between New York’s Twin Towers, to then take a 45 minute walk across, suspended 400 metres in the air. \u003cstrong\u003eFrancesco Garutti\u003c\/strong\u003e catalogues the meticulous daily existence of artist André Cadere (1934-1978), already a Myth of Today, who makes, tongue in cheek, permutation and utopia part of his artistic concept. The New Masters of contemporary design, Fernando \u0026 Humberto Campana, chat to \u003cstrong\u003eMarco Romanelli\u003c\/strong\u003e about the aesthetic alchemy of their own approach. \u003cstrong\u003eMatteo Pirola\u003c\/strong\u003e rewrites the entry “Windows” from the Architect’s Manual inventorying works of art and architecture. \u003cstrong\u003eMirko Zardini and Giovanna Borasi\u003c\/strong\u003e propose examples of urban action that lie somewhere between provocation and clever solutions. And there’s much more besides.\u003c\/p\u003e\r\n\u003cp\u003eTo mark the 150th anniversary of Italian Unity, the cover of \u003cem\u003eInventario 02\u003c\/em\u003e is dedicated to \u003cstrong\u003eworks of art that reflect the colours of the Italian flag\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 02\u003c\/em\u003e: Stefano Salis on Olimpia Zagnoli, Francesco M. Cataluccio and Dalia Greppi on the wind, Paolo Bocchi on Philippe Petit, Giacinto di Pietrantonio on Felice Varini, Francesco Garutti on André Cadere, Daniele Greppi on dismountable tables, Marco Romanelli inteviews Fernando \u0026 Humberto Campana, Deborah Duva on the best Ideas of 2010, Massimo Curzi on Helene Binet, Matteo Pirola on windows, Michele Calzavara on Bernard Khoury, Angelika Burtscher and Daniele Lupo on Nina Beier, Mirko Zardini and Giovanna Borasi on Action- urban actions, Manolo De Giorgi on Marco Zanuso.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629346742602,"sku":"D74","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_02.jpg?v=1768325602"},{"product_id":"inventario-03","title":"Inventario 03","description":"\u003cp\u003eFull speed ahead in the new issue of \u003cem\u003eInventario\u003c\/em\u003e the investigation continues into creation and cultivation of the project. As indicated in the sub heading “Everything is a Project” the, generally separate, disciplines of architecture, design and art, combined with real everyday life, interact freely with one another.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMichele Calzavara\u003c\/strong\u003e presents the exceptional work of Thomas Heatherwick, designer of the UK pavilion at the Shanghai Expo. His works are visionary creations that originate from a blend of traditional methods and a unique flair for experimentation rarely found among architects. \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e presents a brief history of the coffee pot, tracing its technical evolution and its various styles: from “mamma” Bialetti of 1933 to the most recent, here are some ideas for a good coffee by top designers. In The architecture of Art \u003cstrong\u003eFrancesco Garutti\u003c\/strong\u003e examines the eight years of activity of Meir Eshel, alias Absalon, and in particular his most ambitious design for six living units for as many metropolises modelled on the artist’s own body: the minimalist units, or cellules, are compressed to allow mind and body to dilate. A conversation between two old friends: \u003cstrong\u003eMarco Romanelli\u003c\/strong\u003e interviews \u003cstrong\u003ePaolo Ulian\u003c\/strong\u003e on his work. A former pupil of Enzo Mari, Ulian is currently one of the New Masters of design. The extraordinary story of W. Reginald Bray, an eccentric English gentleman who at the end of the 19th century became famous for his postcards, sent “to the train driver of the locomotive in the picture” or “to any resident of London”, and even posting himself home to his father who, patiently, signed the return slip. He claimed to be checking the efficiency of the British postal service. And much more.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 03\u003c\/em\u003e: Roberto Marone on Erwin Wurm, Manolo De Giorgi and Michela Dossi on Inhabited walls, Matteo Pirola on Floors, Michele Calzavara on Thomas Heatherwick, Cristina Miglio, Marco Meneguzzo and Renata Molho on Clothes as sculptures, Paolo Bocchi on Tibor Kalman, Marco Rainò on Peter Marigold, Studio Formafantasma and Mischer‘Traxler, Giulio Iacchetti on Coffee Pots, Marco Romanelli’s interview of Paolo Ulian, Daniele Greppi on Ernst Gamperl, Italo Lupi on Michele Provinciali, Francesco Garutti on Absalon, Stefano Salis on W. 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And with new content, where the disciplines of architecture, design and art, together with life itself, find themselves interacting.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCristina Miglio\u003c\/strong\u003e speaks of Lisa Ponti and her \"drawings as thoughts\", revealed, nimbly, to the viewer, while \u003cstrong\u003eRoberta Valtorta\u003c\/strong\u003e reveals fragments of the visible world captured by the photos of Rinko Kawauchi. The Short Notes section by \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e is this time dedicated to doorstops, silent objects, useful to daily living, designed by Marc Newson, Chiara Moreschi, Modoloco and others. There is a tribute to the great master \u003cstrong\u003eAngelo Mangiarotti\u003c\/strong\u003e and his designs for tables, developed over a twenty-year time span. The spotlights are trained on the works of Ugo La Pietra, which intertwine to form a \"synesthesia between the arts\", and a masterpiece by Alighiero Boetti that originated in 1971 and is set to last a lifetime: a regular, methodical and poignant project of the \"self-portrait \" through the application of mathematical rules that the artist explains in the texts of telegrams chosen as material support to the work itself. \u003cstrong\u003eMarco Romanelli\u003c\/strong\u003e interviews Tokujin Yoshioka for the column New Masters and \u003cstrong\u003eRoberto Marone\u003c\/strong\u003e tells us about the findings of Daniele Perra Pario regarding Low Cost Design: corkscrews as handles and coffee makers as irons, in a series of small, inexpensive changes for everyday living.  And then, an article by \u003cstrong\u003eMichele Calzavara\u003c\/strong\u003e dedicated one of our Myths of Today: Maarten Van Severen, a conversation on \"objects that have left the stage\" between \u003cstrong\u003eAngelika Burtscher and Daniele Lupo\u003c\/strong\u003e with Tobias Putrih, and a lengthy inquiry, worthy of an Architect’s Manual under the entry \"Amidst the trees\" by \u003cstrong\u003eAnnalisa Ubaldi\u003c\/strong\u003e, and much, much more.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 05\u003c\/em\u003e: Cristina Miglio on Lisa Ponti with comments by Franco Toselli and Corrado Levi, Roberta Valtorta on Rinko Kawauchi, Marco Romanelli interviews Tokujin Yoshioka, Giulio Iacchetti on Doorstops, Roberto Marone on the Low Cost Design of Daniele Pario Perra, Matteo Pirola on Ugo la Pietra, Angelika Burtscher and Daniele Lupo interview Tobias Putrih, Daniele Greppi on Angelo Mangiarotti, Michele Calzavara on Maarten Van Severen, Annalisa Ubaldi on projects concerning trees, Francesco Garutti on Roman Ondák, Deborah Duva and Francesco M. Cataluccio on Alighiero Boetti, Paolo Bocchi on the \"Maps\" of Wim Delvoye.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629347463498,"sku":"D86","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_05.jpg?v=1768325618"},{"product_id":"inventario-04","title":"Inventario 04","description":"\u003cp\u003eInvestigation goes on full steam ahead into the creative process and the concept of project in the latest issue of \u003cem\u003eInventario\u003c\/em\u003e. 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In the Near Future section we meet JoeVelluto (JVLT), Anselmo Tumpić and Dominic Wilcox, while \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e gives us his Short Notes on pen design, from Bíró’s Bic to Konstantin Grcic’s Necklace. \u003cstrong\u003eAnnalisa Ubaldi\u003c\/strong\u003e introduces us to the world of mirrors as expressed by the visionary talent of Ron Gilad, and compares his work with the experiences of Carlo Mollino, Corrado Levi and others who have designed mirrors – an item constantly present in our lives and open to ever increasingly stupendous inventiveness. \u003cstrong\u003eDaniele Lupo and Angelika Burtscher\u003c\/strong\u003e talk to Ika Künzel about an object that has now become a dinosaur: the analog camera. \u003cstrong\u003eItalo Lupi\u003c\/strong\u003e instead tells us about how Leonardo Sonnoli has revisited and reinterpreted typeface. And there’s more to come, with \u003cstrong\u003eLorena Tonin\u003c\/strong\u003e talking about tracks as an ancestral way of rendering form, a study on balance by \u003cstrong\u003eMatteo Pirola\u003c\/strong\u003e, the exhibitions of Carsten Höller, the perfect example of exhibition as a work of art, the project “Seven houses for one house” by Architects DVVT, the Monument against Fascism by Jochen Gerz and Esther Shalev-Gerz, and much more besides.\u003c\/p\u003e\r\n\u003cp\u003eAll the contributors of \u003cem\u003eInventario 04\u003c\/em\u003e: Roberto Marone on Urban Jewels, Cristina Miglio on Contemporary Jewellery, Paolo Bocchi on JoeVelluto (JVLT), Anselmo Tumpić and Dominic Wilcox, Giulio Iacchetti on Pens, Annalisa Ubaldi on Mirrors, Angelika Burtscher and Daniele Lupo interview Ika Künzel, Roberta Valtorta on Collecting\/Arranging, Italo Lupi on Leonardo Sonnoli, Francesco M. Cataluccio and Lorena Tonin on Traces, Matteo Pirola on Equilibrium, Francesco Garutti on Carsten Höller, Michele Calzavara on Architecten DVVT, Deborah Duva on Jochen Gerz and Esther Shalev-Gerz, Alessandro Rabottini on Francis Alÿs.\r\n\u003cp\u003e\u003cem\u003eInventario\u003c\/em\u003e is a new editorial initiative created and managed by \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e, edited by \u003cstrong\u003eCorraini\u003c\/strong\u003e, promoted and supported by \u003cstrong\u003eFoscarini\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u0026nbsp;\r\n\u003cp\u003eInventario \u003cem\u003ewon the \u003cstrong\u003eADI Compasso d'Oro Award\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629347955018,"sku":"D95","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/inventario_04.jpg?v=1768325636"},{"product_id":"inventario-15","title":"Inventario 15","description":"\u003cp\u003eNow in its fifteenth issue and tenth year, \u003cstrong\u003eINVENTARIO\u003c\/strong\u003e continues its discussion on design culture, bringing together art, architecture and design in a free and interdisciplinary exchange. The cover of this new issue is dedicated to the pencil: a common and simple object, within everyone’s reach. For that reason it goes unseen, but it has its own unexpected beauty and it is the bearer of a social and cultural history – a kind of magic wand from which lines, trends and ideas flow.\u003c\/p\u003e\r\n\u003cp\u003eBetween the pages of \u003cstrong\u003eINVENTARIO\u003c\/strong\u003e we find the usual sections that arrange its contents in a flow of thoughts, objects and images. In \u003cem\u003e“Bounces”\u003c\/em\u003e \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e explores the meanings of the relationship between “full” and “void”, “visible” and “invisible”, while in \u003cem\u003e“Judicious Pairings”\u003c\/em\u003e \u003cstrong\u003eStefania Di Maria\u003c\/strong\u003e collects works that share the theme of “NO”. \u003cem\u003e“Personal Inventory”\u003c\/em\u003e presents an original design manual through the work of Corrado Levi: eighteen ways of designing, eighteen keys to reading Levi’s work. In turn, \u003cstrong\u003eCorrado Levi\u003c\/strong\u003e shows Lina Bo Bardi’s “Seduta da bordo strada”, created in 1967, through his own \u003cem\u003e“Why”\u003c\/em\u003e.  \u003cstrong\u003eManolo De Giorgi\u003c\/strong\u003e's section \u003cem\u003e“Hues”\u003c\/em\u003e, after talking about orange and green in recent issues, this time focuses on works, objects and spaces marked by the colour brown. \u003cstrong\u003ePaolo Bocchi\u003c\/strong\u003e’s \u003cem\u003e“Normal Wonders”\u003c\/em\u003e, with drawings by Marco Manini, transforms everyday objects – from the corkscrew to the bell, from the anchor to the mirror ball – into “poetic anonymities”, abstracting them through images and verses. For \u003cem\u003e“Myths of Today”\u003c\/em\u003e \u003cstrong\u003eFrancesca Picchi\u003c\/strong\u003e chooses James Irvine, retracing the stages of his work as a designer, while \u003cstrong\u003eGiulio Iacchetti\u003c\/strong\u003e's \u003cem\u003e“Short Notes”\u003c\/em\u003e are dedicated to the pipe, with a selection of twelve iconic models. In \u003cem\u003e“Lessons”\u003c\/em\u003e, \u003cstrong\u003eAlberto Meda\u003c\/strong\u003e talks about his concept of industrial design through some of the projects developed during his career. The protagonist of \u003cem\u003e“Temporalia”\u003c\/em\u003e by \u003cstrong\u003eElisa Testori\u003c\/strong\u003e is tape: a material dear to contemporary artists, tape can become design and an object of attention even by graphic designers and designers if they use it (to modify, to weld, to cover, to create, to play with) and rethink it. 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