{"product_id":"inventario-20","title":"Inventario 20","description":"\u003cp\u003eThe \u003cstrong\u003etwentieth volume\u003c\/strong\u003e of \u003cem\u003eInventario\u003c\/em\u003e celebrates a major milestone in an independent publishing journey that began in 2010 to explore the culture of projects with absolute freedom and analytical rigor. Moving across industrial design, visual arts, architecture, photography, and graphic design, \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eInventario\u003c\/em\u003e continues to organize the flow of creativity through its characteristic thematic sections.\u003c\/p\u003e\n\u003cp\u003eIn this \u003cstrong\u003especial issue\u003c\/strong\u003e, the cover—as always, the opening article—is dedicated to the \u003cstrong\u003eHourglass\u003c\/strong\u003e: an ancient device and silent machine that measures and stages time through a gravitational fall that is at once a promise, a theater of becoming, and a new beginning.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarta Sironi\u003c\/strong\u003e writes an encyclopedic \u003cem\u003eInventario\u003c\/em\u003e entry on \u003cem\u003eAuthors\u003c\/em\u003e about Giancarlo Iliprandi, a transdisciplinary master and leading figure in Italian graphic design, retracing sixty years of work spanning painting, set design, photography, design, exhibitions, art direction, and civic engagement. \u003cstrong\u003eBeppe Finessi\u003c\/strong\u003e analyzes five masterpieces of modern architecture that remain on paper. \u003cstrong\u003eMatteo Pirola\u003c\/strong\u003e retraces the history of GERMANIA, Hans Haacke's courageous intervention at the 1993 Venice Biennale, with the shattering of the floor of the German Pavilion to evoke the tragedies of the Nazi era. \u003cstrong\u003eMarlene Onali\u003c\/strong\u003e analyzes the Peephole in an exploration of the hole and the slit as optical instruments, perceptual boundaries, and triggers of voyeurism through art, architecture, and exhibition design, while \u003cstrong\u003eMario Piazza\u003c\/strong\u003e investigates the posters and the geometry of the color-lines of Japanese graphic designer Kazunari Hattori. \u003cstrong\u003eAnna Castelli\u003c\/strong\u003e comments on Francesco Faccin's Pedestals research, which transformed the display support into a critical device and a mediator of meaning. \u003cstrong\u003eValerio Morgante\u003c\/strong\u003e, for the \u003cem\u003eBagatelle\u003c\/em\u003e section, organizes an extensive and erudite survey of the primordial theme of Earth through installations and architectures. \u003cstrong\u003eManolo De Giorgi\u003c\/strong\u003e launches a new section dedicated to interiors, addressing the theme of Half-levels in some designer houses. Finally, \u003cstrong\u003eRoberta Valtorta\u003c\/strong\u003e sketches a critical biography of Luigi Ghirri, and \u003cstrong\u003eMartina Sanzarello\u003c\/strong\u003e illustrates the ironic and surprising \u003cem\u003eNormal Wonders\u003c\/em\u003e of Sarah Illenberger.\u003c\/p\u003e","brand":"corraini-shop","offers":[{"title":"Default Title","offer_id":64118274883914,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8652\/3978\/files\/INV-20_cover-sito.jpg?v=1793112873","url":"https:\/\/corraini.com\/en\/products\/inventario-20","provider":"corraini-shop","version":"1.0","type":"link"}