{"title":"Ugo Mulas","description":"\u003cp\u003eUgo Mulas è stato tra i più importanti fotografi italiani del dopoguerra. Di formazione autodidatta, frequenta gli ambienti artistici milanesi e collabora con Mario Dondero e Giorgio Strehler.Dal 1954 al 1972 fotografa le edizioni della Biennale di Venezia, ritraendo numerosi artisti tra cui Alberto Burri e Lucio Fontana. Dello stesso periodo sono anche i ritratti a Giuseppe Ungaretti, Alberto Giacometti, Eugenio Montale, Eduardo De Filippo. Nel 1964 parte per gli Stati Uniti dove fotografa la scena artistica newyorkese, documentando il lavoro di artisti come Lichtenstein, Rauschemberg, Duchamp, Warhol, Cage. Negli ultimi anni della sua vita si concentra sui nuovi aspetti del suo lavoro personale, iniziando la serie“Le Verifiche”.\u003c\/p\u003e","products":[{"product_id":"cirque-calder","title":"Cirque Calder","description":"\u003cp\u003eDaredevil acrobats, ringmasters, lion tamers, sword eaters, weight lifters, trained seals, panthers, kangaroos and even a unicorn. All it takes is some wire and fabric (and the genius of two great artists) to create a pocket circus. \u003cem\u003eCirque Calder\u003c\/em\u003e gathers together a selection of photographs taken by \u003cstrong\u003eUgo Mulas\u003c\/strong\u003e of the Cirque, an early work by the great American sculptor \u003cstrong\u003eAlexander Calder\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eThe Cirque Calder was created between 1926 and 1931 and consists of \u003cstrong\u003esmall sculptures\u003c\/strong\u003e, human figures, and animals made from wire, twine, rubber, cloth and other objects \u003cstrong\u003ethat Calder put together and staged in scenes to create improvised performances\u003c\/strong\u003e. The friendship between Calder and Mulas, which began in the early 60s, will lead to the creation of this set of photographs, taken in 1963 and 1964. The book also features text by Valerio Dehò. \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eCirque Calder\u003c\/em\u003e accompanies the exhibition ‘Ugo Mulas. Circus Calder’, curated by Valerio Dehò and organized by Merano Arte in collaboration with the Archivio Ugo Mulas of Milan and the Biblioteca Civica of Merano, and with ÓPLA, the archive of artists’ books for children.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629339992394,"sku":"CF03","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/cirque-calder.png?v=1768325367"},{"product_id":"pre-design-1969","title":"Pre design 1969","description":"\u003cp\u003eFifty years after the first exhibition by the \u003cstrong\u003eExhibition Design group\u003c\/strong\u003e,\u003cstrong\u003e Michele Galluzzo\u003c\/strong\u003e recounts the first experiments of the collective in \u003cem\u003e\u003cstrong\u003ePre design 1969\u003c\/strong\u003e\u003c\/em\u003e. Research on plastic laminate by the Exhibition Design group. Made up of leading Italian graphic designers such as \u003cstrong\u003eGiulio Confalonieri, Silvio Coppola, Franco Grignani, Bruno Munari and Pino Tovaglia\u003c\/strong\u003e, the ED group was formed in the late 1960s in Milan and in less than a decade gave rise to an extremely interesting experience, which until now has only been partially investigated. \u003cbr \/\u003e\u003cbr \/\u003eHighlighting the peculiarities of the group's approach, Galluzzo's essay focuses on overcoming the concept of individual authorship, the choice of exhibition space as a tool for dialogue with the community, reflection on design methodology and research in an interdisciplinary perspective. The text is accompanied by photographs by Luciano Ferri and Ugo Mulas, recently acquired by Galleria Corraini, which reconstruct the preparatory and research phases prior to the exhibition, the still life documentation of the completed experiments, until the opening of the exhibition Design ricerche plastiche in the \u003cstrong\u003eSala delle Cariatidi of Palazzo Reale\u003c\/strong\u003e in S\u003cstrong\u003eeptember 1969\u003c\/strong\u003e, promoted by the \u003cstrong\u003eLaminati Plastici \/ Formica and Bernini companies.\u003c\/strong\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003cem\u003e\u003cstrong\u003ePre design 1969\u003c\/strong\u003e \u003c\/em\u003etherefore offers an opportunity to reflect on the role of research and experimentation in dialogue with companies and the community, on the responsibility of the designer towards the end user, on the use of the exhibition space as a place of meeting and dissemination, as well as on the intermingling of graphics and industrial design at a crucial time in the history of Italian design. \u003cbr \/\u003e\u003cbr \/\u003eThe book is published to mark the exhibition of the same name to be held from 9 April to 12 May at the Corraini in Piccolo bookshop, in the Chiostro Nina Vinchi at the Piccolo Teatro in Milan.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":53629422993738,"sku":"D183","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/pre-design_cover-sito.jpg?v=1768326902"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/collections\/mulas_-_cover_sito_17595c18-8259-4985-81e0-9fd89b114c65.jpg?v=1773747667","url":"https:\/\/corraini.com\/en\/collections\/ugo-mulas.oembed","provider":"corraini-shop","version":"1.0","type":"link"}