{"title":"Stefano Bartezzaghi","description":"\u003cp\u003eStefano Bartezzaghi è docente di Semiotica e Teorie della creatività e direttore della scuola di Giornalismo dell’Università IULM (Milano), collaboratore di “ la Repubblica”, “Espresso” e “Vanity Fair.” I suoi ultimi libri sono:M. Una metronovela(Einaudi, 2015);La ludoteca di Babele. Dal dado ai social network, a che gioco stiamo giocando?(Utet, 2016).\u003c\/p\u003e","products":[{"product_id":"il-cinema-con-il-cappello-borsalino-e-altre-storie","title":"Cinema wears a hat. Borsalino and other Stories","description":"\u003cp\u003eCountless are the possible scenarios around the universe of headgears\u003c\/strong\u003e: from hats to caps, from chapeau claque to helmets, from bowler hat to turban... Besides its primary function to protect the head against bad weather and excessively high or low temperatures, \u003cstrong\u003eevery hat developes symbolic meanings that build up an identity around whom wears it\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eCinema wears a hat. Borsalino and other Stories\u003c\/em\u003e tells of the century-old relationship between film and hats through a \u003cstrong\u003ehistorical, cultural and emotional layout\u003c\/strong\u003e showing the kind of stories, passions, disguises and identifying traits which headgear can create. Lots of film icons have used hats to make themselves more recognisable on screen: from Charlie Chaplin to the Blues Brothers, from Humphrey Bogart to John Wayne… In this book the hat reveals itself as a time machine capable of crossing film genres, periods, classes and social barriers in an alternating sequence of standard rules and eccentric exceptions.\u003c\/p\u003e\r\n\u003cp\u003eThis book is a story told by various different voices with contributions by \u003cstrong\u003eFrancesco Alò, Stefano Bartezzaghi, Marco Belpoliti, Mario Boselli, Gianni Canova, Paolo Fabbri, Jacques Fonteray, Elisa Fulco, Giorgio Gosetti, Franca Sozzani, Sergio Toffetti and Dario Edoardo Viganò\u003c\/strong\u003e and \u003cstrong\u003eGianluigi Toccafondo\u003c\/strong\u003e’s illustrations.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629353722186,"sku":"FC75","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/il-cinema-con-il-cappello_borsalino-e-altre-storie.png?v=1768325738"},{"product_id":"un-personaggio-in-cerca-di-aurore","title":"Un personaggio in cerca di aurore","description":"\u003cp\u003e\u003cem\u003e“Se l’umorismo è cercare le pieghe inedite del mondo, Munari è stato non solo un grande artista e un maestro di design, ma anche, incidentalmente, un umorista impareggiabile, per il quale l’ovvio è l’oppio dei popoli e l’occhio, invece, ne costituisce l’unico possibile riscatto.”\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003eIl piccolo volume raccoglie una riflessione di \u003cstrong\u003eStefano Bartezzaghi \u003c\/strong\u003esu \u003cstrong\u003eBruno Munari,\u003c\/strong\u003e nella sua veste di creatore ironico, maestro del gioco e ideatore di paradossi ed esagerazioni. Le parole di Bartezzaghi si intersecano nel libro bicromatico con le leggere illustrazioni tratte dalle opere di Munari. Il testo è pensato in occasione dell’omonima mostra, \u003cem\u003e“Un personaggio in cerca di aurore”\u003c\/em\u003e che si svolgerà durante il festival sull’ironia \u003cem\u003eIl senso del Ridicolo\u003c\/em\u003e, di cui Bartezzaghi è direttore artistico.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629414113610,"sku":"BN21","price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/un-personaggio-in-cerca-di-aurore.png?v=1768326689"},{"product_id":"considerazioni-intempestive","title":"Considerazioni intempestive","description":"\u003cp\u003eWhy is \u003cstrong\u003econtemporary art\u003c\/strong\u003e hard to understand? Why does it seem to exclude the spectator and at the same time consider them indispensable for the sake of art's own existence and, above all, how can the spectators orient themselves in forms of expression that are so distant from the classical connotations that characterise the work of art?\u003c\/p\u003e\r\n\u003cp dir=\"auto\"\u003eTo answer these questions, \u003cstrong\u003eGloria Bovio, Nathalie Heinich, Stefano Zuffi, Valerio Terraroli, Francesca Pasini, Stefano Bartezzaghi and Marco De Marinis\u003c\/strong\u003e express their point of view by bringing together closely related disciplines such as sociology, philosophy and art history in a reflection on contemporary art and its fruition, which focuses on the contemporary public and the difficulties they encounter in approaching the art of their time.\u003c\/p\u003e\r\n\u003cp dir=\"auto\"\u003e\u003cem\u003eConsiderazioni Intempestive\u003c\/em\u003e takes its name from the first two editions of Dialoghi d'arte, the festival on contemporary art organised by the \u003cstrong\u003eFondazione Cultura Noli\u003c\/strong\u003e, which aims to be a meeting place and starting point to accompany the public on a journey of learning about contemporary art.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629421486410,"sku":"FC141","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/gloria-bovo-considerazioni-intempestive.jpg?v=1768326855"},{"product_id":"abab","title":"ABAB","description":"\u003cp\u003e\u003cem\u003e“A for Alighiero, B for Boetti”\u003c\/em\u003e so says a phrase in one of his famous squares. A\u0026B, like the initials of his daughter’s name, Agata Boetti. When placed together with no full stops, their initials spell out \u003cstrong\u003eABAB\u003c\/strong\u003e, “like the alternate rhyme scheme: ‘Gioco \/ di mano \/ gioco \/ di villano’ (never use your fists). ABAB when read back to front becomes ‘Baba’, an Ali who knows the magic formulas that open up treasure caves.”\u003c\/p\u003e\r\n\u003cp\u003eThis is how \u003cstrong\u003eStefano Bartezzaghi\u003c\/strong\u003e portrays the artist \u003cstrong\u003eAlighiero Boetti\u003c\/strong\u003e, using pencils, games and puzzles. From the codes he used to classify artists - himself included - and never since deciphered, to the improbable collection of cartoons from the \u003cem\u003e“Settimana enigmistica”\u003c\/em\u003e, cut out and put aside for an exhibition that was never held.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eABAB. La stanza dei giochi di Agata e Alighiero Boetti\u003c\/em\u003e pays homage to Boetti and the leitmotif of irony and playfulness that characterised his art and his role as a parent.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629433577802,"sku":"BN23","price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/bar_abab_1.jpg?v=1768327103"}],"url":"https:\/\/corraini.com\/en\/collections\/stefano-bartezzaghi.oembed","provider":"corraini-shop","version":"1.0","type":"link"}